Our guest today is Nicole Alexander who is
the author of eight novels: The Bark
Cutters, A Changing Land, Absolution Creek, Sunset Ridge, The Great Plains,
Wild Lands and River Run. An Uncommon
Woman will be released on 3 July 2017. Nicole lives in north-west NSW,
Australia and when she's not writing or chatting to book-lovers you can find
her on the family property.
The Bark Cutters was short-listed for an Australian Book Industry Award. Both Absolution Creek and Sunset Ridge were chosen for the '50 Books You Can't Put Down' Get Reading campaign. The Great Plains was chosen in Better readings Top 100 Books in both 2015 & 2016.
The Bark Cutters was short-listed for an Australian Book Industry Award. Both Absolution Creek and Sunset Ridge were chosen for the '50 Books You Can't Put Down' Get Reading campaign. The Great Plains was chosen in Better readings Top 100 Books in both 2015 & 2016.
What is the inspiration for your current book?
An
Uncommon Woman began with an idea based on a 1933
newspaper article in the Tasmanian Examiner. It reported that a woman had
purchased a Queensland pastoral station. The fact that this buying of land
warranted a headline in an island state far removed from the dusty interior of
Australia signified the importance and the uniqueness of the event. The world
had just staggered through the great stock market crash of 1929 and was in the
grip of a devastating recession and yet here was a woman laying claim to a
remote rural property.
Is there a particular theme you are exploring in this book?
There are a number of themes, however love
versus ambition is the predominant one. It’s an interesting theme to address in
an historical novel, where your lead character is a female. In the past and to a limited extent today,
women’s lives were curtailed by the dictates of society. For a woman to push
through the boundary of conformity and to aspire to a different life in a rural
environment in the late 1920s (the period An
Uncommon Woman is set), requires the type of character that writers love to
conjure from the ether.
Which period of history particularly interests you? Why?
While I have written about our convict and
military past, I am drawn to our wider pastoral legacy. We are so much more
than our western society origin stories of coastal settlement. And our inland history
allows a writer to explore the contribution made to the growth of Australia by
all; Indigenous Australians, Chinese, Greeks, Italians etc against the rich
tapestry of pastoral life.
What resources do you use to research your book?
Once I’ve decided on a time period and
location I then read widely on the subject, both non-fiction and fiction. I
utilize archives from state libraries and on-line resources. These may include
newspaper articles, family and regional histories, physical and digital books
and files. I also investigate my own family’s pastoral records if appropriate.
This ensures I get a rounded view of both the period and setting that I’m
writing about. It is easy to become immersed in research, so once I’ve begun
writing I then only tend to research a specific area on a ‘need-to’ basis.
What is more important to you: historical authenticity or accuracy?
Both are important. While ensuring your
work is as realistic as possible is vital, accuracy most definitely has its
place. I stick to dates where possible, consider world events and the impact
they have on a particular time/characters.
Which character in your current book is your favourite? Why?
In An
Uncommon Woman, my main character, Edwina is my favourite. I wanted her
to break free of the restrictions of her gender and the society in which she
lived. To forge a place for herself beyond the dictates of men, whether they be
father, brother or lover. I wanted her to be feisty and determined. A product
of her environment.
Are you a ‘plotter’ or a ‘pantser’? How long does it generally take you to write a book?
I’m definitely a pantser. Many authors love
the structure plotting gives them. However I write the first few chapters and
then sit back and see how my characters evolve. I don’t want to be so controlled
that I don’t have room to manoeuvre if my character leads me in a different
direction.
An
Uncommon Woman is my eighth novel in eight years.
So it takes roughly about 8 months to produce a manuscript.
Which authors have influenced you?
Ernest Hemingway, for his sparse prose,
Larry McMurtry, particularly his 1985 western novel, Lonesome Dove. The word
epic does actually apply to this work. I love Michael Ondaatje. The English Patient stands out for me
and D’Arcy Niland’s Australian masterpiece, The
Shiralee. I look for authors who have beautiful prose, intriguing
storylines and worlds where the landscape is carefully considered.
What advice would you give an aspiring author?
You’ll only become a writer if you practice.
It’s all about placing your backside in the chair and then… Redraft, redraft,
redraft. Make that manuscript shine like a pearl.
Tell us about your next book or work in
progress.
At the moment I’m having a short break….
Set in rural Queensland in 1929, An Uncommon Woman is the
captivating story of a very modern woman who refuses to be held down by the
conventions of the past . . .
Inspired
by a real newspaper story from 1933, An
Uncommon Woman is an epic tale of duty, ambition, prejudice and love,
from the pen of bestselling author Nicole Alexander.
A new world is waiting for her . . .
A new world is waiting for her . . .
It’s
1929, and the world is changing. Cars are no longer the privilege of the rich.
Hemlines are rising. Movies are talking. And more and more women are entering
the workforce.
For
Edwina Baker, however, life on her family’s property in Western Queensland
offers little opportunity to be anything other than daughter, sister and,
perhaps soon, wife.
But
Edwina wants more. She wants to see the world, meet new people, achieve things.
For while she has more business sense than her younger brother, it will be
Aiden who one day inherits the family business.
Then
the circus comes to town. Banned from attending by her father, Hamilton, Edwina
defiantly rides to the showground dressed as a boy. There she encounters two
men who will both inadvertently alter the course of her life: pastoralist Mason
with his modern city friends; and Will, a labourer who also dreams of escape.
And
when the night ends in near-disaster, this one act of rebellion strikes at the
heart of the Baker family. Yet it also offers Edwina the rare chance to prove
herself in a man’s world. The question is, how far is she prepared to go, and
how much is she prepared to risk?
Many thanks Nicole. Best wishes for the launch of An Uncommon Woman.
Nicole's books are available via Penguin Random House as follows:
An Uncommon Woman, River Run, Wild Lands, The Great Plains, Sunset Ridge, Absolution Creek, A Changing Land and The Bark Cutters.
HNSA 2017 Conference
The HNSA 2017 Melbourne Conference is being
held on 8-10 September 2017 at Swinburne University. Nicole Alexander will be
appearing on Saturday 9 September at in the following panel:
First Encounters and Our Colonial Past
How do historical novelists approach
researching and writing colonial and convict pasts? What particular
challenges must be faced in portraying the meeting of First Peoples with
Europeans? Lucy Treloar, Deborah Challinor, Andrew Peters and Nicole
Alexander discuss these issues with Josie Arnold.
This celebration of the historical fiction
genre will showcase over 60 speakers discussing inspiration, writing craft,
research, publishing pathways and personal histories in our weekend programme.
Among the many acclaimed historical novelists participating are Kerry
Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie
Masson, Sulari Gentill, Robert Gott and Arnold Zable. The HNSA’s speakers’ list is
available on the HNSA website.
In addition to the two stream weekend
programme, there will be ten craft
based super sessions and two research masterclasses. You won’t want to miss
our interactive sessions on armour and historical costumes either! Manuscript assessments will
be conducted by industry experts, Alison Arnold and Irina Dunn. Our free extended academic programme
is open for general admission but bookings are essential.
Our First Pages Pitch
Contest offers an opportunity for submissions to be read aloud to a panel of
publishers. And we are delighted to announce the introduction of our inaugural HNSA Short Story Contest
with a $500 prize!
Let’s
make a noise about historical fiction!
