tag:blogger.com,1999:blog-21903703947218181492024-03-13T14:01:06.251+11:00Historical Novel Society AustralasiaWelcome to the Historical Novel Society Australasia (HNSA). We are open to all enthusiasts of the historical fiction genre world wide. Join our Facebook group for discussions on history as well as writing, reading, and publishing historical fiction. We look forward to connecting with you. Contact us at contact@hnsa.org.au Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.comBlogger151125tag:blogger.com,1999:blog-2190370394721818149.post-22511585535597223382019-04-02T22:57:00.001+11:002019-04-02T23:12:03.012+11:00EARLY BIRD REGISTRATION OPEN FOR HNSA SYDNEY 2019!<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiYqX4F3a-pu954lpoNlielDK7Seo2JQNISNv0N593YcgIqMWP3FHg9HuqS_JQMK9qebmfpCULCEGFmLGNtpp3SqxWTJyZzsFklMbKVx8RQR_Nf54_AbGERaC2sTjz8rSl5UrxUsksNjc/s1600/HNSA+2019+conference+logo+%25281%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="565" data-original-width="1038" height="174" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiYqX4F3a-pu954lpoNlielDK7Seo2JQNISNv0N593YcgIqMWP3FHg9HuqS_JQMK9qebmfpCULCEGFmLGNtpp3SqxWTJyZzsFklMbKVx8RQR_Nf54_AbGERaC2sTjz8rSl5UrxUsksNjc/s320/HNSA+2019+conference+logo+%25281%2529.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b>EARLY BIRD REGISTRATION IS NOW OPEN FOR HNSA SYDNEY 2019!</b></div>
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The HNSA committee is proud to bring you our 3rd biennial conference.
We never thought we’d get this far. I hope fans of the genre, both
readers and writers alike, will gather as a community again –this time
at historic Parramatta. <br />
<br />
As program director, I thought I’d tell you <a href="https://hnsa.org.au/conferences-events/2019-conference/">what’s on offer at the conference</a> in our <a href="https://hnsa.org.au/conferences-events/2019-conference/2019-conference-program/">three stream program</a>. There is a lot to celebrate at HNSA 2019!<br />
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<h2>
HNSA 2019 Guest of Honour and Speakers</h2>
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<tr><td class="tr-caption" style="text-align: center;">Our Guest of Honour, Jackie French</td></tr>
</tbody></table>
<a href="https://hnsa.org.au/jackie-french/">Jackie French</a> is our
Guest of Honour. Historian, ecologist, literacy advocate, and author of
over 140 books for all age groups, she holds more than 60 awards in
Australia and overseas. Keynote speaker, <a href="https://hnsa.org.au/paula-morris/">Paula Morris</a>,
will address our theme of History Repeats, to explore whether
historical fiction can engage readers who might not see the parallels
between past and present.<br />
Our HNSA Patron, <a href="https://hnsa.org.au/kate-forsyth/">Kate Forsyth</a>, will once again warmly welcome you.<br />
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<h2>
A treat for readers and writers</h2>
Our general stream features a star studded line-up of authors
discussing their books, inspiration, favourite history, personal
journeys and thorny topics. On Saturday 26 October enjoy the insights of
adaptable writers, Sophie Masson and Kelly Gardiner (<em>The Versatile Writer</em>); hear why Jane Caro and Ali Alizadeh are drawn to write about famous characters (<em>We Need to Talk about Bette and Joan</em>); explore the innocence, guilt and psychopathy with Janet Lee, Pip Smith and Catherine Jinks (<em>The Criminal Mind</em>); and ponder subtexts in historical novels with Winton Higgins, Michelle Aung Thin and Lucy Treloar (<em>Learning from History</em>).<br />
<br />
On Sunday 27 October, Nicole Alexander and Ella Carey explain the attraction of drawing on family legends (<em>Personal Histories</em>); Marie Munkara talks about recovering the erased history of First Nations people (<em>Dispossession & Betrayal</em>); and Kate Forsyth and Nastasha Lester travel back into France’s history (<em>A French Affair</em>). Alison Goodman, Anne Gracie and Anna Campbell will inspire us with Regency madness (<em>George & Georgette</em>)
while Jock Serong, Rachel Leary and Stephanie Parkyn take us into the
mind of characters who battle both internal fears and their environment (<em>Survival of the Fittest</em>);
while Meg Keneally and Gay Hendriksen will discuss the benefits of
historical novelists and historians actively collaborating together (<em>Walking Side by Side</em>.)<br />
<br />
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<tr><td class="tr-caption" style="text-align: center;">HNSA Patron Kate Forsyth & Keynote speaker Paula Morris</td></tr>
</tbody></table>
Finally, to round off the weekend, everyone can enjoy Kate Forsyth,
Kim Wilkins and Elisabeth Storrs conjuring weird and wonderful
superstitions and concoctions to keep readers spellbound in <em>Love Potions and Witchcraft</em>.<br />
<br />
<h2>
Honing your craft</h2>
Our second stream deals with the craft and business of writing. On
Saturday 26 October, we’ll kick off by delving into how to keep the
sizzle factor in your historical romance series (<em>Stoking the Flame</em>)
with Lizzi Tremayne, Renee Dahlia and Elizabeth Ellen Carter; and
discover the hard work required to market your novel after your ‘book
baby’ is born with author Lucinda Brant, DMCPR’s Debbie McInnes, and
Berkelouws’ Melanie Prosser (<em>Connecting with Readers</em>). Paula Morris, Isobel Blackthorn and Greg Johnston explain the challenges of imagining a dead person’s life (<em>Respectful Research</em>); while Jesse Blackadder, Rachel le Rossignol and Majella Cullinane discuss the value of writing degrees (<em>It’s Academic</em>).<br />
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<em>History & Mystery</em>); Gillian Polack, Ilke Tampke and Pamela Hart ponder the individual challenges of researching different eras (<em>The Things We Don’t Know</em>); Belinda Castles, Robyn Cadwallader and Julian Leatherdale explore the nuances of point of view (<em>I am a Camera</em>); and Tea Cooper, Emily Madden and Carla Caruso describe the mystery element in parallel narratives (<em>Intertwining Lives Revealed</em>).
The skills required to create a strong and plausible female protagonist
is revealed by Lauren Chater, Kirsty Murray and Elizabeth Jane Corbett (<em>The Feminine Mystique</em>); while Jesse Blackadder and Mira Robertson discuss the secrets of script writing (<em>The Silver Screen</em>). <br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSVrWpeqvridDpCfuoSFWFdO4exqJhRF_OjHM_AsAWbCcRvQE-WV9oj_kmk0rfKKzmvyxCPJTEYdxK1ZokmxohDbMRlIhw3BvXRuKgVXoslX15pKooX_3QHBEHZschGuYTfx8kFvp3qpU/s1600/Author+Mosaic+3.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="756" data-original-width="945" height="160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSVrWpeqvridDpCfuoSFWFdO4exqJhRF_OjHM_AsAWbCcRvQE-WV9oj_kmk0rfKKzmvyxCPJTEYdxK1ZokmxohDbMRlIhw3BvXRuKgVXoslX15pKooX_3QHBEHZschGuYTfx8kFvp3qpU/s200/Author+Mosaic+3.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jock Serong, Catherine Jinks, Marie Munkara, <br />
Michelle Aung Thin, Robert Gott & Nicole Alexander</td></tr>
</tbody></table>
On Sunday 27 October, Robert Gott returns with Katherine Kovacic and
Tessa Lunney to divulge how to weave a web of truth and lies in
detective fiction (<em>History & Mystery</em>); Gillian Polack, Ilke Tampke and Pamela Hart ponder the individual challenges of researching different eras (<em>The Things We Don’t Know</em>); Belinda Castles, Robyn Cadwallader and Julian Leatherdale explore the nuances of point of view (<em>I am a Camera</em>); and Tea Cooper, Emily Madden and Carla Caruso describe the mystery element in parallel narratives (<em>Intertwining Lives Revealed</em>).
The skills required to create a strong and plausible female protagonist
is revealed by Lauren Chater, Kirsty Murray and Elizabeth Jane Corbett (<em>The Feminine Mystique</em>); while Jesse Blackadder and Mira Robertson discuss the secrets of script writing (<em>The Silver Screen</em>).<br />
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<h2>
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<h2>
A fresh approach – Friday craft & publishing program </h2>
Unlike our previous conferences, we’re holding a Craft & Publishing program on Friday 25 October with <a href="https://hnsa.org.au/conferences-events/2019-conference/2019-conference-program/2019-craft-workshops/">practical workshops</a> for writers, <a href="https://hnsa.org.au/conferences-events/2019-conference/manuscript-assessments-masterclasses-2019/">masterclasses, and manuscript assessments </a>followed by the two full days of conference sessions for readers and writers on<a href="https://hnsa.org.au/conferences-events/2019-conference/"> 26 and 27 October 2019</a>.<br />
<br />
On the Friday there’ll be a <a href="https://hnsa.org.au/conferences-events/2019-conference/2019-conference-program/2019-craft-workshops/">suite of 9 two hour workshops</a>
by top rate tutors offering insights and practical tips on various
aspects of the writing craft, research, and sub-genres. Our wonderful
team includes Kate Forsyth (<em>Spice & Swashbuckle – Writing Romantic Historical Fiction</em>), Sophie Masson (<em>Writing Historical Fiction for Children and Young Adults</em>), Alison Goodman (<em>Writing Historical Fantasy</em>), Robert Gott (<em>Writing Crime Fiction</em>), Pamela Hart (<em>Making Research Work for You</em>), Kelly Gardiner (<em>Scrivener for Beginners</em>), Rachel Franks (<em>Trove for the Historical Novelist</em>), Paula Morris (<em>Writing Family History</em>) and Evan Shapiro (<em>Self-Publishing Essentials</em>).<br />
<br />
Our popular 1:1 <a href="https://hnsa.org.au/conferences-events/2019-conference/manuscript-assessments-masterclasses-2019/">manuscripts assessments</a>
will also happen on the Friday – this year with Scholastic publisher
Clare Hallifax, and agent Irina Dunn. And Gillian Polack is offering 1:1
<a href="https://hnsa.org.au/conferences-events/2019-conference/manuscript-assessments-masterclasses-2019/">masterclasses on writing and research</a> instead of teaching small groups. <br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgQo3F_vgpM06TplUbhfoeQXKSYhhmMF7tRXa5o3ASap7BVqDRFeemYcduMHUyGBdFQBvf2TuT3ccatv_mtHo_9y_8_3YZD7mKDut1X2bTfpKYr8fVYG74FjfL5l2ade6V1Nn3BFFe42U/s1600/2019-HNSA-tutors-2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="756" data-original-width="945" height="160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgQo3F_vgpM06TplUbhfoeQXKSYhhmMF7tRXa5o3ASap7BVqDRFeemYcduMHUyGBdFQBvf2TuT3ccatv_mtHo_9y_8_3YZD7mKDut1X2bTfpKYr8fVYG74FjfL5l2ade6V1Nn3BFFe42U/s200/2019-HNSA-tutors-2.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gillian Polack, Kelly Gardiner, Rachel Franks,<br />
Irina Dunn, Evan Shapiro & Clare Hallifax</td></tr>
</tbody></table>
<h3>
</h3>
<h2>
And the winner is….</h2>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfq4OvNReFvY8KBArrlrBQ02eflghT0UhHSemktt4szGrBjGud6LaRZzdfx1UOAa_lLqGfRYVAYBwC2mQ0I6mh3YLb6BMlE8c_Pzh8CWkv6N_o28UiVp2A9fbuvsuZPUOzj2rIJhTerhM/s1600/Sophie-Masson.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfq4OvNReFvY8KBArrlrBQ02eflghT0UhHSemktt4szGrBjGud6LaRZzdfx1UOAa_lLqGfRYVAYBwC2mQ0I6mh3YLb6BMlE8c_Pzh8CWkv6N_o28UiVp2A9fbuvsuZPUOzj2rIJhTerhM/s200/Sophie-Masson.jpg" width="150" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">HNSA Conference patron, Sophie Masson</td></tr>
</tbody></table>
Our signature <a href="https://hnsa.org.au/conferences-events/2019-conference/first-pages-pitch-contest-2019/">First Pages Pitch Contest </a>will
be held on Saturday 26 October. This year we’re offering $200 in prize
money. So polish up your pitch and the first few paragraphs of your
work-in-progress. Rachel Nightingale returns as our narrator with Clare
Hallifax (Scholastic Australia), agent Margaret Connolly, and Michelle
Lovi (Odyssey Books), acting as our judges. Every writer in the audience
can benefit from hearing the critiques of experts as to which words
first attract a publisher’s attention. It’s entertaining for everyone
else too!<br />
<br />
The <a href="https://hnsa.org.au/conferences-events/2019-conference/short-story-contest-2019/">ARA HNSA Short Story Contest</a> also returns thanks to our generous sponsor, ARA, which is donating $500 prize money. <br />
HNSA Conference Patron, <a href="https://hnsa.org.au/sophie-masson/">Sophie Masson</a> is our judge. <br />
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<h2>
An evening by the river</h2>
<a href="https://hnsa.org.au/conferences-events/2019-conference/2019-conference-dinner/">Our conference dinner </a>will be held at<a href="http://www.sahrabytheriver.com.au/" rel="external noopener" target="_blank"> Sahra by the River</a>,
a restaurant nestled on the banks of the Parramatta River. A
complimentary one way bus service is available for those needing a lift
from the venue to town after a jam packed day. Historical Romance
author, <a href="https://hnsa.org.au/anna-campbell/">Anna Campbell</a>, will regale us with stories after <a href="https://hnsa.org.au/sophie-masson/">Sophie Masson</a> announces the winner of the ARA HNSA Short Story Contest.<br />
<br />
<h2>
En garde!</h2>
Fancy some sword play? Or curious to know how to wear armour or hold a
longbow? Richard Halcomb from the Medieval Archery Society is joining
us this year to provide hands-on advice on Medieval Arms and Armouring
while Richard Cullinan from Stoccata School of Defence will give an
Introduction to Historical Fencing. So indulge your inner Robin Hood or
Arya Stark at our <a href="https://hnsa.org.au/conferences-events/2019-conference/2019-conference-program/2019-historical-weapons-demonstrations/">Historical Reenactments and Weapons</a> demonstrations.<br />
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</h2>
<h2>
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<h2>
Challenging the genre </h2>
In our extended <a href="https://hnsa.org.au/conferences-events/2019-conference/academic-program/">Academic stream </a>on
Sunday 27 October, we’ll bring together postgraduates, academics, and
other interested scholars to consider the complexities of the genre of
historical fiction and its readership. This will also be open to general
admission for conference delegates. A <a href="https://hnsa.org.au/%ef%bb%bfcall-for-papers-2019-academic-program/">Call for Papers </a>is currently been made. All topics will be revealed after August so stay tuned.<br />
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</h2>
<h2>
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<h2>
Say hello</h2>
<a href="https://hnsa.org.au/about-us/">The HNSA Committee</a> looks
forward to catching up with familiar and new faces in October to make a
noise about historical fiction – again! Make sure you say hello to us,
too.<br />
<br />
<a href="https://hnsa.org.au/conferences-events/2019-conference/">All conference events and venue information are here.</a> <br />
<strong><br /></strong>
<strong><a href="https://www.trybooking.com/eventlist/hnsa" rel="external noopener" target="_blank">Buy your early bird tickets now! Registration closes 31 July 2019.</a></strong><strong> </strong><br />
<br />
<a href="https://hnsa.org.au/conferences-events/2019-conference/2019-conference-program/">All program information is here.</a><br />
<br />
<a href="https://hnsa.org.au/news-updates/">PLEASE NOTE THAT WE HAVE MOVED OUR WONDERFUL BLOG TO OUR HNSA WEBSITE - SO JOIN US THERE FOR NEWS & INTERVIEWS.</a><br />
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<figure class="alignleft"><img alt="" class="wp-image-2040" src="https://hnsa.org.au/wp-content/uploads/2019/03/Elisabeth-Storrs-1-150x150.jpg" /></figure></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib5gVEJP-8jeTjFNOMA4Vxt_qg1AmFj05sBXzOoPg94ysFGXlBVkyv_AbXMW4q4SRijlulCoxLpTnPNqwNmKMEd6NvnFf2OOJHUk_qGl5sucBTsRbATy_EHFM84i2OS12YuNUzHGv4wsE/s1600/Elisabeth-Storrs.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1351" data-original-width="901" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib5gVEJP-8jeTjFNOMA4Vxt_qg1AmFj05sBXzOoPg94ysFGXlBVkyv_AbXMW4q4SRijlulCoxLpTnPNqwNmKMEd6NvnFf2OOJHUk_qGl5sucBTsRbATy_EHFM84i2OS12YuNUzHGv4wsE/s200/Elisabeth-Storrs.jpg" width="133" /></a></div>
Elisabeth Storrs is the author of the
award winning Tales of Ancient Rome saga, and the co-founder and
program director of the HNSA. She’ll be conjuring spells with <a href="https://hnsa.org.au/kate-forsyth/">Kate Forsyth</a> and Kim Wilkins at HNSA 2019 in <a href="https://hnsa.org.au/conferences-events/2019-conference/2019-conference-program/2019-conference-program-sunday/">Love Potions & Witchcraft. </a>Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-46487330117083841232018-11-16T11:20:00.000+11:002018-11-16T11:20:15.410+11:00Save the Date of the HNSA 2019 Conference! <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIuB7GB40cJpbUZLC0uqgVD6qAVOOizrW-dllhkcWzfxmaMbpsst5ETuijovq4kuycb1c2Xh2wv7NuPuYI_GSbZjYIyJGCyxetB8zON1QiRg9v_kvve0fvwkQbNX-hle3xuCrmQ2sZU-4/s1600/HNSA+2019+conference+logo+JPG.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="565" data-original-width="1038" height="174" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIuB7GB40cJpbUZLC0uqgVD6qAVOOizrW-dllhkcWzfxmaMbpsst5ETuijovq4kuycb1c2Xh2wv7NuPuYI_GSbZjYIyJGCyxetB8zON1QiRg9v_kvve0fvwkQbNX-hle3xuCrmQ2sZU-4/s320/HNSA+2019+conference+logo+JPG.jpg" width="320" /></a></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">SAVE THE DATE!</span></h2>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">We are
delighted to announce that the next conference of Historical Novel Society
Australasia will be held in Sydney on </span>25 to 27 October 2019, <span lang="EN-US" style="mso-ansi-language: EN-US;">in historic Parramatta</span>. <o:p></o:p></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">We’re
equally delighted to announce our new partnership with Western Sydney
University’s</span><span lang="EN-US"> </span><a href="https://www.westernsydney.edu.au/writing_and_society/home" target="_blank">Writing & Society Research Centre</a> and the School of Humanities & Communication Arts, which will host
the conference on its Parramatta South campus. The Writing & Society
Research Centre is committed to fostering public discussion around literature
and writing and supports many community initiatives, particularly in western
Sydney, including projects that encourage young and emerging writers and
writers of immigrant background.<o:p></o:p></div>
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Now in its third year, the HNSA conference will once again
feature leading and emerging writers from New Zealand and Australia, in a
celebration of historical fiction for readers and writers.</div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">For updates
on the program and early bird registrations, </span><a href="http://eepurl.com/bgWm49"><span lang="EN-US" style="mso-ansi-language: EN-US;">sign
up for our newsletter</span></a><span lang="EN-US" style="mso-ansi-language: EN-US;">,
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<br />Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-66619015360113277762018-06-04T18:00:00.000+10:002018-06-04T18:00:09.580+10:00Shortlisted Stories from the HNSA 2017 Short Story CompetitionIn addition to the first and second prize winners, there were four shortlisted entries in the HNSA 2017 Short Story Competition. Here (in no particular order), we feature the two remaining stories:<br />
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<span style="font-family: inherit;">Denise Ogilvie is a short story writer and novelist. Her children's fantasy, <i>The Luchair Stones</i>, was published by Phoenix Yard Books (London) in 2014. Denise enjoys writing fictional stories of growing up in Australia during the </span>nineteen<span style="font-family: inherit;"> fifties and sixties, a time of great change. She is </span><span style="font-family: inherit;">currently writing her first adult novel, <i>Once When We Were Young</i> — a story of conscription, love and the aftermath of the Vietnam War. When not writing Denise lives with her husband in Bayside, Melbourne. Here is how her shortlisted story</span><i style="font-family: inherit;"> </i><span style="font-family: inherit;">begins:</span><br />
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<b style="font-family: inherit;">Fetes de Ramparts</b></h4>
<span style="font-family: inherit;">Caen station fills with tourists, all </span>jostling<span style="font-family: inherit;"> for seats on the train to Pontorson. The July morning is warm, promising another long, cloudless summer day </span>in Normandy. A young man climbs the steps, pressing through the crowded aisle of beleaguered passengers forcing too large bags into too small overhead shelves. He settles into a seat next to the window. An old woman opposite. She perches a large basket on her knee. The smell of fresh, warm bread takes him back to his childhood. <a href="http://www.backstoryjournal.com.au/2017/12/06/fetes-des-ramparts/" target="_blank">Read more...</a><br />
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Before training to be a teacher, Errol Bishop worked as a printer in various locations in Queensland, New South Wales, Victoria and New Zealand. Married to Karen, also a teacher, they taught in various locations — from the tip go Cape York, to the Queensland/New South Wales border. Now in semi-retirement, they live in Queensland's South Burnett region. Errol has had a number of short stories published. His historical novel, <i>Ghost Galleon</i>, was inspired by the Stradbroke Galleon legend. Here is how his shortlisted story begins:<br />
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<b>Seize the Day</b></h4>
James McFarlane eagerly absorbed the sights and sounds of Australia as the ship made its way up the Mary River, towards the town of Maryborough. Almost three years earlier he had left Glasgow aboard a clipper bound for America but as he travelled westward across the vast continent, he became disillusioned with the mood of the American people. Like James, many Americans wanted slavery abolished, but James feared that wasn't going to happen without conflict. <a href="http://www.backstoryjournal.com.au/2017/12/06/seize-the-moment/" target="_blank">Read more...</a><br />
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Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-53029665808366232092018-05-28T09:10:00.000+10:002018-05-28T09:13:53.497+10:00Shortlisted stories from the HNSA 2017 Short Story Competition<div class="separator" style="clear: both; text-align: center;">
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In addition to the first and second prize winners, there were four shortlisted entries in the HNSA 2017 Short Story Competition. Here (in no particular order), we feature two of them:<br />
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<span style="font-family: inherit; line-height: 17.1200008392334px;"><span style="font-weight: normal;"><a href="http://www.blyonslee.com/" target="_blank">Belinda Lyons-Lee</a> is an emerging MG, YA and adult author of fiction inspired by nineteenth century history. She is also partial to adding magic, steam and time travel if the occasion calls for it. Belinda </span></span><span style="font-family: inherit; font-weight: normal; line-height: 17.1200008392334px;">started volunteer work with marginalised young people on the streets when she was seventeen. Since then she’s become an English teacher who enjoys matching children with the right book and then talking about it endlessly when they've finished. She’s been doing this in various secondary schools for over fifteen years. She has a Masters of Writing and Literature (majoring in Children's Literature) from Deakin University and is dabbling in an online course on Bibliotherapy. </span></h4>
<span style="border: 0px; box-sizing: border-box; margin: 0px; padding: 0px;"><span style="font-family: inherit;"><span style="line-height: 17.1200008392334px;">While Belinda has written a number of manuscripts, she has had various short stories published over the years in a variety of forms. Her article titled, ‘What is success as a writer?’ was published in the 2017 August/September edition of The Victorian Writer magazine. She has recently been offered a place in the ACT Manuscript Development Program, Hardcopy, taking place in Canberra during 2018. Travels and connections in the UK and Australia continue to be formative in Belinda’s writing and the history, landscape, architecture and ancient stories of these countries provide ample inspiration. Here</span> is how her shortlisted story, 'Again', begins...</span></span><br />
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<span style="border: 0px; box-sizing: border-box; font-family: inherit; margin: 0px; padding: 0px;">She stood in the octagonal room where she could see, as if in the middle of a spider's web, through the doorways and windows of each of the six rooms to the outside beyond. First at one window, then the next, there he was again, pressing his cupped hand above his eyes to peer in. She stood with each hand on the youngest two children's chests, their backs against her thighs and pressed down hard, willing them to be still. Desperate for them to be quiet. <a href="http://www.backstoryjournal.com.au/2017/12/06/again/" target="_blank">Read more...</a></span><br />
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<span style="font-family: inherit;"><span lang="EN-US">Chris has a passion for recreating nineteenth century Australian stories that have long disappeared from our memories. </span>Her writing is influenced by academic studies in psychology and history and fuelled by a fascination with mystery and crime. She likes to blend fact and fiction to bring her characters and events to life. Chris has had a number of short stories published in on-line journals and anthologies. She won first prize in the 2015 Henry Lawson Literature Awards and 2017 Words of Wyndham local short story winner. Chris is also an enthusiastic reviewer of Australian historical fiction for <i>Historical Novels Review. </i>Here<i> </i>is how her shortlisted story, "The Letter", begins...</span><br />
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<span style="font-family: inherit;"><i>I try not to retch at the sickening stench of boiled cabbage. The queue is moving slowly but no one complains. Nightmares of starvation, and worse, still visit us in our sleeping hours, even though many years have passed since then. Food at Broadmeadows migrant camp is bland and stodgy; generally a combination of overcooked mutton, lumpy mashed potatoes and my old enemy boiled cabbage, but it is enough to keep us alive. <a href="http://www.backstoryjournal.com.au/2017/12/06/the-letter/" target="_blank">Read more...</a></i></span></div>
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Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-8949789146294229702018-05-21T09:00:00.000+10:002018-05-21T14:24:55.764+10:00Transit - by Lauren Chater, which won second place in the HNSA 2017 Short Story Prize<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
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<span style="font-family: inherit;"><span style="border: 0px; box-sizing: border-box; font-family: inherit; margin: 0px; padding: 0px;">Today we shine a spotlight on Lauren Chatter's short story, "Transit", which won second place in the HNSA 2017 Short Story Competition and was recently published in Swinburne University's literary journal <a href="http://www.backstoryjournal.com.au/2017/12/06/transit/" target="_blank"><i>Backstory</i></a>. </span></span><br />
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<span style="font-family: inherit;"><span style="border: 0px; box-sizing: border-box; font-family: inherit; margin: 0px; padding: 0px;">"Transit" was inspired by the actions of two men, Jeremiah Horrocks and William Crabtree, who were the first to record the transit of Venus which took place in 1639. Chatter's story takes the focus away from the men and places it on an unknown woman, a servant within Carr House. Recently orphaned, she’s had no choice but to write to her family and beg for a position. Exhausted and unfamiliar with manual labour, she little realises this amazing moment in history is unfolding in the dim little attic at the top of the stairs. </span></span><br />
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<span style="font-family: inherit;"><span style="border: 0px; box-sizing: border-box; font-family: inherit; margin: 0px; padding: 0px;">"I love that idea – that history can be taking place right in front of us but we’re so concerned with our own problems we miss the significance.' Chatter explained when asked about the story. 'I think it’s comforting to know that the world goes on no matter how bad things can seem."</span></span><br />
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A poignant story of poverty and missed opportunity, <i>Transit </i>conveys the drudge and weariness of it's young protagonists' life and reminds us of the unique and oft times overlooked perspective of women throughout history. Here's how it begins:<br />
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<span style="font-family: inherit;"><span style="border: 0px; box-sizing: border-box; margin: 0px; padding: 0px;">Carr House, Lancashire — </span><span style="border: 0px; box-sizing: border-box; margin: 0px; padding: 0px;">1639</span></span></div>
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<span style="font-family: inherit;"><i>"Eliza Stone was hot. Moisture pricked beneath her arms. A bead of sweat inched its way down her neck, coming to rest in the small of her back. The flames in the kitchen furnace writhed. She felt their breath upon her face, melting her skin. It made her think of hell and of Papa. He had talked a lot about hell in his final weeks. Eliza had done her best to comfort him, assuring him that the fears were merely fancy but by the time he died, his face bloated and swollen, she felt so exhausted by grief that she did not much care where he went at all." </i><a href="http://www.backstoryjournal.com.au/2017/12/06/transit/" target="_blank">Read more...</a></span><br />
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Lauren Chatter writes fiction with a particular focus on women's stories. After working for many years in a variety of media roles, she turned her passion for reading and research into a professional pursuit. In 2014, she was the successful recipient of the Fiona McIntosh Commercial Fiction scholarship. In addition to writing fiction, she established the <a href="http://www.thewellreadcookie.com/" target="_blank">Well Read Cookie</a>, a blog which celebrates her love of baking and literature. She lives in Sydney with her husband and two children. <i>The Lace Weaver,</i> her first novel, was published by Simon & Schuster. She is currently working on her second novel, <i>Gulliver's Wife</i>, and <i>Well Read Cookies</i>, a non-fiction book based on her popular blog.<br />
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Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-70632004082411744922018-05-14T09:00:00.000+10:002018-05-14T09:07:58.446+10:00The Call of Stars - Eleanor Limprecht's winning entry in the HNSA short story competition<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: inherit;">Today, we shine a spotlight on the winning story in our HNSA 2017 Short Story Competition. </span><br />
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<span style="font-family: inherit;">Eleanor Limprecht's short story, "</span><span style="font-family: inherit;">The Call of the Stars"</span><span style="font-family: inherit;">, was originally written as part of </span><i class="" style="font-family: inherit;">Long Bay</i><span style="font-family: inherit;">, a novel based on the true story of a young woman named Rebecca Sinclair who ended up in Long Bay Women’s Reformatory in 1909 for manslaughter. Rebecca Sinclair was - with her husband Donald Sinclair - performing illegal abortions. </span><br />
<span style="font-family: inherit;"><br /></span><span style="font-family: inherit;">"The Call of the Stars"<i> </i>was originally a chapter in the novel written from a different perspective - one of the other characters whose life was affected by Rebecca and her husband’s actions (we don’t want to give too much away here). Limprecht became fascinated by this character and his profession as a linotype operator for the Sydney Morning Herald. She spent weeks researching linotype machines, which are now obsolete and was a tiny bit devastated when everyone who read <i class="">Long Bay</i> told her the chapter didn’t fit. Eventually she reworked it into a short story and submitted it to the HNSA short story prize. She was delighted when it won. </span><br />
<span style="font-family: inherit;"><br /></span><span style="font-family: inherit;">"I often write my way into a story, and end up with quite a bit that goes unused," Limprecht explained, 'so this was a rare instance of that unused writing finding a new life elsewhere."</span><br />
<span style="font-family: inherit;"><br /></span><span style="font-family: inherit;">"The Call of Stars" is a tragic, deeply affecting story that brings to light the tension between poverty and unwanted pregnancy and women's lack of choice before reliable contraception. It was recently published in Swinburne University's literary journal <i><a href="http://www.backstoryjournal.com.au/2017/12/06/the-call-of-the-stars/" target="_blank">Backstory</a></i>. </span><span style="font-family: inherit;">Here's how it begins...</span><br />
<span style="background-color: white;"><span style="font-family: inherit;"><br /></span></span>
<span style="background-color: white;"><span style="font-family: inherit;"><i>"He woke at the usual time, before dawn. Andrew closed his eyes again, pulling the coverlet beneath his chin. When he woke the second time he could hear Lucy and the children trying to be quiet in the other room. He sat and stretched, rubbing his eyes, smelling the urine from the chamber pot and the smoke from the woodstove. He stood and opened the window, breathing in the salt air from the harbour and feeling a breeze ruffle his hair." </i><a href="http://www.backstoryjournal.com.au/2017/12/06/the-call-of-the-stars/" target="_blank">Read more...</a></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdm0wgkVNdI5SCrC_hutW2nEkq0AeV0hS14k3mIeWtI0ApYIWcFIe39PzQETVl4pMn5hXvuBciXFyy44q7SK-I2He8eGuE8Db2nzZHdNqmwlSnGS_a5-SQBtu5LjYFnC7TEVknLTQnYbE/s1600/EleanorLimprecht.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1448" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdm0wgkVNdI5SCrC_hutW2nEkq0AeV0hS14k3mIeWtI0ApYIWcFIe39PzQETVl4pMn5hXvuBciXFyy44q7SK-I2He8eGuE8Db2nzZHdNqmwlSnGS_a5-SQBtu5LjYFnC7TEVknLTQnYbE/s200/EleanorLimprecht.jpg" width="180" /></a></div>
<span style="background-color: white;"><span style="font-family: inherit;"><a href="http://www.backstoryjournal.com.au/2017/12/06/the-call-of-the-stars/" target="_blank"><br /></a></span></span><span style="font-family: inherit;"><span class="">Eleanor Limprecht is the author of three novels: </span><i class="">The Passengers, Long Bay</i><span class=""> and </span><i class="">What Was Left</i><span class="">, which was shortlisted for the 2014 ALS Gold Medal. She also writes short fiction, book reviews and essays for various publications, including Best Australian Stories 2015. When not writing or reading Eleanor teaches as a casual academic at UTS. She was born in the United States and lived many places including Germany and Pakistan. She now lives in Sydney with her husband and two children.</span></span><br />
<span style="background-color: white;"><br /></span>Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com1tag:blogger.com,1999:blog-2190370394721818149.post-78823531314387534092017-11-14T09:30:00.000+11:002017-11-14T10:05:37.270+11:00Australia's Gold Rush and Colonial Architecture by Michael Beashel<div class="separator" style="clear: both; text-align: center;">
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Our guest author today is Michael Beashel. Michael is
Sydney-born and his Irish forebears immigrated to New South Wales in 1863 and
settled in Millers Point. He spent his youth in Bondi, is married with adult
children and lives in Sydney’s inner-west. <o:p></o:p></div>
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Michael was head of Asset Development for a global
accommodation services company registered on the NYSE and has made his mark in
some of Australia’s iconic construction companies. In Sydney, he has restored
government buildings such as the Customs House and the Town Hall, and completed
commercial buildings in the private sector. In SE Asia, he managed a
construction division that built apartments and hotels in Bangkok and Ho Chi
Minh City.<o:p></o:p></div>
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This industry—its characters, clients, trades people,
designers and bureaucrats—provides rich material for his writing. He has an eye
for the emergence of Sydney’s built form, from the early days of the colony to
the present, and a love of construction. He says about his writing, ‘It’s a
passion. I revel in using the building industry as a tapestry to weave a
great tale seasoned with historic facts and memorable characters. Human shelter
is an essential need and I suspect people have a fascination for
understanding its context and construction within their societies. Australia
still is a young country but there are many, many outstanding building
stories.’</div>
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Michael holds a B. App. Science (Building) from Sydney’s UTS
and is a member of the NSW Writers’ Centre. Michael finds his excitement in the
design and construction industry, military history and Rugby. He’s sailed in Herons
but leaves the racing and honours to other family members! <i>Unbound
Justice</i> is his first novel and the sequels <i>Unshackled</i> and <i>Succession</i>
complete the Sandstone Trilogy. You can connect with Michael via <a href="https://www.facebook.com/Michael-Beashel-233635227150308/" target="_blank">Facebook</a>, <a href="http://michaelbeashel.com.au/">website</a> and <a href="http://michaelbeashel.com.au/blog/">blog</a>.<o:p></o:p></div>
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Shelter is the third human need and it’s essential for civilisation
to thrive. In genre fiction, the building industry has not been used much as a
context although bestsellers like the Pillars of the Earth paint vivid stories
and characters against the backdrop of monumental building construction. The
intent of my writing is to celebrate the building industry in nineteenth
century NSW using where possible historic examples of major works. Architecture
of the European period, the Renaissance and early to middle 20th-century
America has been given due attention. However the architects of colonial New
South Wales, post Greenway, and the contractors who executed their designs are
often not given the credence they deserve. <o:p></o:p></div>
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The time period for The Sandstone Trilogy was chosen because
it represented a profound change in New South Wales’s history. The first two
books date from 1850 to 1857 and highlight the massive expansion of the colony
due to the Gold Rush. Wool was certainly adding to the colony’s income but it
was the gold that created the explosion. <o:p></o:p></div>
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9S_GSVboHFrnEx5xIksQlyH_xegimbBXeFsrIbiYTs2Tmbnz_7c9oj3lRmN-T24wPMP95Bw8KkEzcyw3XR9TtJy0lwTmbHZzGHZZxlO9XI2VNd74lvZyNIwI3n0oZ3Pdp7pYKLJO1Sjo/s1600/Beashel+image+1.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1241" data-original-width="1600" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9S_GSVboHFrnEx5xIksQlyH_xegimbBXeFsrIbiYTs2Tmbnz_7c9oj3lRmN-T24wPMP95Bw8KkEzcyw3XR9TtJy0lwTmbHZzGHZZxlO9XI2VNd74lvZyNIwI3n0oZ3Pdp7pYKLJO1Sjo/s320/Beashel+image+1.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Liverpool St facing Hyde Park 1849</td></tr>
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According to JM Freeland in his Architecture in Australia, a
History, ‘the newly rich men of means wanting large and substantial warehouses
and offices; town councils wanting magnificent city halls befitting their
new-found place in the sun; the churches with coffers filled by affluent
respectability- seeking parishioners wanting larger and proper Gothic edifices;
the publicans wanting imposing palaces in which to milk a sybaritic clientele
and tens of thousands of people just wanting a home—all this created a
splendiferous boom for the building fraternity.’ </div>
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The price of labour and the cost of building materials
increased exponentially because of the sheer demand for them. Additionally
those tradesmen who were less passionate about their chosen careers were happy
to join their fellow gold seekers and try their luck. This sudden ‘vacuuming’
of tradesmen from New South Wales, especially Sydney building sites, created
demand for less skilled tradesmen and also promotion for others who would not
have normally risen to high ranks at such an early age.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOlb5ab0HVObQbd90-vboVeLSWAjxpPzFrJ5_sOgI7zJmk4Z5DX-hkqtfT_mWqtHzy9TRsLTIvCHO-52JeOFk0pLgiCEgok34PHdbtSHM4ND1WWmY1oXbweK-6jFSb2yD8Li9dInSEhZA/s1600/Beashel+image+2.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1189" data-original-width="1600" height="237" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOlb5ab0HVObQbd90-vboVeLSWAjxpPzFrJ5_sOgI7zJmk4Z5DX-hkqtfT_mWqtHzy9TRsLTIvCHO-52JeOFk0pLgiCEgok34PHdbtSHM4ND1WWmY1oXbweK-6jFSb2yD8Li9dInSEhZA/s320/Beashel+image+2.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Skinner's Family Hotel, George & Hunter Streets</td></tr>
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It cannot be overemphasised how much the gold rush affected
New South Wales and Victoria. JM
Freeland says that “Australian architecture left its innocence behind when gold
was officially discovered in May 1851. The immediate effect of the turmoil on
architecture was negative. Building virtually stopped. It was in these
conditions that many of these substantial business firms of today were founded.
In the period 1851 to 1860 the population of Australia trebled to 1.2 million
people. Victoria from 76,000 to 540,000!”</div>
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One of the fascinating sources has been a compilation of
drawings done by Joseph Fowles and printed by himself in Harrington Street in
1848. St Patrick’s Church in Charlotte Place (present day Grosvenor Street) was
dedicated in March 1844. Between King and Market Streets in Pitt Street stood
the Royal Victoria Theatre. “The fronts are bold and lofty faced with fine
brick with massive stone dressings and cornices. The spirited proprietor Mr
Moffit deserves great credit for the liberality with which he has contributed
towards ornamenting the city.”<o:p></o:p></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGTaT9ZqK6LFzm9cpJagzVB8ry_-Qx68mSygKy-4NPxL8ew9ufshWBr3kL8G7KStasfVeZ8mt4mrwj78x3M9rGxDMdsoHeR9XhMwwq5rGzpP9sxk64qdir36tao-8pjoJz48YUgAX6jKQ/s1600/DL+PXX74_8B_Markets+and+Police+Crt+George+St.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1124" data-original-width="1600" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGTaT9ZqK6LFzm9cpJagzVB8ry_-Qx68mSygKy-4NPxL8ew9ufshWBr3kL8G7KStasfVeZ8mt4mrwj78x3M9rGxDMdsoHeR9XhMwwq5rGzpP9sxk64qdir36tao-8pjoJz48YUgAX6jKQ/s320/DL+PXX74_8B_Markets+and+Police+Crt+George+St.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Markets and Police Court, George St</td></tr>
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On the social front, one reference written in the era was Mr
James Inglis’s account of Sydney and its people. Mr Inglis was a member of the NSW
Legislative Assembly in 1885. He wrote a book called, “Our Australian Cousins.” It was in effect an early example of a
traveller’s blog.<o:p></o:p></div>
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York Street was the place to live, especially between Sydney
Town Hall and Wynyard square. The merchants’ palaces were selling for £30,000
to build.<o:p></o:p></div>
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Shop windows were small and mean. The structure of each shop
jutted out into Pitt and George streets. Horses were hitched to posts and the
horses were called walers.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHlziX_riQ0rCEzwnNjq1b9CLu5UQ6fI7O4POc3YlPmFTvBM3-a8cZ0BdUOyYxnJ4Yt6-A6ZThV1aZsDKhyphenhyphenMTYAnJGT6oAKPE3oipjgsZCqhx4QQg2yLx9XbbFnoqW6VNk0K3CEvKMcQc/s1600/PXA+1441_The+Customs+House+Circular+Quay.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1269" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHlziX_riQ0rCEzwnNjq1b9CLu5UQ6fI7O4POc3YlPmFTvBM3-a8cZ0BdUOyYxnJ4Yt6-A6ZThV1aZsDKhyphenhyphenMTYAnJGT6oAKPE3oipjgsZCqhx4QQg2yLx9XbbFnoqW6VNk0K3CEvKMcQc/s320/PXA+1441_The+Customs+House+Circular+Quay.jpg" width="253" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Customs House</td></tr>
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The taxi cabs were elegant, light in draft, roomy and
comfortable. They were above the average and the horses sleek and well groomed.
The taxi driver charged four shillings per hour, nine pence for a quarter of an
hour.<o:p></o:p></div>
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References:<o:p></o:p></div>
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<i>Sydney electoral roll “a narrative on the
visit to land colonies 1843.”<o:p></o:p></i></div>
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<i>Present state of Australia 1851 by Melville
Henry.<o:p></o:p></i></div>
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<i>New South Wales, its past and present, 1849
by John Patterson<o:p></o:p></i></div>
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<i>British Parliamentary papers “Colonies
Australia” 1854 Volumes 12 and 17.<o:p></o:p></i></div>
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<i>Recollections of Sydney 1850, John Mortimer<o:p></o:p></i></div>
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<i>Impressions of Australia illustrated,
Australian magazine Volume 2 1851<o:p></o:p></i></div>
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<i>London Journal of immigration illustrated
1848<o:p></o:p></i></div>
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<i>Sydney takes shape, a collection of
contemporary maps from foundation to Federation 1977 Paul Ashton and Duncan
Waterson<o:p></o:p></i></div>
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<i>The origins of the Master builders
Association of New South Wales, 1873 to 1889<o:p></o:p></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<i>The Evolution of the
Wooden Ship: Basil Greenhill, Sam Manning<o:p></o:p></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<i>The collected evidence from Clive Lucas’s
Stapleton and partners.<o:p></o:p></i></div>
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<i>Sydney’s roads- Rosemary Broomham’s “Vital Connections”<o:p></o:p></i></div>
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<i>History of Australia by Manning Clark
Volumes Three and Four from 1824 to 1888.<o:p></o:p></i></div>
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<i>Images from State and Mitchell Libraries of NSW<o:p></o:p></i></div>
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<i>John Leary boards ship in Ireland in 1850, a young carpenter
ambitious for a new life in Australia. He sails with revenge in his heart—his
beloved sister has been raped by her landlord, William Baxterhouse, who escapes
on another ship with even grander plans for success in New South Wales. In
Sydney, hard workers like Leary and ruthless newcomers like Baxterhouse find a
city fired by the Gold Rush and dedicated to creating the finest buildings in
the colony. Leary has a double motive to make his construction company succeed:
he has fallen in love with the beautiful Clarissa McGuire, whose family despise
him, and Baxterhouse continues to rise in wealth and influence, seemingly
untouchable. Meanwhile another woman, Beth O’Hare, is in love with John Leary,
and he makes some hard choices—including a climactic showdown with Baxterhouse.</i></div>
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<i><u>Unbound Justice</u> is
the first novel in The Sandstone Trilogy:
a new, magnificent view of nineteenth-century Sydney from the ground up.</i><o:p></o:p></div>
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Thanks for sharing your insights with us, Michael. Congratulations on the trilogy.</div>
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You can Michael Beashel's books on <a href="https://www.amazon.com.au/s/ref=nb_sb_noss/355-0183967-7427877?url=search-alias%3Daps&field-keywords=michael+beashel" target="_blank">Amazon </a>and via his <a href="http://michaelbeashel.com.au/books/" target="_blank">website</a>.</div>
Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com1tag:blogger.com,1999:blog-2190370394721818149.post-59378255048363387312017-09-24T22:55:00.000+10:002017-09-26T09:44:04.308+10:00Gillian Pollack's wrap up of her HNSA Conference masterclasses<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: #222222; font-family: "times new roman" , serif;">Dr Gillian Polack is a Medieval historian and has PhDs in both History and Creative Writing. She researches how history and fiction interface and has a strong interest in how genre narratives operate. She has also been a reviewer, critic and non-fiction writer and an award judge. Gillian's latest novel is <i>The Wizardry of Jewish Women </i>which was nominated for best novel in the 2017 Ditmar Awards. She has also released a volume of her research for the book in <i>History and Fiction</i> (Peter Lang, 2017) </span><span style="color: #222222; font-family: "times new roman" , serif;">Eighteen</span><span style="color: #222222; font-family: "times new roman" , serif;"> of her short stories are in print and she has edited two anthologies and an historical cookbook. One story won a Victorian Ministry of the Arts award and three more were listed as recommended reading in international lists of world’s best stories. She has received two writing fellowships at Varuna, arts grants, and a Ditmar award for her work. </span><span style="color: #222222; font-family: "times new roman" , serif;">Her book, <i>The Middle Ages Unlocked: A Guide to Life in Medieval England 1050-1300</i> is co authored with Katrin Kania. G</span><span style="font-family: "times new roman" , serif;">illian ran two masterclasses during the HNSA 2017 conference. Here is her wrap-up of those sessions. </span></div>
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<span style="font-family: "times new roman" , serif;">I was very lucky in the
writers who joined me for it – they were thoughtful and pushed to understand
more about how they can write history into their fiction, ways of doing it
well, and they thought a great deal about the implications of their work.
That’s why I’m writing a report on it. Their work was useful for other writers.
Let me tell you about it.</span></div>
<span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;">None of the writers were beginners. Not all of them wrote historical
fiction. This meant that, for my preparation, I read tens of thousands of
words. Then I pulled their work together and looked at what participants knew
and did and how they expressed it. The background I called on was my own work
as an historian, as a fiction writer and as a researcher into the culture
brought (intentionally or not) into novels and other long narratives. </span><br />
<span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;"><br /></span><span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;">I focussed on genre, because the decisions writers make are different
depending on the genre they’re writing in. I wasn’t asking the participants to
learn principles, but to apply them to their own work and to discover what this
led to. At its simplest, we looked at what made up a piece of telling detail in
a part of their work and what uses that information had for the reader and how
to make it work more effectively. At its most complicated, we talked about
ethics and how historical fiction is interpreted by readers.</span><br />
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<span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;"><br /></span><span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;">Because this teaching is directly related to my research, it can go in a
number of directions, depending on the writers and their needs. I look at
simple techniques like building telling detail and how to bring a scene to life
for readers, but in the classes we also looked at story space.</span><span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;">Story space is difficult to explain in a single paragraph for me at this
moment in my research. This is because the story space I teach isn’t the same
as the story space that’s written about. "Normal" story space is the
place where readers go in their minds to live the tale. My story
space is where writers go to write the tale. When writers know how to move into
it and use it cleverly, it can make a big difference for their writing.</span><br />
<span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;"><br /></span><span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;">Story space is a very powerful tool. Using it to focus discussion, we
talked about ways of reducing research time, understanding the path the novel
is taking and how it fits into genre. How writing within genre works from story
space and how this relates to how one sells a novel. Story space was especially
important for the writers in the second class. We explored their needs as
writers and each one left with an understanding of what they can do with story
space. They can enter and leave it and use it to navigate and to make decisions
about ethics, research, characters, historical background and the story itself. </span><br />
<span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;"><br /></span><span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;">In the first class, we didn’t talk directly about story space as much,
although it was there, in the background, most of the time. We focussed on how
history is presented, especially in the case of silencing some groups, and
presenting some characters as hollow or as echoes. Story space played a role,
but a key focus became how to handle history ethically. We talked about how our
fiction reflects Australia’s cultural history, and how, unless we personally
examine the culture we carry with us we’re in danger of giving some very poor
gifts to our readers through feeding them our assumptions without knowing. One
of the students helped us understand these issues through giving us some very
illuminating anecdotes: each participant in these classes had as much to give
as to learn. Their thoughts and stories assisted a great deal in underlining
why writers need to know who they are and where they come from and what they
bring to their fiction.</span><br />
<span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;"><br /></span><span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;">What emerged from both classes was a need to be aware that history can
be told in a way that will hurt because characters who come from a particular
background often fall into stereotypes, and that this affects our broader
culture when we modify the historical record in this way.</span><span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;">Story space and the culture we carry into our writing work together to
help solve these problems. It’s never going to be easy, but it’s possible to
evaluate the relationship of wider culture, the culture we carry, and the needs
of our novel, and making the most appropriate decisions for our fiction. </span><span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;"><br /></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgONV7N7GKTWew_32a825aINjDgBxaRvl2CH3QOneX02gTn3XQfXgMy2hpH1yBhjFOkAfhdBc6AVnpW9184MWuwBDTfT5fJwI53sqdO2gvva3MwLKLqnda_rMPY_1HVk5qyp6CWpb74Ye0/s1600/9783035395600.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="179" data-original-width="120" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgONV7N7GKTWew_32a825aINjDgBxaRvl2CH3QOneX02gTn3XQfXgMy2hpH1yBhjFOkAfhdBc6AVnpW9184MWuwBDTfT5fJwI53sqdO2gvva3MwLKLqnda_rMPY_1HVk5qyp6CWpb74Ye0/s320/9783035395600.jpg" width="214" /></a></div>
<span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;">Every really good writer balances this deep reflection with writing
techniques. This is why we also talked about the difference between history and
novels. What decisions have to be made in order to write a good novel? What
history is one actually producing? How is this history seen by historians?</span><span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;">The second half of each session was mainly spent on looking at the work
of the individual writers in the class. My historian side was much in use, and
we talked about several historical periods and their sources and what different
ways there are to interpret them. We also talked about how to depict history so
that it comes to life and where to find examples of writing styles and how to
locate and use telling detail. </span><br />
<span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;"><br /></span><span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;">There was so much to say and so much everyone wanted to hear. What was
sad was that I lost my voice in the middle. Over a week later and my voice
still has its moments. The writers were worth it, however. Hard-working and
thoughtful. I almost forgot the fact that I was croaking and whispering in
turn, because the questions were so interesting and their reflections so worth
hearing.</span><span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;">I was very lucky in the authors who chose to do the masterclasses. There
are some very good novels in our nearish future. </span><span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;"> </span><span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;"> </span><span style="font-family: "times new roman" , serif; mso-fareast-language: EN-GB;">Note: The subject is big and it’s complicated and a blogpost doesn’t do
it justice. I’ve written on several aspects of the background I drew on for the
masterclasses (ie I’ve written about my own research), in my academic work
(<a href="https://peterlangoxford.wordpress.com/2016/03/31/new-publication-history-and-fiction-writers-their-research-worlds-and-stories/" target="_blank">History and Fiction</a> was
easily the most useful single work for most of the writers), and in blog pieces
(such as some of those <a href="http://www.gillianpolack.com/blog/" target="_blank">here </a>). For further information, read Wendy Dunn's interview </span><span style="font-family: "times new roman" , serif;">with <a href="https://hnsaustralasia.blogspot.com.au/2015/03/a-love-of-history-wendy-j-dunn.html" target="_blank">Gillian Pollack</a>.</span><span style="font-family: "times new roman" , serif;"><o:p> </o:p></span><br />
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Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com2tag:blogger.com,1999:blog-2190370394721818149.post-39235232854956138782017-09-24T22:54:00.000+10:002017-09-24T22:54:51.837+10:002017 HNSA MELBOURNE CONFERENCE<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: olive;">Join our celebration!</span></h3>
<span lang="EN-AU">On the weekend of 8<sup>th</sup> – 10<sup>th</sup> September 2017, the Historical Novel Society Australasia (HNSA) is holding its Melbourne conference at Swinburne University, Hawthorn, exploring the theme of <i>Identity: Origins and Diaspora. </i><a href="http://hnsa.org.au/conference/programme/" target="_blank">Our full programme can be found at our website.</a> </span><br />
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<tr><td class="tr-caption" style="text-align: center;">Kate Forsyth</td></tr>
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<span style="color: olive;">Over 60 fabulous speakers</span></h3>
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In a celebration of the historical fiction genre, our three day informative and interactive weekend program will showcase over 60 speakers discussing writing craft, research, inspiration, publishing pathways and personal histories. Among these are acclaimed historical novelists such as Kerry Greenwood, Kate Forsyth, Deborah Challinor, Lucy Treloar, Sophie Masson, Sulari Gentill, Robert Gott, Arnold Zable, Gary Crew, Melissa Ashley, Kate Mildenhall, Juliet Marillier, Pamela Hart, Kelly Gardiner and Libby Hathorn.<br />
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<span style="color: olive;">History with a twist...</span></h3>
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<span en-au="" lang="EN-AU">Our opening reception will be held on Friday 8th September where attendees will celebrate Kate Forsyth’s <i>Beauty in Thorns </i>with plenty of prizes.<i> </i>There will also be a lively round table discussion led by <i>Nicolas Brasch</i> in which <i>Arnold Zable, Gary Crew, Hanifa Deen</i> and <i>Ngahuia te Awekotuku</i> will discuss our theme, in particular, the role of the historical novelist in exploring first encounters in Australia and New Zealand’s colonial pasts, the migrant experience underlying those nations’ multicultural identities, and whether an author’s origins are relevant to the story telling. </span><br />
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<span style="color: olive;">Three concurrent streams</span></h3>
The conference program on September will consist of three streams. The first will continue to explore the conference theme and include interviews with a number of talented authors. The second stream will deal with research and writing craft; the third will consist of an academic programme. </div>
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<span lang="EN-AU">Our guest author is <i>Kerry Greenwood</i>, author of the Phryne Fisher Mysteries, who will provide</span><span lang="EN-AU"> insights into her novels, her writing processes, the TV adaptation of her series, and other aspects of her stellar career.</span><br />
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<tr><td class="tr-caption" style="text-align: center;">Kerry Greenwood</td></tr>
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Other panels exploring our theme in our first stream include 'First Encounters and Our Colonial Past' with <i>Lucy Treloar, Deborah Challinor, Nicole Alexander</i> and <i>Andrew Peters</i>, followed by 'Immigrant Stories and Diaspora: How Pioneers Adapt and Survive in their New Land' with <i>Kim Kelly, Arnold Zable, Maxine Alterio </i>and <i>Vicky Adin</i>. And <i>Natasha Lester, Robyn Cadwallader, Elisabeth Storrs </i>and <i>Kathryn Gauci</i> will explore 'Venturing Forth: Exploring Historical Fiction beyond National Boundaries and Australian History.'</div>
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<span style="color: olive; font-size: 18.72px; font-weight: bold;">Time travelling, world wars and parallel narratives</span><br />
Our second stream on Saturday will canvas various aspects of research, sub-genres and the writing craft. <i>Wendy J Dunn, Barbara Gaskell Denvil, Stephanie Smee </i>and <i>Rachel Nightingale</i> will discuss 'How to Transmute Research into Compelling Historical Fiction' while <i>Paddy Richardson, Elise McCune, Justin Sheedy</i> and <i>Julian Leatherdale</i> ponder 'World at War: The Appeal of 20th Century Historical Fiction.' 'The Outlander Effect: Parallel Narratives and Time Travelling' will see <i>Belinda Murrell, Felicity Pulman, Gary Crew</i> and<i> Ella Carey</i> discuss the challenges of weaving tales of two protagonists from different time periods into the plots and themes.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7187DY2Dn8bcPnrOQp6qUC_8H5cOMjoe4WwYYCPRY2z-CeyAFdW99aqVHETMACY2pGiOr5mXkQ9wAruqMlr_ELLzsRvQzixi6Ysmr59E_EMdLVK1ClDBCoCWsf9AUVt55qnisiogRAgM/s1600/deborah-challinor.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7187DY2Dn8bcPnrOQp6qUC_8H5cOMjoe4WwYYCPRY2z-CeyAFdW99aqVHETMACY2pGiOr5mXkQ9wAruqMlr_ELLzsRvQzixi6Ysmr59E_EMdLVK1ClDBCoCWsf9AUVt55qnisiogRAgM/s200/deborah-challinor.jpg" width="133" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Deborah Challinor</td></tr>
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<b><span lang="EN-AU" style="color: olive;">'First pages' pitch contest</span></b></h3>
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Our Saturday programme will end with our very popular First Pages Pitch Contest where an actor will read aloud chosen submissions from <span style="background-color: transparent;">aspiring authors to industry experts who will provide a critique. The session will also provide other attendees with a chance to learn what attracts the attention of agents and publishers when seeking new historical fiction. Entrants will remain anonymous other than the winner. </span><span style="background-color: transparent;">Our judges are </span><span style="background-color: transparent;"><i>Alison Green</i></span><span style="background-color: transparent;"> (Pantera Press), </span><span style="background-color: transparent;"><i>Sophie Masson</i></span><span style="background-color: transparent;"> (Eagle Books), </span><span style="background-color: transparent;"><i>Mandy Brett</i></span><span style="background-color: transparent;"> (Text Publishing). </span><span style="background-color: transparent;"><i>Rachel Nightingale </i></span><span style="background-color: transparent;">will act as narrator. <a href="http://hnsa.org.au/first-pages-pitch-contest/" target="_blank">You can enter the Pitch Contest here.</a></span><br />
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<b><span lang="EN-AU" style="color: olive;">Personal histories </span></b></h3>
The first stream on Sunday sees two Personal Histories sessions where <i>Kate Forsyth</i> explains why she delved into adult historical fiction after writing acclaimed fantasy novels for children and young adults while <i>Deborah Challinor</i> reveals where she obtained the inspiration for her three historical series, numerous standalone novels, and non-fiction books?<br />
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<span lang="EN-AU">Award winning author, </span><span lang="EN-AU"><i>Sophie Masson</i></span><span lang="EN-AU">, who has more than 50 novels published in Australia and internationally, will be asked what drives her passion for writing and love of history, while </span><span lang="EN-AU"><i>Lucy Treloar</i></span><span lang="EN-AU"> will explain what she thinks attracts readers and critics to her writing after her debut novel was released to a whirlwind of local and international acclaim.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqK5KP7prJENiWasXMlZ8YUeDHoe-kmotn_31Nz5U8r6QpZVvyQibH_IQVWWhrfpH9tcfg_EVPvLgB4kEIyhcAM-QuIRtJtPnEXstyLeH2LlWNIEr4dqnCxL_i9TW4rKtfv_Q4ZjFQ370/s1600/lucy-treloar.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="164" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqK5KP7prJENiWasXMlZ8YUeDHoe-kmotn_31Nz5U8r6QpZVvyQibH_IQVWWhrfpH9tcfg_EVPvLgB4kEIyhcAM-QuIRtJtPnEXstyLeH2LlWNIEr4dqnCxL_i9TW4rKtfv_Q4ZjFQ370/s200/lucy-treloar.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lucy Treloar</td></tr>
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<span lang="EN-AU"><br />In<b> </b>'The Long Haul: Writing Successful Series and Multiple Books', <i>Juliet Marillier,</i><i> </i><i>Libby Hathorn</i> and <i>Anne Gracie</i> will reveal how they maintain momentum. And what keeps the spark of inspiration from being doused.</span><br />
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A much anticipated panel will be exploring the appeal of historical mysteries in which <i>Sulari Gentill, Robert Gott, Meg Keneally </i>and<i> Gary Corby</i> will ponder why readers are attracted to the addition of history to murder and mayhem, and the challenges novelists encounter when creating detectives who lack modern crime kits.<br />
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<tr><td class="tr-caption" style="text-align: center;">Sulari Gentill</td></tr>
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<span style="color: olive;">Sub-genres and the writing craft</span></h3>
<span style="background-color: transparent;">Our second Sunday stream will continue to highlight issues relating to the writing craft. <i>Alan Tucker, Gabrielle Wang, Wendy Orr</i> and <i>Pamela Rushby</i> will tell us why writing CYA fiction is not an easy option. <i>Isolde Martyn, Lisa Chaplin, Alison Stuart</i> and <i>Anna Campbell</i> will tease out whether there is a difference between historical romance and historical love stories. As a treat, <i>Kate Mildenhall, Melissa Ashley, Greg Pyers</i> and <i>Luke Devenish</i> will discuss the 'Modern Voice in Historical Fiction'. </span><span style="background-color: transparent;">Should an historical novelist cater for the tastes of 21</span><sup>st</sup><span style="background-color: transparent;"> Century readers by introducing modern expressions and dialogue in their novels? Is it valid to introduce current sensibilities to characters who would otherwise have been constrained by their own societies?</span><br />
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<tr><td class="tr-caption" style="text-align: center;">Anne Gracie</td></tr>
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<span lang="EN-AU">Our final sessions for Sunday will include '</span><span lang="EN-US">Pathways to Publication', </span><span lang="EN-AU"><i>Lindy Cameron</i></span><span lang="EN-US"> talks to agent </span><span lang="EN-AU"><i>Clare Forster</i></span><span lang="EN-US"> and publishers </span><span lang="EN-AU"><i>Alison Green</i></span><span lang="EN-US"> and </span><span lang="EN-AU"><i>Mandy Brett</i> </span><span lang="EN-US">on the expectations of agents and publishers when looking for the next big thing in historical fiction.</span></div>
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<b><span lang="EN-AU" style="color: olive;">Writing outside your comfort zone - sex and violence</span></b></h3>
<span lang="EN-AU">And you will not want to miss out on our concluding panel where <i>Kate Forsyth, Luke Devenish</i> and <i>Anna Campbell</i> will read some of their saucier excerpts as well as provide tips on writing 'Outside the Comfort Zone: Writing Sex and Violence.'</span></div>
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<b><span lang="EN-AU" style="color: olive;">Super sessions</span></b></h3>
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<span lang="EN-AU">There are ten skills-based workshop super sessions running concurrently with the main conference program on Historical Mysteries, Historical Romance, Children and Young Adult Fiction, Pitching to Publishers, Social Media, Scrivener, Self-Publishing, Family History, Trove, and the Business of Writing. Attendees will gain the benefit of tutors such as <i>Sulari Gentill, Anne Gracie, Isolde Martyn, Elisabeth Storrs, Elizabeth Lhuede, GS Johnston, Kelly Gardiner, Hazel Edwards, Eleanor Limprecht, Rachel Franks</i> and <i>Lisa Chaplin</i>. Purchase of a ticket entitles attendees an entry into a $100 Dymocks Gift Card Giveaway.</span><br />
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<tr><td class="tr-caption" style="text-align: center;">Kelly Gardiner</td></tr>
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<span style="color: olive;">Transforming research and the clash of armour</span></h3>
<span lang="EN-AU"><i>Dr Gillian Polack </i>is offering two masterclasses focused on how to weave research into convincing and authentic historical fiction. There also will be interactive sessions on armour with <i>Matt Curran</i> (Leif the Viking) and historical costumes with <i>Rachel Nightingale.</i> There is also a chance to have your m</span>anuscript assessed by industry experts, <i>Alison Arnold</i> and <i>Irina Dunn</i>. <a href="http://hnsa.org.au/manuscript-assessments/" target="_blank">Book your appointment here.</a></div>
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<b><span lang="EN-AU" style="color: olive;">Academic programme</span></b></h3>
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<span lang="EN-AU" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">HNSA is conducting a third stream which will give academics the chance to answer a call for papers in two topics: 'Bio-fiction: Can you Defame the Dead?' and 'The Lie of History'. Successful applicants will then present their papers. General admission is free to all attendees to enjoy listening to these fascinating discussions but spaces are limited so please reserve a space. <a href="http://hnsa.org.au/academic-programme/" target="_blank">More details about the academic sessions are available here.</a></span></div>
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<b><span lang="EN-AU" style="color: olive;">Inaugural HNSA short story contest</span></b></h3>
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<span lang="EN-AU" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">HNSA is excited to announce the establishment of its inaugural short story contest with a prize of $500! Many thanks to Eagle Books for sponsoring the prize and to Sandra Gulland agreeing to act as judge. The winning entry and two other short listed stories will be published in Backstory ezine. The Historical Novel Society is also offering a free membership to the winner. <a href="http://hnsa.org.au/story-contest/" target="_blank">You can enter the contest via this link.</a></span></div>
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<b><span lang="EN-AU" style="color: olive;">Conference dinner</span></b></h3>
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<span lang="EN-AU">Last but not least, don't miss our conference dinner where you can enjoy highlights of the day with your fellow attendees while eating a delicious meal and listening to our dinner speaker <i>Robert Gott.</i></span></div>
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<span lang="EN-AU" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">You can buy tickets to our conference and learn more about our speakers via our website </span><span lang="EN-AU"><a href="http://www.hnsa.org.au/"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">www.hnsa.org.au</span></a><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">. Book now to take advantage of early bird registration. </span></span></div>
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Let's Make a Noise about Historical Fiction!<br />
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Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-37478141907261334342017-08-31T22:13:00.000+10:002017-09-01T09:12:48.451+10:00Writing and Publishing Hidden Stories - by Dr Glenice Whitting<br />
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<span style="text-align: center;">Writers often dream of being published and getting their work ‘out there’. I am no exception. </span>I had just completed my Masters of Creative Writing at Melbourne University when my first novel, <i>Pickle to Pie</i> co-won the Ilura Press International Fiction Quest. This meant a cash advance, plus publication and I was beside myself with excitement. <i>Pickle to Pie</i> was the story of a boy, a great-hearted German Grossmutter and a man caught between two worlds. It was a record of my father’s life. In his late eighties he would sit for hours telling me, or whoever would listen, the stories of his early life as a boy with a German name living through two world wars and a depression. After he died I discovered a box of old German postcards and decided to write his story. In the process I came to terms with my previously hidden German heritage.<br />
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<span lang="EN-AU">In any society, there are many forms of cultural and personal censorship that prevent the telling of tales considered unpalatable, unsavoury, subversive or insignificant. The result is that written history can be one sided, dominated by strong cultural groups, the stories of minorities unvalued and unrecorded. These stories cry out to be heard and with every life extinguished, we lose part of our collective memory. Writers can give voice to neglected stories of human beings who have been damaged deeply by world events. <o:p></o:p></span></div>
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<span lang="EN-AU">To be a guest speaker at the Historical Novel Society’s Conference Academic Program Session four at Swinburne University is a dream come true. On the 10<sup>th</sup> September from 10am-11am our focus will be on the <i>Lie of History</i>. It is my chance to give voice to the children of German descent who lived in Australia during the last century and struggled to come to terms with their opposing worlds.<o:p></o:p></span></div>
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I had promised myself, if <i>Pickle to Pie</i> was ever published that I would give up my day job. Hairdressing had always augmented the family income through good times and bad. After the book launch I stuck to my promise, sold the salon and walked away to a life of poverty. I knew I was not a J K Rowling, but I was happy.</div>
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<span lang="EN-AU">My second novel has just been published but it has been a long road to publication. This manuscript has had at least three reincarnations with a change of title each time. Each version has its own merit and has taught me something valuable about the craft of writing. The novel, ‘<i>Something Missing</i>’ began life as ‘Hens Lay, People Lie’: my artefact for my PhD at Swinburne University. <o:p></o:p></span></div>
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<span lang="EN-AU">I had often toyed with the idea of studying for my PhD but never dreamt it could happen. However, to be awarded an APA scholarship meant the opportunity to study at Swinburne University. I grabbed it with both hands. With the help of two supervisors I could learn the craft of writing and understand all the rules. I would then know why I was breaking them. I decided to do what so many writers do. I chose to write something close to my heart. Something entirely different. This time it would be based on my thirty-five year pen-friendship with an older American poet, a story about two women, a life changing pen-friendship and the lies they tell each other. I wrote in my journal, <i>‘</i>I am writing an epistolary, autoethnographic novel grounded in both feminism and post modernist paradigms with the aim of revealing women’s hidden stories in the hope of instigating social change. I believe this embedded story of the journey of self discovery and friendship will carry with it the possibility of nothing less than the restoration of faith in human kind.’ <o:p></o:p></span></div>
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<span lang="EN-AU">What lofty aims, but here was a chance to use our letters, interspersed with text, to explore the influence this elderly poet had on a young woman who left school at fourteen to become a hairdresser: a woman who unconsciously yearned for the education given to her brother and denied to her. My journey into epistolary fiction using letter, diary and journal extracts, plus snippets of poetry, had begun.<o:p></o:p></span></div>
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<span lang="EN-AU">I began work using an older American woman’s voice in first person narration; an elderly Australian woman in second person; and the young Australian mum in third person. The story would have embedded dialogue, following author, Debra Adelaide’s example, where only the formatting and actions of the characters, rather than dialogue marks, reveal to the reader who is speaking at that time. The elderly Australian woman would reveal the pitfalls and joys of writing a novel in a humorous, tongue in cheek, vein.<o:p></o:p></span></div>
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<span lang="EN-AU">For three and a half years I am caught up in a world where my mind kept bouncing backwards and forwards between my creative writing of this novel and the formal academic exegesis. <o:p></o:p></span></div>
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<span lang="EN-AU">Friends warned me that I would have a meltdown post PhD, but I was convinced that would not happen to me. I was too strong, too resilient. That sort of breakdown only happened to other people. The wail of the ambulance soon bought me back to earth with a thud. I asked my adult son what section of hospital I was in. He replied, ‘The resuscitation room, Mum.’ Two weeks later, just home from hospital and feeling weak and tired, I had resigned myself to missing my already paid for graduation ceremony. My son hired a wheelchair, determined I would make it. <o:p></o:p></span></div>
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<span lang="EN-AU">There were only three PhD degrees awarded that night. I waited in the wings for all the BA’s, Masters and double degrees to be awarded before my son wheeled me over to join the queue waiting for their turn to hear their name called and to climb the stairs to the stage. Determined to walk under my own steam, doubts filled my mind. What if I couldn’t manage the stairs? What if I fainted, collapsed, or worse still, threw up when the chancellor, in all his finery handed me my much sort after certificate. What if... <o:p></o:p></span></div>
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<span lang="EN-AU">To leave my wheelchair and walk on stage wearing the hired floppy Tudor bonnet and colourful gown was a highlight in my life. I had an overwhelming feeling of achievement and self worth that no one could take away from me. Afterwards, I thankfully joined my peers on the stage and proudly marched out with the academic procession only to flop into the wheelchair waiting by the door. </span>The mature aged student journey from VCE to PhD had required passion, dogged determination and guts, but it had also been the most exciting, exhilarating time in my life. I knew I would miss it and all the friends I’d made along the way.</div>
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<span lang="EN-AU">Using my recently gained title of Dr Glenice Whitting I sent my edited and, according to me, perfect manuscript out to publishers and waited for the offers to come rolling in. Nothing happened. Slowly, relentlessly, one after the other a stream of rejections arrived. ‘Thank you for sending Hens Lay People Lie, however...’<o:p></o:p></span></div>
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<span lang="EN-AU">I was caught in a catch-22 situation. To get a publisher I needed an agent but to get an agent I needed a publisher. I also took a long hard look at what I’d written, and following the suggestions of American author/editor, Cindy Vallar, I inserted quotation marks to all the dialogue and renamed the manuscript ‘What Time is it There?’ Still the rejections arrived. It was ‘too academic’ too many voices, too literary, too hard to read and so on. Had I, over the years of study, begun to sound as if I’d swallowed a dictionary? I knew I had to, once again, rewrite the manuscript. It took a huge leap of faith to take it from literary fiction into popular fiction.<o:p></o:p></span></div>
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<span lang="EN-AU">The third reincarnation is the one that is published. It was an invaluable lesson. To be a writer I had to be myself and write the way I really wanted to write, from the heart. I took out the overarching second person narrating character, made both Maggie and Diane third person narration, threw in a handful of suspense and </span><i><span lang="EN-AU" style="color: #191919; padding: 0cm;">Voilà</span></i><span lang="EN-AU"> </span><span lang="EN-AU">...<i>’Something Missing</i>’ was born. It had gone beyond academia, beyond epistolarity into what is now called, popular faction. I was over the moon with excitement the day I received the email from Tim Ridgway and Melanie V Taylor of the international MadeGlobal Publishing. They loved the story and would I sign the contract? <o:p></o:p></span></div>
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<span lang="EN-AU">It is every writer’s dream to hold their book in their hands. It gives them a chance to thank all the people who have helped along the way. There have been so many people I could list who have patiently and painstakingly worked with me through <i>Pickle to Pie</i> and all three versions of <i>Something Missing</i>. However, there is an indescribable joy in being able to finally thank them formally, via an acknowledgment page.<o:p></o:p></span></div>
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<span lang="EN-AU">It is invaluable for a writer to participate in conferences and to be part of the Historical Novel Society of Australasia. <a href="http://www.hnsa.org.au/" target="_blank">The HNSA</a> provides the opportunity to talk with readers and authors and discuss writing and promoting ideas. The members are so supportive and it feels like you belong to one large family. Why don’t you join us during this stimulating and inspirational weekend filled with talks, feedback and historical writing workshops? Go to HNSA and check out the <a href="http://hnsa.org.au/conference/programme/" target="_blank">program</a>.</span><br />
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Glenice Whitting left school at fourteen to become a hairdresser. Her journey as a mature-aged student too her from VCE to PhD in creative writing. Her debut novel, <i>Pickle to Pie</i>, was published by Ilura Press. Her latest novel, <i>Something Missing</i>, was launched at Swinburne University in December 2016. Both books are available from Dymocks book stores and at her <a href="http://www.glenicewhitting.com/" target="_blank">website</a>. <i style="mso-bidi-font-style: normal;">Something Missing</i> is also available though <a href="http://www.madeglobal.com/" target="_blank">Made Global</a>, <a href="https://www.bookdepository.com/Something-Missing-Glenice-Whitting/9788494593765" target="_blank">Book Depository</a><span lang="EN-AU" style="color: #222222;"><span style="font-family: inherit;">, and <a href="https://www.amazon.com/Something-Missing-Glenice-Whitting-ebook/dp/B01MQKMUZZ/" target="_blank">Amazon</a>. </span></span>Connect with Glenice on her <a href="http://www.glenicewhitting.com/" target="_blank">website</a> or on Facebook
at <a href="https://www.facebook.com/groups/1477800882235738/" target="_blank">Writers and their Journey</a>.<br />
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As part of our HNSA 2017 academic program, Glenice will be discuss: <i>The Lie of History: How the mirror of the present shapes the past for its own purposes </i>with <a href="https://hnsaustralasia.blogspot.com.au/search/label/Wendy%20J%20Dunn" target="_blank">Wendy J Dunn</a>, Diane Murray, <a href="https://hnsaustralasia.blogspot.com.au/search/label/Gillian%20Polack" target="_blank">Gillian Polack </a>and <a href="https://hnsaustralasia.blogspot.com.au/search/label/Cheryl%20Hayden" target="_blank">Cheryl Hayden.</a> </div>
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Admission to the academic programme is free but bookings are essential. You can find more details about <i>Lie of History</i> session on our <a href="http://hnsa.org.au/academic-programme/" target="_blank">website</a> or buy tickets <a href="http://hnsa.org.au/conference/buy-tickets/" target="_blank">here</a>.<br />
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The HNSA 2017 Melbourne Conference is being held on 8-10 September 2017 at Swinburne University. </div>
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<span lang="EN-AU">This celebration of the historical fiction genre will showcase over 60 speakers discussing inspiration, writing craft, research, publishing pathways and personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>. Among the many acclaimed historical novelists participating are Kerry Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie Masson, Sulari Gentill, Robert Gott and Arnold Zable. </span><a href="http://hnsa.org.au/conference/speakers/">The HNSA’s speakers’ list is available on the HNSA website.</a></div>
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</span> <span lang="EN-AU">In addition to the two-stream weekend programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft based super sessions and two research masterclasses</a>.You won’t want to miss our interactive sessions on armour and historical costumes either! Purchase a ticket and you will be entered in the draw to win a $100 Dymocks Gift Card.<o:p></o:p></span></div>
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<span lang="EN-AU"><a href="http://hnsa.org.au/manuscript-assessments/">Manuscript assessments will be conducted by industry experts, Alison Arnold and Irina Dunn</a>. Our <a href="http://hnsa.org.au/academic-programme/">free extended academic programme</a> is open for general admission but bookings are essential.<o:p></o:p></span></div>
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<span lang="EN-AU"><a href="http://hnsa.org.au/first-pages-pitch-contest/">Our First Pages Pitch Contest</a> offers an opportunity for submissions to be read aloud to a panel of publishers. And we are delighted to announce the introduction of our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA Short Story Contest with a $500 prize!</a> <o:p></o:p></span></div>
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<span lang="EN-AU"><a href="http://hnsa.org.au/conference/buy-tickets/">Visit our website to purchase your tickets now!</a> <o:p></o:p></span></div>
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<span lang="EN-AU"><a href="http://eepurl.com/bgWm49">Subscribe to our newsletter for interviews, reviews and news.</a><span class="MsoHyperlink"><o:p></o:p></span></span></div>
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<span lang="EN-AU"><a href="http://hnsa.org.au/sponsorship-opportunities/">Learn about our sponsorship opportunities.</a><o:p></o:p></span></div>
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<span lang="EN-AU">Let’s make a noise about historical fiction!<o:p></o:p></span></div>
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Name="index 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 9"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 1"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 2"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 3"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 4"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 5"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 6"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 7"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 8"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 9"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index heading"/> <w:LsdException Locked="false" Priority="35" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="caption"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of figures"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope return"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/> <w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/> <w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/> <w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/> <w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/> <w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/> <w:LsdException Locked="false" Priority="39" Name="Table Grid"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/> <w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/> <w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading"/> <w:LsdException Locked="false" Priority="61" Name="Light List"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/> <w:LsdException Locked="false" SemiHidden="true" Name="Revision"/> <w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/> <w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/> <w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/> <w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/> <w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/> <w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/> <w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/> <w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/> <w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/> <w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/> <w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/> <w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/> <w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/> <w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/> <w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/> <w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/> <w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/> <w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/> <w:LsdException Locked="false" Priority="51"
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Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com1tag:blogger.com,1999:blog-2190370394721818149.post-77327054499228035382017-08-28T09:00:00.000+10:002017-08-28T09:00:22.205+10:00Historical Costumes: Walking in a Character's Clothes<div class="separator" style="clear: both; text-align: center;">
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<span lang="EN-GB">One of the best ways to bring an historical
novel to life is through detailed research. Nowadays there are many channels
for research – primary sources are more available online than they’ve ever
been, and often free to access with a click of a button. Those with a larger
budget can travel and immerse themselves in surviving castles, or examine the
artefacts of life in museums and art galleries. But there is another way, and
that is to recreate the experiences of another time for yourself. While books
and documents can give you insight into events and what people thought of them,
and places can give you a sense of scale and atmosphere, research through
recreation can give you unexpected insights into why people might have behaved
in certain ways, and a detailed understanding of the rhythms of lives that were
very different to our own.<o:p></o:p></span></div>
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<span lang="EN-GB">Creating costumes and then wearing them
offers an incredibly rich source of information. When you understand how much
fabric goes into making a Tudor dress and how much ornamentation is needed, you
gain a better understanding of the wealth required to dress that way. When you
lace yourself up into a corset, you begin to see how women’s lives were
restrained (literally), how they had to walk and sit and why they might have
taken to their beds from time to time for the sheer relief! Wearing the
elaborate headdress of the Chinese court makes you realise how necessary it is
to keep very still. And if you ever take on the project of trying to handsew
one of these garments, apart from learning new curse words, you gain some
insight into the lives of those whose lives were functional rather than
ornamental.</span></div>
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<span lang="EN-GB">In writing my own historical fantasy, <i>Harlequin’s Riddle</i>, which is set in a
second world Italian Renaissance, I was able to draw on my experience of
researching, making and wearing two different outfits from the time, as well as
on memories of the many feasts I’ve attended where I have been surrounded by
such beautiful dresses. This allowed me not only to write vivid descriptions of
the beauty of these dresses, but also to show small details such as tying the
sleeves on and what it feels like to wear something that is made from heavier
material than most things we wear today. Attending a medieval feast in our day
and age really does transport you to another time, and open the door to a
different world. Once this sort of experience is in your sense bank, you can
write about it more easily to create that world for your readers.</span></div>
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<span lang="EN-GB">I’m really excited to be bringing along a
range of outfits from different time periods to the HNSA conference so that
those who come to the workshop can see for themselves how they are constructed,
how heavy they are and maybe even what it’s like to wear them. </span></div>
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<i>Recreating Historical Costumes Workshop</i></h3>
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<span lang="EN-GB"><i>What is it like to wear a Tudor outfit or dance in a Renaissance dress? How heavy is an ancient Chinese hanfu and how much fabric goes into its creation? These questions and more will be answered by Rachel Nightingale in this workshop, where you will have a chance to get up close and personal with a range of outfits made by historical re-enactors based on research and portraits. You will have the chance to look at a number of costuming books that deconstruct historical costumes, and perhaps even to try on a historical outfit.</i></span></div>
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<span lang="EN-GB">Rachel Nightingale will be conducting her <i>Recreating Historical Costumes</i> workshop on Sunday 10 September at the 2017 HNSA Melbourne Conference. The cost is only $20 for the session once a full weekend or day ticket has been bought. Purchasing a workshop tickets entitles you to entry into a $100 Dymocks Gift Card giveaway.</span></div>
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<span lang="EN-GB">In addition to Rachel's session, there is a suite of skills based workshops with top rate tuition including Authorpreneurship, Social Media, Pitching, Self Publishing, Writing Romance for the International Market, Children and Young Adult Fiction, Trove, Scrivener, Family History and Historical Mystery. And for those who enjoy costumes, we also have Leif the Viking providing a session on armour! <a href="http://hnsa.org.au/super-sessions/" target="_blank">Learn more at our website.</a></span></div>
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<i>The Gazini Players are proud to present<o:p></o:p></i></div>
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<i>For your Edification and Enjoyment<o:p></o:p></i></div>
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<i>Tales of great Joy, and of great Woe<o:p></o:p></i></div>
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<i>Ten years ago, Mina’s beloved older brother disappeared with a troupe of Travelling Players, and was never heard from again.<o:p></o:p></i></div>
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<i>On the eve of Mina’s own departure with a troupe, her father tells her she has a special gift for Storytelling, a gift he silenced years before because he was afraid of her ability to call visions into being with her stories.<o:p></o:p></i></div>
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<i>Mina soon discovers that the Travelling Players draw their powers from a mysterious place called Tarya, where dreams are transformed into reality. While trying to solve the mystery of her brother’s disappearance, she discovers a dark cost to the Players’ onstage antics. Torn between saving her brother or exposing the truth about the Players, could her gifts as a storyteller offer a way to solve Harlequin’s riddle?</i></div>
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Rachel Nightingale has been writing since the age of 8
(early works are safely hidden away). She holds a Masters degree and PhD in
Creative Writing. Winning the Mercury Short Story competition (junior section)
at the age of 16 fueled her desire to share her stories with the world.
Subsequent short stories have been shortlisted in a number of competitions and a
play, No Sequel, won the People's Choice Award and First Prize at the Eltham
Little Theatre's 10 Minute Play competition. Another, Crime Fiction, was
performed at Short and Sweet Manila and Sydney. <o:p></o:p></div>
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Rachel’s second passion after writing is the theatre, and
she has been performing in shows and working backstage for a rather long time.
She co-wrote and performed in the 2013-2015 version of the hugely popular
Murder on the Puffing Billy Express, a 1920s murder mystery set on the iconic
Dandenong Ranges train. The inspiration for the Tarya trilogy, which begins
with <i>Harlequin's Riddle</i>, began when
she read a quote by Broadway actor Alan Cumming about that in-between moment
just before you step onstage, and began to wonder might be found in that place
between worlds.<o:p></o:p></div>
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Harlequin's Riddle is available via <a href="http://odysseybooks.com.au/tag/rachel-nightingale/">Odyssey Books</a>.<o:p></o:p></div>
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HNSA 2017 Conference</h3>
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The HNSA 2017 Melbourne Conference is being held on 8-10
September 2017 at Swinburne University. This celebration of the historical
fiction genre will showcase over 60 speakers discussing inspiration, writing
craft, research, publishing pathways and personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>.
Among the many acclaimed historical novelists participating are Kerry
Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie
Masson, Sulari Gentill, Robert Gott and Arnold Zable. <a href="http://hnsa.org.au/conference/speakers/">The HNSA’s speakers’ list is
available on the HNSA website.</a> <o:p></o:p></div>
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In addition to the two stream weekend programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft based super
sessions and two research masterclasses</a>.You won’t want to miss our
interactive sessions on armour and historical costumes either! Purchase a
ticket and you will be entered in the draw to win a $100 Dymocks Gift Card.<o:p></o:p></div>
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<a href="http://hnsa.org.au/manuscript-assessments/">Manuscript
assessments will be conducted by industry experts, Alison Arnold and Irina Dunn</a>.
Our <a href="http://hnsa.org.au/academic-programme/">free extended academic
programme</a> is open for general admission but bookings are essential.<o:p></o:p></div>
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<a href="http://hnsa.org.au/first-pages-pitch-contest/">Our
First Pages Pitch Contest</a> offers an opportunity for submissions to be read
aloud to a panel of publishers. And we are delighted to announce the
introduction of our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA
Short Story Contest with a $500 prize!</a> <o:p></o:p></div>
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<a href="http://hnsa.org.au/conference/buy-tickets/">Visit
our website to purchase your tickets now!</a> <o:p></o:p></div>
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<a href="http://eepurl.com/bgWm49">Subscribe to our
newsletter for interviews, reviews and news.</a><o:p></o:p></div>
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<a href="http://hnsa.org.au/sponsorship-opportunities/">Learn
about our sponsorship opportunities.</a><o:p></o:p></div>
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Let’s make a noise about historical fiction!<o:p></o:p></div>
Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-26462675594477133552017-08-25T09:00:00.000+10:002017-08-25T09:00:04.831+10:00The Enduring Fascination of Historical Crime Fiction by Christa Ludlow<div class="MsoNormal">
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Historical crime fiction has an enduring fascination. The possibility of journeying back through time to the era of Sherlock Holmes, gaslight and hansom cabs; constables patrolling streets shrouded in fog; detectives attending autopsies in chilly underground caverns – what could be more enticing? <o:p></o:p></div>
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We don’t have to travel to London to experience these thrills - Sydney has its own fascinating history of crime and punishment to be explored, as I discovered many years ago when I was conducting research for exhibitions at the <a href="http://sydneylivingmuseums.com.au/justice-police-museum">Justice and Police Museum</a> in Sydney. If you haven’t visited the Museum, it is in a beautiful old sandstone building near Circular Quay, which was formerly the Water Police Station and Court House. The Museum houses what used to be a private Police Force collection of artefacts relating to crime and criminals, from the early nineteenth century up to the present day.</div>
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I trained as a historian and I have written about the history of institutions like the Children’s Court, prisons and asylums. As I was trawling through old police records, photographs and newspaper accounts to find ideas for exhibitions, I wondered why no one was writing historical crime fiction (my favourite reading genre) set in nineteenth century Sydney. Sydney, its buildings, streets and institutions, seemed full of mystery to me. The result is Taken At Night, my first mystery novel, set in Sydney in 1900.<o:p></o:p></div>
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In 1900 Sydney was the largest city in Australia and the fifth largest port in the British Empire. But like all cities, its population was made up of winners and losers. While Sydney’s affluent inhabitants enjoyed the hotels, shopping arcades and theatres, life was much tougher in The Rocks, Millers Point, and Surry Hills. The maritime strike of 1890 and the following depression had taken its toll on the city’s working class. The waterfront areas were allowed to decline and slums proliferated, causing problems with health, child welfare and crime.<o:p></o:p></div>
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Sydney in 1900 was quite a diverse and complex city, if you looked closely. As a busy port, it was exposed to people of different races and beliefs. About 3500 Chinese were recorded as living in Sydney, there were Chinese language newspapers and, by 1904, a Chinese temple. Sailors and travellers of many nations passed through, including from India, the Middle East, South East Asia and Europe. <o:p></o:p></div>
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The indigenous peoples of Australia continued to make a life in Sydney, despite discrimination and restricted freedom. Many Aboriginal people were attracted to the city by the opportunities for work at the railway workshops, on the wharves and in factories. Experts and new ideas were fashionable. Votes for women, spiritualism, theosophy, Socialism, ethnology and social Darwinism were all subjects debated in the newspapers and at public lectures. Some of these ideas influenced the response to urban crime.</div>
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I have written <a href="https://wwwmcc.murdoch.edu.au/ReadingRoom/7.2/Ludlow.html">elsewhere</a> how in the 1890s male Australian writers like Henry Lawson and Banjo Patterson saw the city as a maze of evil and corruption and set their stories in the Australian Bush. Women, on the other hand, saw opportunities in city life. They were starting to enter the fields of literature, photography and journalism. In Taken At Night, the protagonist is a photographer and her profession allows her to roam the streets with a purpose and a camera. In 1891 the Illustrated Sydney News noted that nearly every newspaper of standing had one or more women among its contributors or staff writers. Photographers such as Laura Praed and May and Minna Moore were having their photographs published. <o:p></o:p></div>
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Criminology was still in its infancy. While fingerprinting was being practised by the police force in India, it was not accepted in England until 1901. Sydney’s police did not adopt it until 1911. One large and threatening shadow hung over Sydney in 1900 – the bubonic plague. It had first been noticed in China, then progressed to India and to the Pacific. It was carried by fleas on rats which infested the ships travelling between ports. In 1900, with no antibiotics, once a person contracted the disease, little could be done but wait and see. The plague plays a key role in Taken At Night and the sequel to be published this year, The Dark Room – many crimes could be committed under cover of quarantine! <o:p></o:p></div>
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In response to the plague, which killed over 100 people, whole streets, buildings and wharves in Darling Harbour, Walsh Bay, The Rocks and Millers Point were demolished. With them went much of the city’s mystery. But occasionally in an old book, a photograph or even wandering the streets you can find traces of that city of mystery.<o:p></o:p></div>
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Christa A. Ludlow<o:p></o:p></div>
<span style="font-family: "arial" , "sans-serif"; font-size: 11.0pt; line-height: 107%;"><a href="http://www.sydneymysteries.com/">www.sydneymysteries.com</a></span></div>
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Books: Taken at Night (2016) <a href="https://www.amazon.com.au/Taken-at-Night-Christa-Ludlow-ebook/dp/B01BGE85Q4/">Paperback</a>, <a href="https://www.amazon.com.au/d/ebook/Taken-Night-Christa-Ludlow/B01BGE85Q4/">eBook</a>, The Dark Room (forthcoming, 2017). Connect with Christa on: <a href="https://twitter.com/LudlowChrista?lang=en">Twitter </a>and <a href="https://www.facebook.com/christa.ludlow">Facebook</a><o:p></o:p></div>
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<b>Taken at Night</b></h3>
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<i>A missing woman, a city in turmoil and a mysterious
photographer ….<o:p></o:p></i></div>
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<i>The year is 1900, and photographer Beatrix Spencer has just
opened her studio in the bustling colonial metropolis of Sydney. But it is a
turbulent time to start a new business. A deadly outbreak of plague is
threatening the city. Soldiers are about to embark for the Boer War. Women are
struggling to gain rights and recognition.<br />
When a woman doctor disappears from a quarantined ship, Beatrix is drawn into
the investigation led by Detective Fergus Blair, who has secrets of his own.
Despite their very different backgrounds, Fergus and Beatrix find that the
city’s underworld is closer and more dangerous than either of them realized.
And somewhere, another more sinister photographer is at work…</i><o:p></o:p></div>
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<span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">HNSA 2017
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<span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">The HNSA
2017 Melbourne Conference is being held on 8-10 September 2017 at Swinburne
University. This celebration of the historical fiction genre will showcase over
60 speakers discussing inspiration, writing craft, research, publishing
pathways and personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>.
Among the many acclaimed historical novelists participating are Kerry
Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie
Masson, Sulari Gentill, Robert Gott and Arnold Zable. <a href="http://hnsa.org.au/conference/speakers/">The HNSA’s speakers’ list is
available on the HNSA website.</a> <o:p></o:p></span></div>
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<span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">In addition
to the two stream weekend programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft based super
sessions and two research masterclasses</a>.You won’t want to miss our
interactive sessions on armour and historical costumes either! Purchase a
ticket and you will be entered in the draw to win a $100 Dymocks Gift Card.<o:p></o:p></span></div>
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be conducted by industry experts, Alison Arnold and Irina Dunn</a>. Our <a href="http://hnsa.org.au/academic-programme/">free extended academic programme</a>
is open for general admission but bookings are essential.<o:p></o:p></span></div>
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Contest</a> offers an opportunity for submissions to be read aloud to a panel
of publishers. And we are delighted to announce the introduction of our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA Short Story Contest
with a $500 prize!</a> <o:p></o:p></span></div>
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your tickets now!</a> <o:p></o:p></span></div>
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<span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><a href="http://eepurl.com/bgWm49">Subscribe to our newsletter for interviews,
reviews and news.</a><o:p></o:p></span></div>
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<span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><a href="http://hnsa.org.au/sponsorship-opportunities/">Learn about our
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<span style="font-family: "Cambria","serif"; font-size: 14.0pt; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Let’s make a
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Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-75988752877643225132017-08-21T09:00:00.000+10:002017-08-21T09:00:14.977+10:00Interview with Cheryl Hayden<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir9yW_zBd2v96WdNlgoDEJ-_dG3Z2CN0xymRcVv8Oy1MYch1T8aL1zRiKm1bHNZJxhcZpWZKcG46zaqxKzfEZiOdywIIX4QE0pCZvjtaTBU0A21Y7NP0Ur8kIcR9m4ut_e5ayMC93p7y0/s1600/Cheryl_Hayden.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1064" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir9yW_zBd2v96WdNlgoDEJ-_dG3Z2CN0xymRcVv8Oy1MYch1T8aL1zRiKm1bHNZJxhcZpWZKcG46zaqxKzfEZiOdywIIX4QE0pCZvjtaTBU0A21Y7NP0Ur8kIcR9m4ut_e5ayMC93p7y0/s320/Cheryl_Hayden.jpg" width="212" /></a></div>
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Cheryl Hayden is a researcher and novelist with a passion
for 16th Century Cornwall. Her novel, <i>A Christmas Game</i>, examined the plight of
the rebel Cornishmen during and after the 1549 Prayer Book Rebellion. She is
currently a PhD candidate at Flinders University, writing a fictional account
of the life of Tristram Winslade. Cheryl
was born and raised in Melbourne and now lives in Brisbane where her
sub-tropical garden is a major diversion when creative blockages strike.</div>
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What is the inspiration for your current book?</h3>
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My 2012 novel, <i>A
Christmas Game</i>, and my current work-in-progress are both inspired by a
little-known period of rebellion that occurred in Cornwall during the early
modern period, from 1497 to 1648.
Initially, my interest in Cornwall stemmed from my family’s mining
heritage there – they were tin miners working in the very dangerous but
incredibly spectacular area just north-east of Land’s End – very Poldark! After researching that history and writing a
still unpublished novel, my interest took off towards rebellion. <o:p></o:p></div>
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Is there a particular theme you are exploring in this book?</h3>
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Issues of identity and homeland seem to be a common thread
in my work. I was fascinated from a young age about my ancestors being
‘Cornish’ but didn’t understand what this meant until I undertook an M.A. in
Cornish Studies at the University of Exeter. The Cornish are Celtic, and do not
consider themselves to be English, and many native Cornish today still regard
Cornwall as a separate nation. It has long been a fraught issue and for a
novelist there is a great deal of scope for developing great characters and a
lot of conflict with which to surround them.
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<br />Which period of history particularly interests you? Why?</h3>
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The 16th Century is my particular focus. We are all familiar
with the Tudor monarchs, but what we often don’t see is the plight of people on
the receiving end of their increasingly nationalistic policies. My characters are fighting against the
imposition of religious reform. In <i>A
Christmas Game</i>, they are resisting the religious reforms introduced by
Edward VI in 1549 and their protest leads to out-and-out war against their own
king.<o:p></o:p></div>
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What resources do you use to research your book? </h3>
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I read as much as possible – serious texts that delve into
primary sources. I also use the UK National Archives online data base, as well
as the Cornwall Records Office online catalogue. Devon also has online
databases. More and more material is being digitized, so as the years roll by,
there is more and more available. I also visit the places I write about. I’ve
been to Cornwall five times now, and know it well. On my last visit, I visited the 16th Century
home of the Winslade family, who feature in A Christmas Game and in my work-in-progress.
<o:p></o:p></div>
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What is more important to you: historical authenticity or
accuracy?</h3>
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Authenticity is a complex idea – can anything that is a
reproduction or a representation ever be authentic? As for accuracy, if we’re talking about
events occurring on specific dates, then it depends on how significant the
event or the date is. My aim is to be
totally across my subject matter and the setting and to have a thorough
understanding of my characters. I want my readers to feel confident that I am
taking them on a credible journey into the past that will withstand historical
scrutiny of my key themes and critical events.
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Which character in your current book is your favourite? Why?</h3>
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In <i>A Christmas Game</i>,
I think I probably love Margh Tredannack best. He is a young man, just married,
who joins a protest against the introduction of the English Language Prayer
Book mainly because he has just completed his military training and thinks it
will be a bit of fun to go off with his friends. When the whole thing spirals
into war and treason, he must manage his terror and try to keep his men safe.
Then, having lost everything, he must pick up the fragments of his life. Jenna is equally inspiring. She is utterly
terrified for most of the novel, and is truly brave and loyal. <o:p></o:p><br />
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Which authors have influenced you?</h3>
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Myriad authors including Peter Carey, Umberto Eco, Patrick
White, Hilary Mantel, Michelle de Kretser, Richard Flanagan, Alan M. Kent,
Daphne du Maurier and A.S. Byatt. <o:p></o:p></div>
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What advice would you give an aspiring author?</h3>
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Learn to write. Do courses, join groups and enter
competitions. Read great writing, whether it be journalism, short stories,
fiction or non-fiction. Be gracious about receiving constructive criticism and
use it to hone your skills. Finally, be true to the story that is in your heart
and give it your best shot. <o:p></o:p></div>
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Tell us about your next book or work in progress.</h3>
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My work in progress is part of my PhD in Creative Writing.
It returns to 16th Century Cornwall to follow the true life story of Tristram
Winslade, who in 1595 wrote to King Philip II of Spain urging another Armada.
Tristram’s life is emerging as an expectedly sensational roller-coaster. His
father and grandfather appeared as real life characters in <i>A Christmas Game</i>. <o:p></o:p></div>
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<i>Margh Tredannack is
living in newly wedded bliss on his father’s estate in western Cornwall. Miles
away, near the banks of the Tamar, Jenna Rosewarne is promised to a loathsome
cousin. In the summer of 1549, their worlds collide as the Cornish rise in protest
against Edward VI’s English language prayer book. All of a sudden they are on
the road to catastrophe, waging war against their own King. Trust, grief and
despair bind them together, but does it count as love? And is it enough to save
them? </i><br />
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You can connect with Cheryl via <a href="https://www.facebook.com/cheryl.hayden.33" target="_blank">Facebook</a> or <a href="mailto:cherylhayden200@gmail.com" target="_blank">Email</a> her to purchase your copy of <i>A Christmas Game.</i><br />
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Cheryl Hayden is presenting a paper in <i>The Lie of History: How the Mirror
of the Present Shapes the Past for its Own Purposes</i> in the HNSA Academic
Programme on Sunday 10th September. <br />
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<i><o:p></o:p>There is no question that we are constructions of our own
times, and the writing of history is always shaped by those who recount the
past for their own purposes. How does the mirror of the present day reflect and
dictate the telling of history? Do we filter a version of history that tells
more about us than the times of long ago through what we choose to reveal and
erase? Dr Wendy J Dunn will discuss these questions with panel members Drs
Glenice Whitting, Diane Murray, Gillian Polack, and Cheryl Hayden.</i><br />
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Presentation of all papers will be followed by a discussion between Prof. Josie Arnold and Christopher Raja on the same topic.<br />
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Abstract: Knit Two, Drop Four: Finding lost heroes in the
holes of history’s knitting by Cheryl Hayden (PhD candidate, Flinders
University)<o:p></o:p></div>
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<i>Across the western world globalisation is creating renewed
nationalist fervour, and with it, renewed interest in the historiographies from
which nations draw their identities. The Tudor dynasty in 16th Century England
is today being analysed and glorified throughout popular culture, confirming in
the minds of the English and their diaspora, of the ‘rightness’ of the
Protestant reformation and the victory of the nation state over the backward,
evil threat presented by Catholicism. Is it possible, today, to unpick this
entrenched historiography to repatriate the stories of those who suffered for
this cause?<o:p></o:p></i></div>
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<br /></div>
<div class="MsoNormal">
Entry to the academic programme is included in the price of
a weekend or day ticket but <a href="http://hnsa.org.au/academic-programme/" target="_blank">please book your place because seating isrestricted. </a><o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
<h3>
HNSA 2017 Conference</h3>
<o:p></o:p></div>
<div class="MsoNormal">
The HNSA 2017 Melbourne Conference is being held on 8-10
September 2017 at Swinburne University. This celebration of the historical
fiction genre will showcase over 60 speakers discussing inspiration, writing
craft, research, publishing pathways and personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>.
Among the many acclaimed historical novelists participating are Kerry
Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie
Masson, Sulari Gentill, Robert Gott and Arnold Zable. <a href="http://hnsa.org.au/conference/speakers/">The HNSA’s speakers’ list is
available on the HNSA website.</a> <o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
In addition to the two stream weekend programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft based super
sessions and two research masterclasses</a>.You won’t want to miss our
interactive sessions on armour and historical costumes either! Purchase a
ticket and you will be entered in the draw to win a $100 Dymocks Gift Card.<o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
<a href="http://hnsa.org.au/manuscript-assessments/">Manuscript
assessments will be conducted by industry experts, Alison Arnold and Irina Dunn</a>.
Our <a href="http://hnsa.org.au/academic-programme/">free extended academic
programme</a> is open for general admission but bookings are essential.<o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
<a href="http://hnsa.org.au/first-pages-pitch-contest/">Our
First Pages Pitch Contest</a> offers an opportunity for submissions to be read
aloud to a panel of publishers. And we are delighted to announce the
introduction of our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA
Short Story Contest with a $500 prize!</a> <o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
<a href="http://hnsa.org.au/conference/buy-tickets/">Visit
our website to purchase your tickets now!</a> <o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
<a href="http://eepurl.com/bgWm49">Subscribe to our
newsletter for interviews, reviews and news.</a><o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
<a href="http://hnsa.org.au/sponsorship-opportunities/">Learn
about our sponsorship opportunities.</a><o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
<div style="text-align: center;">
Let’s make a noise about historical fiction!<o:p></o:p></div>
</div>
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</div>
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<br /></div>
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<i><o:p></o:p></i></div>
Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-71481510422169863592017-08-18T09:00:00.000+10:002017-08-18T10:38:41.536+10:00Interview with Gabrielle Wang<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLupT0FUT8kNAecNygFwkkRhewOqL9ZrHdCstM3A-0MxJIRnDFxwuj81BMcig3NX_3_1Kosg-jhXTs0gQPCQvvRfKwWGlYlZ6LunEkVgbVlfX34kwv4tlGQf1zXAU326OfI1psGHnCKkU/s1600/Gabrielle-Wang+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLupT0FUT8kNAecNygFwkkRhewOqL9ZrHdCstM3A-0MxJIRnDFxwuj81BMcig3NX_3_1Kosg-jhXTs0gQPCQvvRfKwWGlYlZ6LunEkVgbVlfX34kwv4tlGQf1zXAU326OfI1psGHnCKkU/s320/Gabrielle-Wang+copy.jpg" width="212" /></a></div>
<div class="MsoNormal">
Gabrielle Wang is an award winning children’s author and
illustrator whose books are a blend of Chinese and Western culture with a touch
of fantasy.<br />
<div class="MsoNormal">
<o:p></o:p></div>
<div class="MsoNormal">
She has twice won the Aurealis Award for Best Children’s
Long Fiction and her novels have been named Notables in the Children’s Book
Council of Australia Awards. <o:p></o:p></div>
<div class="MsoNormal">
Her first novel, The Garden of Empress Cassia was
listed on the USBBY Outstanding International Books Honour List. Gabrielle has
published fifteen novels with <o:p></o:p></div>
<div class="MsoNormal">
Penguin Books Australia including Little Paradise, an
historical fiction YA romance novel based on her parents' relationship during
World War 2. <o:p></o:p></div>
<div class="MsoNormal">
This book was Highly Commended in the Prime Minister's
Literary Awards. She has also written two of the girls - the Poppy books and
the Pearlie books - in the highly<o:p></o:p></div>
<div class="MsoNormal">
popular Our Australian Girl series. Her
middle grade novel is The Beast of Hushing Wood was published by Penguin
Random House in 2017. <o:p></o:p></div>
<div class="MsoNormal">
<a href="http://www.gabriellewang.com/" target="_blank">www.gabriellewang.com</a></div>
<div class="MsoNormal">
<br /></div>
</div>
<h3>
<span lang="EN-AU">What is the inspiration for your current
book?</span></h3>
<div class="MsoNormal">
<span lang="EN-AU">I am working on a new chapter for the
Pearlie books, which are part of the very popular <i style="mso-bidi-font-style: normal;">Our Australian Girl</i> series published by Penguin. The four novels
came out in 2014 but a new hard cover bind up featuring all four novels in one,
will be released in June 2018. I have been asked by my publisher to write a
chapter to include in the new edition. It follows on from the final book so I
am now researching World War II Perth. I love historical fiction. It means one
can learn so much more about the world. <o:p></o:p></span><br />
<span lang="EN-AU"><br /></span></div>
<h3>
Is there a particular theme you are
exploring in this book?</h3>
<div class="MsoNormal">
<span lang="EN-AU">The theme is war and how it affects
families in war torn areas, in particular children.</span><br />
<span lang="EN-AU"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilIDhZHB77fFwLGH6OECXME8T73klOXU0besCyvkOfRr7N_T8WudAw7SeNzc09ciZ6ahtXbAGkmst6TYwgZI6JE0zeNPm-0uNkms0OrR1oqG-ENLhBaXZnf0N7-krqPWQbgfeS6pWIuPY/s1600/Poppy+copy.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="602" data-original-width="400" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilIDhZHB77fFwLGH6OECXME8T73klOXU0besCyvkOfRr7N_T8WudAw7SeNzc09ciZ6ahtXbAGkmst6TYwgZI6JE0zeNPm-0uNkms0OrR1oqG-ENLhBaXZnf0N7-krqPWQbgfeS6pWIuPY/s320/Poppy+copy.jpg" width="212" /></a></div>
<h3>
<span style="text-align: center;">Which period of history particularly
interests you? Why?</span></h3>
<div class="MsoNormal">
<span lang="EN-AU">The period of history I wrote about in the
Pearlie novels was Darwin during World War Two. The reason for this was because
there are very few books for children to read about this period in Australian
history. World War I, in particular Gallipoli is well covered, however Darwin
and the northern towns during World War II is rarely written about. And yet it
was a very important time in Australia’s history when the bonds between
Australia and the USA were forged. I wanted to show how we had our own refugees
who needed to flee their homes. Seen through my young protagonist’s eyes, the
tragedy of the bombing of Darwin is made that much more real. <o:p></o:p></span><br />
<span lang="EN-AU"><br /></span></div>
<h3>
What resources do you use to research
your book?</h3>
<div class="MsoNormal">
<span lang="EN-AU">I use the internet for photos and
information as well as the library. If I need to, I buy books online. One of
the best sources is the Ask a Librarian service available online with major
libraries. Then there is nothing better than visiting the place you are writing
about. With the Pearlie books I visited Darwin to get the feel of the land.
Most of Darwin was destroyed during the bombing and later with Cyclone Tracy
but I was able to interview people who lived through that time. I also visited
museums and joined a Battlefield Tour to look at important military sites. <o:p></o:p></span><br />
<span lang="EN-AU"><br /></span></div>
<h3>
What is more important to you:
historical authenticity or accuracy?</h3>
<div class="MsoNormal">
<span lang="EN-AU">I try to be both authentic and accurate.
For example I’ve been trying to find out as much as I can about Perth in 1943
and in particular Perth Zoo and the Chinese market gardens. I am only writing a
2500 word chapter but in order to be authentic and accurate I need to do my
research as thoroughly as I can. Then again, because I am writing historical
fiction, characters in the novel are invented.</span><br />
<span lang="EN-AU"><span style="mso-spacerun: yes;">
</span><o:p></o:p></span></div>
<h3>
Which character in your current book is
your favourite? Why?</h3>
<div class="MsoNormal">
<span lang="EN-AU">My protagonist Pearlie of course, but I
also love Tinto, her cheeky pygmy marmoset.<o:p></o:p></span><br />
<span lang="EN-AU"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-AU"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj38e1Rhk3tc9Ck9_AaG4paQhHS25D8zdISmva-sIvYtxXRq8bl_rM3jr3ltIM_i_H938l80vzwhqa9aG4LuufmYnlLAdvK3LC6RaxyWY8mY8gP8679PsGFNJfKaTLiz6UreD68rGnjfTI/s1600/Paradise+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1043" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj38e1Rhk3tc9Ck9_AaG4paQhHS25D8zdISmva-sIvYtxXRq8bl_rM3jr3ltIM_i_H938l80vzwhqa9aG4LuufmYnlLAdvK3LC6RaxyWY8mY8gP8679PsGFNJfKaTLiz6UreD68rGnjfTI/s320/Paradise+copy.jpg" width="208" /></a></div>
<h3>
Are you a ‘plotter’ or a ‘pantser’? How
long does it generally take you<br /><span lang="EN-AU">to write a book?</span></h3>
<div class="MsoNormal">
<span lang="EN-AU">Writing historical fiction I am definitely
a plotter. With the Our Australian Girl series because there had to be an
overarching story across all four novels, as well as each book being a novel on
its own, so before I started writing the series I needed to plot each one out.
With my young adult historical fiction novel, <i style="mso-bidi-font-style: normal;">Little Paradise,</i> which is also set during World War II in Melbourne
and China, it was important to plot it out as it covers four years in the life
of Mirabel, the main character.<span style="mso-spacerun: yes;"> </span></span>I also write fiction and when I do, I allow
the story to develop organically. I love this freedom and the way things that
happen during the day serendipitously feed your story. As for how long it takes to write a novel,
usually about two years.<br />
<h3>
<br />
What advice would you give an aspiring
author?</h3>
</div>
<div class="MsoNormal">
<span lang="EN-AU">I guess it’s the same advice all authors
give and that is to edit, edit, edit. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-AU">Read your work out aloud. That way you’ll
pick up mistakes that you might gloss over when reading silently. </span>Join a writing group where you can share
your work. Start off small. My first publication was a
short story in a children’s magazine. The more publications you have behind you
the better it is when sending your manuscript out to a publisher. It shows that
you are serious about your writing and work hard at it.<br />
<br /></div>
<h3>
Tell us about your next book or work in
progress.</h3>
<div class="MsoNormal">
<span lang="EN-AU">I’m working on the new chapter for Pearlie,
which I mentioned above. I am also writing a new middle grade novel which is a
sequel to <i style="mso-bidi-font-style: normal;">A Ghost in My Suitcase</i>.
It’s called <i style="mso-bidi-font-style: normal;">Ting Ting the Ghosthunter</i>
and as you can see is all about ghosts. I’m an illustrator as well so I’m
having fun designing both book covers. </span>I enjoy writing both historical fiction and
fiction. They stretch me in different ways. In order to grow we need to
constantly challenge ourselves and not be afraid to take on something that may
appear too hard.<br />
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoBr9fyNvojY9SUl95JxDx8hqbTGsqRWpa50AADGUv1iLUeRptiyw0tnk-enRj03AcovhEZNJqDNNEja_Mb4rmlgXdQCK_4c1S0RZyffJuOPI7sdWYoUQRIyJ3SrT282TnnNXktBgB67Y/s1600/Meet-Pearlie+copy.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="614" data-original-width="400" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoBr9fyNvojY9SUl95JxDx8hqbTGsqRWpa50AADGUv1iLUeRptiyw0tnk-enRj03AcovhEZNJqDNNEja_Mb4rmlgXdQCK_4c1S0RZyffJuOPI7sdWYoUQRIyJ3SrT282TnnNXktBgB67Y/s320/Meet-Pearlie+copy.jpg" width="208" /></a></div>
<h3>
Meet Pearlie</h3>
<div class="gmail-p1">
<span class="gmail-s1"><span lang="EN-AU">It's 1941 . . . and the
war is changing Pearlie's life every day. Darwin is full of soldiers, there's a
spy on the loose, and people are turning against Pearlie's best friend, Naoko,
just because she's Japanese. When everything falls apart, will Pearlie be brave
enough to stick up for what's right, or will her old fears get the better of
her? </span></span>Meet Pearlie and join
her adventure in the first of four exciting stories about a courageous girl in
a world at war.</div>
<div class="gmail-p1">
<br /></div>
<div class="gmail-p1">
Gabrielle Wang will be appearing in at the 2017 HNSA conference in the following panel: <b><i>Children and Young Adult Fiction: How difficult can it be? Is writing fiction for children and young adults an easy option?</i></b><br />
<br /></div>
<div class="gmail-p1">
Connect with Gabrielle via her <a href="http://www.gabriellewang.com/" target="_blank">website</a>, or on <a href="https://www.facebook.com/pages/Gabrielle-Wang-Author/353894279822" target="_blank">Facebook</a>, <a href="https://twitter.com/GabrielleWang" target="_blank">Twitter</a>, and <a href="https://www.instagram.com/gabriellewangbooks/" target="_blank">Instagram</a><br />
<br /></div>
<h4>
HNSA 2017 Conference</h4>
<div class="MsoNormal">
<span lang="EN-AU">The HNSA 2017 Melbourne Conference is being
held on 8-10 September 2017 at Swinburne University. </span>This celebration of the historical fiction
genre will showcase over 60 speakers discussing inspiration, writing craft,
research, publishing pathways and personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>. </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Among the many acclaimed historical novelists participating are Kerry
Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie
Masson, Sulari Gentill, Robert Gott and Arnold Zable. <a href="http://hnsa.org.au/conference/speakers/">The HNSA’s speakers’ list is
available on the HNSA website.</a></div>
<div class="MsoNormal">
<span lang="EN-AU"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-AU">In addition to the two stream weekend
programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft
based super sessions and two research masterclasses</a>.You won’t want to miss
our interactive sessions on armour and historical costumes either! Purchase a
ticket and you will be entered in the draw to win a $100 Dymocks Gift Card.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-AU"><a href="http://hnsa.org.au/manuscript-assessments/">Manuscript assessments will
be conducted by industry experts, Alison Arnold and Irina Dunn</a>. </span></div>
<div class="MsoNormal">
<span lang="EN-AU"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-AU">Our <a href="http://hnsa.org.au/academic-programme/">free extended academic programme</a>
is open for general admission but bookings are essential.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-AU"><a href="http://hnsa.org.au/first-pages-pitch-contest/">Our First Pages Pitch
Contest</a> offers an opportunity for submissions to be read aloud to a panel
of publishers. And we are delighted to announce the introduction of our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA Short Story Contest
with a $500 prize!</a> <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-AU"><a href="http://hnsa.org.au/conference/buy-tickets/">Visit our website to purchase
your tickets now!</a> <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-AU"><a href="http://eepurl.com/bgWm49">Subscribe
to our newsletter for interviews, reviews and news.</a><span class="MsoHyperlink"><o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-AU"><a href="http://hnsa.org.au/sponsorship-opportunities/">Learn about our
sponsorship opportunities.</a><o:p></o:p></span></div>
<div class="gmail-p1">
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index heading"/>
<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of figures"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope return"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
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<span lang="EN-AU"><b>Let’s make a noise about historical
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Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-40774125259455321222017-08-14T08:00:00.000+10:002017-08-14T15:48:20.848+10:00Imagining the Past Podcast Series: Kelly Gardiner and Catherine Padmore<div class="MsoNormal">
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<span style="text-align: start;">HNSA is proud to announce the release of the final podcast in our series 'Imagining the Past' before the 2017 HNSA Melbourne Conference. This week our host, Kelly Gardiner, is in the hot seat chatting with colleague, Catherine Padmore, about historical bio-fiction. The podcast is a taste of what you will hear at the 2017 HNSA Conference in Melbourne from 8-10 September at Swinburne University Hawthorn. </span><a href="http://hnsa.org.au/conference/programme/" style="text-align: start;" target="_blank">More information about the programme is available at our website.</a></div>
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Dr Catherine Padmore was awarded her PhD in creative writing in 2002, and she has taught literary studies and creative writing at La Trobe since 2005. Her first novel,<i> Sibyl’s Cave</i> (Allen and Unwin, 2004) was shortlisted for The Australian/Vogel Award and commended in the first book category of The Commonwealth Writers’ Prize (south-east Asia and south Pacific region). Catherine has been awarded two retreat fellowships at Varuna, the Writers’ House, and in 2014 she was short-listed for their Publisher Introduction Program. She has novels-in-progress about Amy Dudley and Levina Teerlinc. Her short creative works have been published in Island, The Journal of Australian Writers and Writing, The Big Issue, The Australian, Dotlit, Antithesis and in the anthology Reflecting on Melbourne (Poetica Christi, 2009). Catherine’s scholarly work has been published in Australian Literary Studies, TEXT, JASAL, Life Writing and Lateral, with chapters in Telling Stories: Australian Life and Literature 1935-2012 (MUP, 2013) and Expanding the Canon of Early Modern Women’s Writing (CSP, 2010).<o:p></o:p></div>
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You can purchase <i>Sibyl's Cave</i> via <a href="https://murdochbooks.com.au/browse/books/fiction/literary-fiction/Sibyls-Cave-Catherine-Padmore-9781865089522" target="_blank">Allen & Unwin</a>.</div>
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<i>An evocative novel about memory and discovery anchored to the landscape and colours of Italy, England and Australia. </i><i>Shortlisted for the Australian/Vogel's Literary Award 2001.</i></div>
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Steeped in the landscape and colours of its locations, <u>Sibyl's Cave</u> follows the orphaned Billie through her childhood in Italy to the United Kingdom during World War II with her adopted family, to art school and then, finally, to her new life as an adult in Australia.<br />
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Interrupting the reclusive island life that Billie shares with Troy her housekeeper and Stan her housemate on the Hawkesbury River, Billie's niece Lorelei and her daughter Elissa arrive unannounced from England. As their lives intertwine stories emerge and secrets are revealed.<br />
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With an evocative eye for personality and place, <u>Sibyl's Cave</u> alternates between Billie's past, unearthed in her diaries and memories, and her present-day life on the island. It is a rich story about family and the importance of identity.<o:p></o:p></i></div>
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Kelly Gardiner’s most recent book is <i>1917</i> (published early in 2017), a novel for young readers set during the First World War. Her previous books include <i>Goddess</i>, based on the remarkable life of the seventeenth century French swordswoman and opera singer, Julie d’Aubigny. Kelly’s historical novels for young adults include <i>The Sultan’s Eyes</i> and <i>Act of Faith</i>, set during the time of the English Civil Wars and the Inquisition. Both books were shortlisted for the Ethel Turner Prize in the NSW Premier’s Literary Awards. Her books for younger readers are the ‘Swashbuckler’ adventure trilogy <i>Ocean Without End, The Pirate’s Revenge </i>and <i>The Silver Swan</i> – set in Malta during the Napoleonic invasion, and a picture book, <i>Billabong Bill’s Bushfire Christmas</i>. Kelly has worked on newspapers, magazines and websites, and her articles, poems, book reviews and travel writing have appeared in journals, magazines and newspapers as diverse as ‘The New York Times’, ‘Marie Claire’, ‘New Idea’, and ‘Going Down Swinging’. She works at the State Library of Victoria and teaches creative writing at La Trobe University. Kelly is also the co-host of Unladylike, a podcast on women and writing. And, of course, is the host of HNSA's Imagining the Past podcast series. </div>
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You can connect with Kelly via <a href="https://twitter.com/kmjgardiner?lang=en" target="_blank">Twitter </a>and <a href="https://www.facebook.com/kellygardiner.author/" target="_blank">Facebook</a>. Links to purchase her books are available at her <o:p></o:p><a href="https://kellygardiner.com/" target="_blank">website</a>.</div>
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<i>The war in France rages in the skies, and support for the war in Australia turns cold. Alex flies high above the trenches of the Western Front, while a world away his sister Maggie finds herself in the midst of political upheaval. Somehow, both must find the courage to fight on.<o:p></o:p></i></div>
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<i>1917 is the fourth in Scholastic’s ‘Australia’s Great War’ series, commemorating the centenary of the First World War. It is written for readers nine and up</i>.</div>
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HNSA 2017 Conference</h3>
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Kelly Gardiner and Catherine Padmore will be appearing in our academic programme: 'Bio-Fiction: Can you Defame the Dead?' at HNSA 2017 on Saturday 9 September with Kate Forsyth, Ariella van Luyn and Gabrielle Ryan. The session is included in the price of a full weekend or day ticket but seating is limited <a href="http://hnsa.org.au/academic-programme/" target="_blank">so please reserve your seat</a>. Our second academic panel is 'The Lie of History: How the Mirror of the Present shapes the Past for its own Purposes' on Sunday 10 September with Wendy J Dunn, Diane Murray, Glenice Whitting, Cheryl Hayden and Gillian Polack followed by a discussion between Prof Josie Arnold and Christopher Raja.</div>
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Kelly is also conducting a workshop on Scrivener for Beginners. Cost is $20 once a full weekend or day ticket is purchased. Purchase of a workshop ticket entitles the attendee entry into a draw to win a $100 Dymocks Gift Card. <a href="http://hnsa.org.au/super-sessions/" target="_blank">You can find out more about our suite of workshops at our website. </a></div>
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The HNSA 2017 Melbourne Conference is being held on 8-10 September 2017 at Swinburne University. This celebration of the historical fiction genre will showcase over 60 speakers discussing inspiration, writing craft, research, publishing pathways and personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>. Among the many acclaimed historical novelists participating are Kerry Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie Masson, Sulari Gentill, Robert Gott and Arnold Zable. <a href="http://hnsa.org.au/conference/speakers/">The HNSA’s speakers’ list is available on the HNSA website.</a> <o:p></o:p></div>
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In addition to the two stream weekend programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft based super sessions and two research masterclasses</a>.You won’t want to miss our interactive sessions on armour and historical costumes either! Purchase a ticket and you will be entered in the draw to win a $100 Dymocks Gift Card.<o:p></o:p></div>
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<a href="http://hnsa.org.au/manuscript-assessments/">Manuscript assessments will be conducted by industry experts, Alison Arnold and Irina Dunn</a>. Our <a href="http://hnsa.org.au/academic-programme/">free extended academic programme</a> is open for general admission but bookings are essential.<o:p></o:p></div>
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<a href="http://hnsa.org.au/first-pages-pitch-contest/">Our First Pages Pitch Contest</a> offers an opportunity for submissions to be read aloud to a panel of publishers. And we are delighted to announce the introduction of our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA Short Story Contest with a $500 prize!</a> <o:p></o:p></div>
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<a href="http://hnsa.org.au/conference/buy-tickets/">Visit our website to purchase your tickets now!</a> <o:p></o:p></div>
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<a href="http://eepurl.com/bgWm49">Subscribe to our newsletter for interviews, reviews and news.</a><o:p></o:p></div>
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<a href="http://hnsa.org.au/sponsorship-opportunities/">Learn about our sponsorship opportunities.</a><o:p></o:p></div>
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Let’s make a noise about historical fiction!<o:p></o:p></div>
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Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-89465374762877777832017-08-13T23:09:00.000+10:002017-08-14T16:27:02.716+10:00Interview with Elise McCune<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWG5mH7R4PLfbXQfbz7zG4jHrBTM8RZTjrcCSzgfFA2MsLPpQ5P3_bfzoETz3L31u2DVVZ6LQd-VRzdP10pr1EZ2cq3kG07sgMS-la4wEnSXtIFbQ6hVlAMBje9h4hACyWohIIKJiF61o/s1600/Elise-McCune+2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="300" data-original-width="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWG5mH7R4PLfbXQfbz7zG4jHrBTM8RZTjrcCSzgfFA2MsLPpQ5P3_bfzoETz3L31u2DVVZ6LQd-VRzdP10pr1EZ2cq3kG07sgMS-la4wEnSXtIFbQ6hVlAMBje9h4hACyWohIIKJiF61o/s1600/Elise-McCune+2.jpg" /></a></div>
<span lang="EN-US"><a href="https://elisemccune.com/" target="_blank">Elise McCune</a> is a Melbourne based Australian author.<span style="mso-spacerun: yes;"> </span>She was born in Cronulla, New South Wales,
Australia. In 1973, she moved to Perth, Western Australia and raised her two
children, Lisa and Brett. She worked for ten years in the Western Australian Museum
and after this she lived on a 5000-acre farm, two hundred kilometres north of
Perth. In 2016, she gained a Certificate of Completion, the University of
Iowa’s International Writing Program on fiction writing, centered on
female authorial voices and female literary characters. The type of story she
likes to read has passion and intrigue and a family secret at its heart.<span style="mso-spacerun: yes;"> </span>Exactly the type of story she likes to write. <o:p></o:p></span><br />
<span lang="EN-US"><br /></span></div>
<h4>
</h4>
<h3>
What is the inspiration for your current book?</h3>
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<span style="font-weight: normal;">Some years ago, I was staying in Mission Beach and I visited
the castle ruins at Paronella Park in the north Queensland rainforest. It is a
beautiful, fantastical place, and became the inspiration for Castillo de Suenos
in my novel. So it came about by chance that I chose Queensland and the sense
of place was one I tried to convey to my readers.Is there a particular theme
you are exploring in this book?<o:p></o:p></span></div>
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<span style="font-weight: normal;">In <i>Castle of Dreams</i>, a dual narrative story, I explore how
war impacts not only on those who go to war but those left behind on the home
front. When I was researching I found that in WW2 American servicemen were
stationed in far north Queensland where the 1940’s storyline is set. I already
had the idea for two sisters, Vivien and Rose, growing up in a castle in the
rainforest and when Robert Shine, an American soldier, found his way into my
story, their love triangle echoed the triangle of the American and Australia
allies fighting the Japanese in the Pacific War.</span><o:p></o:p></div>
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<h3>
Which period of history particularly interests you? Why?</h3>
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<span style="font-weight: normal;">I have always been interested in military history so it was
natural that I set my stories against a backdrop of WW1 or WW2 as these periods
of war had a great impact on people around the world.<o:p></o:p></span></div>
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<h3>
What resources do you use to research your book?</h3>
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<span style="font-weight: normal;">For my research, I read primary sources like diaries,
letters and newspaper reports (Trove is wonderful!). I read books written about
and of the period I am researching. I use Google but online information can be
inaccurate so be careful and check more than one source. I use my wonderful
local library and inter-library loans for books I don’t necessarily want to
keep on my bookshelf, and also, I always read bibliographies carefully in each
book as they are a source of more information on the subject you are
researching.</span><o:p></o:p></div>
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<h3>
What is more important to you: historical authenticity or
accuracy?</h3>
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<span style="font-weight: normal;">I don’t think you can have a good story unless it is
historically accurate. If it is necessary to move, say a battle scene, by a
year to suit the plot and the author makes a note of this in the
acknowledgements that’s fine (occasionally). Otherwise the book should be
labeled ‘faction’.</span></div>
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<h4>
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<h3>
Which character in your current book is your favourite? Why?</h3>
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</v:shape><![endif]--><!--[if !vml]--><!--[endif]--></span>Vivien Blake, a
photographer who was a woman of her time (1940’s) and she came alive for me
when I was writing her. Women have had an active role in photography since
its inception. While researching I found that in 1900 British and American
censuses women made up almost 20 percent of the profession at a time when it
was unusual for women to have a profession. </span>Many Australian women photographers worked before the Great
War and more did hand colouring and darkroom work. At that time it was thought
that ‘lady operators’ should only photograph women and families. By WW2
women photographers were working in advertising and portraiture and the worlds
of fashion and theatre. I made Vivien a photographer because I wanted to
have a motif of light through the story. The American soldier is named Robert
Shine and the rainforest is lit with filtered light and the sparkling glitter
ball that hangs from the ceiling in the castle’s ballroom showers the dancers
with light. There are many references to light in the story.</div>
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<h3>
Are you a ‘plotter’ or a ‘pantser’? How long does it
generally take you to write a book?</h3>
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<div class="MsoNormal">
<span style="font-weight: normal;">I would like to say I’m a plotter as it would save so much
time. I do start off with a detailed outline and I know the ending of the story
before I start writing but inevitably it changes along the way. I write to find
out what happens along the way and once I know my characters it all starts to
fall into place like a jigsaw puzzle. I can then write the chapters in any
order if I wish. It takes me about eighteen months to write a book.</span><o:p></o:p></div>
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<h4>
</h4>
<h3>
Which authors have influenced you?</h3>
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<o:p></o:p></div>
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<span style="font-weight: normal;">Katherine Mansfield. Pat Barker, Vladimir Nabokov, the
Brontes, Virginia Woolf, Mary Wesley.</span><o:p></o:p></div>
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<h3>
What advice would you give an aspiring author?</h3>
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<o:p></o:p></div>
<div class="MsoNormal">
<span style="font-weight: normal;">Never give up. I have three books in the bottom drawer, my
apprentice books, and every one of them taught me something about writing. If
you don’t have time to write a novel then write short stories, or a blog, or
write reviews of books. Writing should not be at the bottom of a
long list of ‘to do’ things, it should be at the top. Treat it like a job, even
a part-time job, and not a hobby. Set goals. Those first words are the
hardest part. Then rewrite.</span><o:p></o:p></div>
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</h4>
<h3>
Tell us about your next book or work in progress.</h3>
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<o:p></o:p></div>
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<span style="font-weight: normal;">It is a time split novel set during WW1 and in 2015. The
earlier narrative thread is set in the southwest of Western Australia where I
lived for several years on a vineyard, with detours to other parts of the world
and finally, and most importantly, for this is where the heart of the story is,
in the Tumut Valley where the Wiradjuri Aboriginal people lived for
thousands of years prior to European settlement. My story is about
abandoned gardens and love and romance, betrayal, and of course big family
secrets and what more beautiful place to write about than the lovely valley
that sits on the north-west foothills of the Snowy Mountains.</span><o:p></o:p></div>
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<i><u>Castle of Dreams</u>, published by Allen & Unwin, is a poignant, luminous novel about two sisters, about a mother and daughter, a loved granddaughter, the past that separates them and the healing that comes with forgiveness. Norwegian publisher, Cappelen Damm, published Castle of Dreams in translation in April 2017.</i></div>
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You can buy a copy of <i>Castle of Dreams</i> via <a href="https://www.amazon.com.au/Castle-Dreams-Elise-McCune-ebook/dp/B01ASQ8X22">Amazon</a>, <a href="https://store.kobobooks.com/en-us/ebook/castle-of-dreams-2">Kobo,</a> <a href="http://www.booktopia.com.au/castle%E2%80%A6/prod9781760291846.html">Booktopia,</a> and
the <a href="https://www.bookdepository.com/Castle-Dreams-Elise-McCune/9781760291846">Book
Depository</a>.<o:p></o:p></div>
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Elise McCune will be taking part in a panel on <a href="http://hnsa.org.au/saturday-programme/">Worlds at War: the appeal of 20th Century Historical Fiction</a> with Paddy Richardson, Justin Sheedy and Julian Leatherdale at the HNSA conference in September. She is also appearing in our <a href="http://hnsa.org.au/conference/satellite/">Meet the Author </a>satellite event on 20 August at the Mail Exchange Hotel, 688 Bourke St, Melbourne from 2.30-4.30pm discussing War and Romance Historical Fiction with Gabrielle Gardner, Alison Stuart, and Sylvia Karakaltsas. More information and tickets are available from the <a href="http://hnsa.org.au/conference">HNSA website</a>. </div>
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HNSA 2017 Conference</h3>
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<span style="font-weight: normal;">The HNSA 2017 Melbourne Conference is being held on 8-10
September 2017 at Swinburne University. This celebration of the historical
fiction genre will showcase over 60 speakers discussing inspiration, writing
craft, research, publishing pathways and personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>.
Among the many acclaimed historical novelists participating are Kerry
Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie
Masson, Sulari Gentill, Robert Gott and Arnold Zable. <a href="http://hnsa.org.au/conference/speakers/">The HNSA’s speakers’ list is
available on the HNSA website.</a> <o:p></o:p></span></div>
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<span style="font-weight: normal;">In addition to the two stream weekend programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft based super
sessions and two research masterclasses</a>.You won’t want to miss our
interactive sessions on armour and historical costumes either! Purchase a
ticket and you will be entered in the draw to win a $100 Dymocks Gift Card.<o:p></o:p></span></div>
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<span style="font-weight: normal;"><a href="http://hnsa.org.au/manuscript-assessments/">Manuscript
assessments will be conducted by industry experts, Alison Arnold and Irina Dunn</a>.
Our <a href="http://hnsa.org.au/academic-programme/">free extended academic
programme</a> is open for general admission but bookings are essential.<o:p></o:p></span></div>
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<span style="font-weight: normal;"><a href="http://hnsa.org.au/first-pages-pitch-contest/">Our
First Pages Pitch Contest</a> offers an opportunity for submissions to be read
aloud to a panel of publishers. And we are delighted to announce the
introduction of our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA
Short Story Contest with a $500 prize!</a> <o:p></o:p></span></div>
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<span style="font-weight: normal;"><a href="http://hnsa.org.au/conference/buy-tickets/">Visit
our website to purchase your tickets now!</a> <o:p></o:p></span></div>
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<span style="font-weight: normal;"><a href="http://eepurl.com/bgWm49">Subscribe to our
newsletter for interviews, reviews and news.</a><o:p></o:p></span></div>
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<span style="font-weight: normal;"><a href="http://hnsa.org.au/sponsorship-opportunities/">Learn
about our sponsorship opportunities.</a><o:p></o:p></span></div>
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<span style="font-weight: normal;">Let’s make a noise about historical fiction!<o:p></o:p></span></div>
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Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-6055751361850678762017-08-07T11:30:00.000+10:002017-08-07T11:30:44.075+10:00An interview with Alison Stuart<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnhYE19NGjpXC7qFVRfD029Yt-WsYWL3tTgBVibBASd9Ts5CBIvxn5CzYD-82rhKH2kwP8WnQ050Itw5Pcl2HXMY4ZI6iSDPkZiURfaaVzcIbQXQ3uCuS88yRCUbVznzzjcof8rVW5Kx4/s1600/Alison+Stuart.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="267" data-original-width="250" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnhYE19NGjpXC7qFVRfD029Yt-WsYWL3tTgBVibBASd9Ts5CBIvxn5CzYD-82rhKH2kwP8WnQ050Itw5Pcl2HXMY4ZI6iSDPkZiURfaaVzcIbQXQ3uCuS88yRCUbVznzzjcof8rVW5Kx4/s200/Alison+Stuart.jpg" width="187" /></a></div>
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<span lang="EN-AU">Award winning Australian author, <a href="http://www.alisonstuart.com/">Alison Stuart</a>, learned her passion for history from her father. She has been writing stories since her teenage years but it was not until 2007 that her first full length novel was published. Alison has now published seven full length historical romances and a collection of her short stories. Her disposition for writing about soldier heroes may come from her varied career as a lawyer in the military and fire services. These days when she is not writing she is travelling and routinely drags her long suffering husband around battlefields and castles. </span><br />
<span lang="EN-AU"><br /></span></div>
<h4>
What is the inspiration for your current
book?</h4>
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My historical passion is the period of the
English Civil War and AND THEN MINE ENEMY continues that interest. My interest
in this period can be dated back to my father reading Du Maurier's THE
KING'S GENERAL to me when I was eight. I fell in love with cavaliers and
Roundheads and I love exploring this fascinating, turbulent, and important
period of history in my writing.<br />
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Is there a particular theme you are
exploring in this book?</h4>
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<span lang="EN-AU">With this series (AND THEN MINE ENEMY is
the first in a two book series) I am tackling the difficult subject of the
period of the war itself which ran from 1642 and 1645 through the vehicle of a
family divided by their belief systems into supporting either King or
Parliament and where the women of the family balanced their loyalties and their
love.<o:p></o:p></span><br />
<span lang="EN-AU"><br /></span></div>
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What resources do you use to research
your book?</h4>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK-Aa7CyZ0699fgXLmuhbBC1bwkp4By2NAEu12vIDw0nO8ut7_xTO-b3xDNlx7K-9Ns3_EL63o9CnOOw4-TRrAQJaniTPYbwHNc_-DMHeKyZNH4GDjRqFb1xb7YatAadxLoA7-vBOetzw/s1600/Alison+Stuart_Cover+Art_By+the+Sword.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1017" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK-Aa7CyZ0699fgXLmuhbBC1bwkp4By2NAEu12vIDw0nO8ut7_xTO-b3xDNlx7K-9Ns3_EL63o9CnOOw4-TRrAQJaniTPYbwHNc_-DMHeKyZNH4GDjRqFb1xb7YatAadxLoA7-vBOetzw/s320/Alison+Stuart_Cover+Art_By+the+Sword.JPG" width="203" /></a><span lang="EN-AU">When you have been obsessed by this period
of history for as long as I have, I have accumulated a wide research library
going back to Gardner's 8 book series. More and more is being written on the
period so I now have to be a bit selective. As much as I have embraced the
internet, books are still my first 'go to', but how we ever wrote without the
wealth of material on the internet, I do not know! As a passionate user of
Scrivener, storing and sorting research for each book is now so much easier and
beats hastily scribbled notes in a plethora of notebooks!<o:p></o:p></span><br />
<span lang="EN-AU"><br /></span></div>
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What is more important to you: historical authenticity or accuracy?</h4>
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<span lang="EN-AU">I think to portray historical authenticity
you need accuracy. Both are equally important! It is how you use the accuracy
to craft a story that engages a reader without lecturing to them, is the skill
of a writer. I strive for accuracy in the details and where I am forced to
tweak historical fact, that will always be noted and explained in my 'Authors
note'.<o:p></o:p></span><br />
<span lang="EN-AU"><br /></span></div>
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Which character in your current book is
your favourite? Why?</h4>
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<span lang="EN-AU">I love my hero (I love all my heroes!),
Adam Coulter. Adam is deeply conflicted, an outsider within his family long
before the war began and by choosing Parliament, through the dictates of his
conscience, he is setting himself irretrievably against his family and yet he
is still drawn to them by deep ties of blood. His journey is the representative
of the theme of the book.... quite literally 'by the sword divided'. </span><br />
<span lang="EN-AU"><br /></span>
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<span style="text-align: center;">Are you a plotter or a pantser? How long
does it generally take to write a book?</span></h4>
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<span lang="EN-AU">I am a pantser who is training herself to
be a better plotter. As I get further into my writing career I no longer have
the luxury of time to go down the rabbit holes and blind alleyways that being a
pantser involves. My early books were written over years, now I consider myself
lucky if I have a year to go from a standing start to a finished product and to
do that I have to be more efficient and have a better idea of where the major
plot points will fall.<o:p></o:p></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn8bkd0cQLfVUTQJHpJUHsKAiybgnZfB0d0NlBQB8bM-B_5PIVLPzI_-hMqgKDvV9IjVGL5GB0piZYapQfbAOfm4mDVTqvxxDoB8TReE9JiSYL7J9r7YpwQREcl2cFRHJEf7aYErcxy9o/s1600/Alison+Stuart_Cover+Art_Gather+the+Bones.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1082" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn8bkd0cQLfVUTQJHpJUHsKAiybgnZfB0d0NlBQB8bM-B_5PIVLPzI_-hMqgKDvV9IjVGL5GB0piZYapQfbAOfm4mDVTqvxxDoB8TReE9JiSYL7J9r7YpwQREcl2cFRHJEf7aYErcxy9o/s320/Alison+Stuart_Cover+Art_Gather+the+Bones.JPG" width="216" /></a></div>
Which authors have influenced you?</h4>
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<span lang="EN-AU">I think influence comes early and there is
no doubt that the greatest influence on me were the books of Rosemary Sutcliff.
She had an ability to meld that historical accuracy and authenticity into tales
of individuals caught in the wider events of their day that (to this day!)
engage the reader. Her story of Sir Thomas Fairfax (THE RIDER OF THE WHITE
HORSE) lives on my keeper shelf, much thumbed and annotated! I have also
mentioned Du Maurier's THE KING'S GENERAL - another on my keeper shelf.<o:p></o:p></span><br />
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What advice would you give an aspiring
author?</h4>
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<span lang="EN-AU">Do not expect the first draft of your book
to be the one you will be sending out to editors and publishers. What you have
to achieve with that first draft is a 'book shaped' object full of holes and
question marks but has at least achieved a beginning, a middle and an end. The
craft of writing is in the rewrite! Crafting the most perfect first 3 chapters
the world has seen will not make you a published author.</span><br />
Tell us about your next book or
work in progress?<br />
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<span lang="EN-AU">I have a few irons in the fire at the
moment! Firstly I do need to finish book 2 of the Feathers in the Wind series
(NOW MY SWORN FRIEND) which will take Perdita and Adam to the end of the war.
Then I am moving away from my beloved period to turn to crime with book 1 of a
historical mystery series set in Singapore in 1910 (the first of what I plan to
be the 'Very Colonial Mystery' series) which is currently doing the rounds. I
am also playing around with an Australian set historical romance series but
that is in its early days.</span><br />
<span lang="EN-AU"><br /></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwlb4DXftS28r9XJ4C2YHJjmkxpUNFTwysQxZeXwZc2Mgj5LpiAW_99C-XTgdGRyGxtkwbdkls96RuXgA2Sb9udWwr9W8FZNl7Ce5ca6-C8-Jws2NywX_MZYBL_kh92ur4-x4YCbqR1ZY/s1600/Alison+Stuart_Cover+Art_And+Then+My+Enemy+copy.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwlb4DXftS28r9XJ4C2YHJjmkxpUNFTwysQxZeXwZc2Mgj5LpiAW_99C-XTgdGRyGxtkwbdkls96RuXgA2Sb9udWwr9W8FZNl7Ce5ca6-C8-Jws2NywX_MZYBL_kh92ur4-x4YCbqR1ZY/s320/Alison+Stuart_Cover+Art_And+Then+My+Enemy+copy.jpg" width="212" /></a></div>
<h4>
AND THEN MINE ENEMY</h4>
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<i><span lang="EN-AU">England 1642: Hardened mercenary, Adam
Coulter returns to England sickened by violence, seeking only peace, but he
finds England on the brink of civil war. He has seen first-hand what that will
mean for every man, woman and child and wants no part of it. </span>King or Parliament? Neutrality is not an
option and Adam can only be true to his conscience, not the dictates of his
family. </i></div>
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<i><br /></i></div>
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<i>Having escaped a loveless marriage, Perdita Gray has found much needed
sanctuary and the love of a good man, but her fragile world begins to crumble
as Adam Coulter bursts into her life. This stranger brings not only the reality
of war to her doorstep but reignites an old family feud, threatening everything
and everyone she holds dear. As the war and family tensions collide around
them, Adam and Perdita are torn between old loyalties and a growing attraction
that must be resisted.</i></div>
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<!--EndFragment--><span lang="EN-AU">Connect with Alison at her website, Facebook, Twitter and Goodreads or subscribe to her newsletter for exclusive free reads, contests and more. </span><a href="http://www.alisonstuart.com/">Website</a>, <a href="http://www.alisonstuart.com/alison-stuart-blog-ms-stuart-requests">Blog</a>, earlier <a href="http://www.alisonstuart.blogspot.com/">blog</a>, <a href="http://www.facebook.com/AlisonStuartWriter">Facebook</a>, </div>
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<span lang="EN-AU"><a href="https://twitter.com/AlisonStuart14">Twitter</a>, </span><a href="http://www.goodreads.com/author/show/4636079.Alison_Stuart">Goodreads</a>, <a href="http://www.pinterest.com/alisonstuart14/">Pinterest</a><br />
<span style="text-align: center;"><br /></span>
<span style="text-align: center;">Buy Links (for all books)</span></div>
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<span lang="EN-AU"><a href="http://www.amazon.com/Alison-Stuart/e/B004CB59LI">Amazon Author Page</a>, </span><a href="http://www.lulu.com/spotlight/AliBri">Lulu</a>, S<a href="https://www.smashwords.com/profile/view/alisonstuart">mashwords</a>, <a href="http://www.barnesandnoble.com/c/alison-stuart">Barnes & Noble</a>, <a href="http://store.kobobooks.com/en-US/search?query=Alison%20Stuart&fcsearchfield=Author&fclanguages=all">Kobo</a>, <a href="https://itunes.apple.com/au/artist/alison-stuart/id306364878?mt=11">iBooks</a> <br />
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Alison will be appearing at the HNSA 2017 conference in the following panel:<br />
<h4>
A Rose by any Other Name: What's the Difference between Historical Romance and an Historical Love Story? </h4>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index heading"/>
<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of figures"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope return"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
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<span style="mso-ansi-language: EN-GB; mso-fareast-language: EN-GB;"><i>Booksellers and publishers are called upon to categorise books for ease
of selection. But aren’t historical romance and historical love stories the
same? Do readers care about the pigeon holing of books into sub-genres? And if
it’s necessary, what is required to establish the difference when writing a
book? <span style="border: 1pt none windowtext; padding: 0cm;"><a href="https://hnsaustralasia.blogspot.com.au/2017/05/interview-with-elisabeth-storrs.html" target="_blank">Elisabeth Storrs</a></span> discusses these concepts with <span style="border: 1pt none windowtext; padding: 0cm;"><a href="https://hnsaustralasia.blogspot.com.au/2017/04/interview-with-isolde-martyn.html" target="_blank">Isolde Martyn</a>,<b> </b><a href="https://hnsaustralasia.blogspot.com.au/2017/06/interview-with-lisa-chaplin.html" target="_blank">Lisa Chaplin</a></span> and <span style="border: 1pt none windowtext; padding: 0cm;"><a href="http://annacampbell.com/" target="_blank">Anna Campbell</a></span></i>.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="mso-ansi-language: EN-GB; mso-fareast-language: EN-GB;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-AU">Alison is also appearing in our Melbourne HNSA Meet the Author event on Sunday 20 August 2.30-4.30pm at <a href="http://mailexchangehotel.com.au/" target="_blank">The Mail Exchange Hotel</a>, 688 Burke Street, Melbourne, with Elise McCune, Gabrielle Gardner and Sylvia Karakaltsas. <a href="https://www.trybooking.com/OQAX">Bookings essential</a>. <a href="http://hnsa.org.au/conference/satellite/">More details can be found on
the HNSA website.</a> </span><br />
<span lang="EN-AU"><br /></span>
Historical romance writers might also be interested in the super session workshop below. A ticket to the workshop entitles the attendee an entry into a giveaway for a $100 Dymocks gift card. <a href="http://hnsa.org.au/super-sessions/" target="_blank">More details about our workshop programme are available at our website.</a> Purchase of a day or weekend conference ticket is a pre-condition to booking.<br />
<br />
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<h4 class="forge-feature-title">
Medieval, Regency and So Much More: Writing Historical Romance for the International Market</h4>
<span style="font-weight: normal;"><i>‘Historical
romance’ covers a wide range of styles, with varying degrees of history
and romance. Internationally published, award-winning authors <span style="font-size: 16px;"><a href="http://www.annegracie.com/books/" target="_blank">Anne Gracie</a></span><span style="font-size: 16px;"> and </span><span style="font-size: 16px;"><a href="http://www.isoldemartyn.com/" target="_blank">Isolde Martyn</a></span><span style="font-size: 16px;"><a href="http://www.isoldemartyn.com/" target="_blank"></a> will share their tips about writing historical romance, the craft of
story-telling, the importance of research, and creating historical
characters and atmosphere, as well as some ‘how-not-to’ advice to help
authors reach an international market.</span></i></span></div>
</div>
</div>
</div>
</div>
<h4>
The HNSA Melbourne Conference</h4>
<div class="MsoNormal">
<span lang="EN-AU">The HNSA 2017 Melbourne Conference is being
held on 8-10 September 2017 at Swinburne University. This celebration of the
historical fiction genre will showcase over 60 speakers discussing inspiration,
writing craft, research, publishing pathways and personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>.
Among the many acclaimed historical novelists participating are Kerry
Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie
Masson, Sulari Gentill, Robert Gott and Arnold Zable. <a href="http://hnsa.org.au/conference/speakers/">The HNSA’s speakers’ list is
available on the HNSA website.</a> <o:p></o:p></span><br />
<br /></div>
<div class="MsoNormal">
<span lang="EN-AU">In addition to the two stream weekend
programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft
based super sessions and two research masterclasses</a>.You won’t want to miss
our interactive sessions on armour and historical costumes either! Purchase a
ticket and you will be entered in the draw to win a $100 Dymocks Gift Card.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-AU"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-AU"><a href="http://hnsa.org.au/manuscript-assessments/">Manuscript assessments will
be conducted by industry experts, Alison Arnold and Irina Dunn</a>. Our <a href="http://hnsa.org.au/academic-programme/">free extended academic programme</a>
is open for general admission but bookings are essential.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-AU"><a href="http://hnsa.org.au/first-pages-pitch-contest/">Our First Pages Pitch
Contest</a> offers an opportunity for submissions to be read aloud to a panel
of publishers. And we are delighted to announce the introduction of our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA Short Story Contest
with a $500 prize!</a> <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-AU"><a href="http://hnsa.org.au/conference/buy-tickets/">Visit our website to purchase
your tickets now!</a> <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-AU"><a href="http://eepurl.com/bgWm49">Subscribe
to our newsletter for interviews, reviews and news.</a><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-AU"><a href="http://hnsa.org.au/sponsorship-opportunities/">Learn about our
sponsorship opportunities</a><o:p></o:p></span><br />
<div style="text-align: center;">
<br /></div>
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<span lang="EN-AU">Let’s make a noise about historical
fiction!<o:p></o:p></span></div>
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</div>
Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com2tag:blogger.com,1999:blog-2190370394721818149.post-29219675964221125102017-08-04T09:15:00.001+10:002017-08-04T09:15:28.973+10:00Interview with Sylvia Karakaltsas and Gabrielle Gardner<div class="MsoNormal">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwwzX4KdABc-cL6QSG8c11iZIAXOV21IVGdFMs3E50f5lamxmPYG-3HJbGvr4oaTnmAE9EyBtJbgiPlZ3Sfg29DOHUtdQM4lCvJGz-HqRSMfZRzezGfsgliZ9vfe6cR0xBedasXzO-4cc/s1600/Picture1.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="369" data-original-width="335" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwwzX4KdABc-cL6QSG8c11iZIAXOV21IVGdFMs3E50f5lamxmPYG-3HJbGvr4oaTnmAE9EyBtJbgiPlZ3Sfg29DOHUtdQM4lCvJGz-HqRSMfZRzezGfsgliZ9vfe6cR0xBedasXzO-4cc/s200/Picture1.png" width="181" /></a><span style="font-family: inherit;"><a href="https://sckarakaltsas.wordpress.com/about/" target="_blank"><span class="TextRun SCXW38521295" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 19px; margin: 0px; padding: 0px;" xml:lang="EN-AU">S.C </span><span class="TextRun SCXW38521295" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 19px; margin: 0px; padding: 0px;" xml:lang="EN-AU"><span class="SpellingError SCXW38521295" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-image: url(data:image/gif; background-position: left bottom; background-repeat: repeat no-repeat; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Karakaltsas</span></span></a><span class="TextRun SCXW38521295" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 19px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> lives in Melbourne and began writing in 2014 after many years in corporate life. </span><span class="TextRun SCXW38521295" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 19px; margin: 0px; padding: 0px;" xml:lang="EN-AU">She wrote and published her first novel called ‘Climbing the Coconut Tree’ in March 2016. Inspired by true events on an island in the Central Pacific in 1949, the novel is a tale of a naive young man who stumbles into a world of violence and </span><span class="TextRun SCXW38521295" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 19px; margin: 0px; padding: 0px;" xml:lang="EN-AU">murder.</span><span class="TextRun SCXW38521295" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 19px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> </span><span class="TextRun SCXW38521295" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 19px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Her</span><span class="TextRun SCXW38521295" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 19px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> collection of short stories called ‘Out of Nowhere’ </span><span class="TextRun SCXW38521295" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 19px; margin: 0px; padding: 0px;" xml:lang="EN-AU">was published in May</span><span class="TextRun SCXW38521295" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 19px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> 2017. Her short story, ‘The Surprise’ has been shortlisted in the Lane Cove Literary Awards 2016. </span><span class="TextRun SCXW38521295" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 19px; margin: 0px; padding: 0px;" xml:lang="EN-AU">She is a member of the Phoenix Park Writers Group, Monash Writers Group; Small Press</span><span class="TextRun SCXW38521295" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 19px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> Network and Writers Victoria.</span><span class="EOP SCXW38521295" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 19px; margin: 0px; padding: 0px;"> </span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvUfs8-SKtObkvJ54YOKrZTYXcuqZtgXlzqzKCxX2RBlKDqlSDVpFtHxJ1PflxIlBW7w_e7iuqUkaS8DPj07QdW1PqXvAAp8VheJCcJ7-hsf3jm3w1LQNBIAU2a5WMzg5hoyqO4HnOAXI/s1600/Picture3.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="615" data-original-width="482" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvUfs8-SKtObkvJ54YOKrZTYXcuqZtgXlzqzKCxX2RBlKDqlSDVpFtHxJ1PflxIlBW7w_e7iuqUkaS8DPj07QdW1PqXvAAp8VheJCcJ7-hsf3jm3w1LQNBIAU2a5WMzg5hoyqO4HnOAXI/s200/Picture3.png" width="155" /></a></div>
<span style="font-family: "times" , "times new roman" , serif;"><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;"><b><a href="http://www.gabriellegardner.com.au/">Gabrielle Gardner</a></b> is a previous</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="spellingerror"><span lang="EN-US" style="font-family: "cambria" , serif;">Varuna</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">fellowship winner (2013)</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">and</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">a recipient of a 2015</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">Australian Society of Authors</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">mentorship for her manuscript <i><a href="https://sweetmansroad.com/">Sweetman’s Road</a></i>. </span></span><span class="eop"><span style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">Her manuscript</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><i><span lang="EN-US" style="font-family: "cambria" , serif;">The Tenant at Holders Farm</span></i></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">was runner up in the Jim Hamilton</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">long fiction award in</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">2014 with the</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">Fellowship of Australian Writers</span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">. She has had</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">short stories published in four Stringybark anthologies, the international flash fiction collection</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><i><span lang="EN-US" style="font-family: "cambria" , serif;">1000 Words or</span></i></span><span class="apple-converted-space"><i><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></i></span><span class="normaltextrun"><i><span lang="EN-US" style="font-family: "cambria" , serif;">Less</span></i></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">:</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><i><span lang="EN-US" style="font-family: "cambria" , serif;">Vol 2</span></i></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">and</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">was shortlisted for the Scarlet Stiletto Awards in 2016. She has had</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">non-fiction pieces</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">published</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">in</span></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><i><span lang="EN-US" style="font-family: "cambria" , serif;">The Big Issue</span></i></span><span class="apple-converted-space"><i><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></i></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">and</span></span><span class="apple-converted-space"><i><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></i></span><span class="normaltextrun"><i><span lang="EN-US" style="font-family: "cambria" , serif;">The</span></i></span><span class="apple-converted-space"><span lang="EN-US" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><i><span lang="EN-US" style="font-family: "cambria" , serif;">Victorian Writer</span></i></span><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;">. She is currently finishing an associate degree in Professional Writing and Editing at RMIT. She blogs at <a href="http://www.gabriellegardner.com.au/">Gabrielle Gardner</a> “ Reading, Writing & a Few Dog Stories".</span></span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span class="normaltextrun"><span lang="EN-US" style="font-family: "cambria" , serif;"><br />
</span></span></span> <br />
<h3>
<span class="normaltextrun"><span lang="EN-AU">What is the inspiration for your current book?</span></span><span class="eop"> </span></h3>
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Name="Salutation"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/> <w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/> <w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/> <w:LsdException Locked="false" Priority="39" Name="Table Grid"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/> <w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/> <w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading"/> <w:LsdException Locked="false" Priority="61" Name="Light List"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/> <w:LsdException Locked="false" SemiHidden="true" Name="Revision"/> <w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/> <w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/> <w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/> <w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/> <w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/> <w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/> <w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/> <w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/> <w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/> <w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/> <w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/> <w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/> <w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/> <w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/> <w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/> <w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/> <w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/> <w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/> <w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/> <w:LsdException Locked="false" Priority="47" Name="List Table 2"/> <w:LsdException Locked="false" Priority="48" Name="List Table 3"/> <w:LsdException Locked="false" Priority="49" Name="List Table 4"/> <w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/> <w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/> <w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/> <w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/> <w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/> <w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/> <w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/> <w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/> <w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/> <w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/> <w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/> <w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/> <w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/> <w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/> <w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/> <w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/> <w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/> <w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/> <w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/> <w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/> <w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/> <w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/> <w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/> <w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/> <w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/> <w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/> <w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/> <w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/> <w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/> <w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/> <w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/> <w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 5"/> <w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 6"/> <w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"/> <w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"/> <w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"/> <w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"/> <w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 6"/> <w:LsdException Locked="false" Priority="52"
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<span class="normaltextrun"><span lang="EN-AU"><b>Sylvia: </b>I watched</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">a documentary</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">early last year, about</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">38000 children</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">who</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">were forcibly evacuated,</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">mostly on foot,</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">from</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">Northern Greece</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">during the Greek Civil</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">War.</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">There were many who never saw their families again.</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">I was already playing around with a story of two children and</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">decided to</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">incorporate the Greek Civil War into</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">my setting. I</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">then discovered my</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">husband’s</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">aunt had been one of those children and my</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">research and</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">obsession began.</span></span><span class="eop"> </span><span style="font-family: "tahoma" , sans-serif;"><o:p></o:p></span></div>
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<span class="eop"><br />
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<span class="eop"><b>Gabrielle:</b> </span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">I was inspired to write this story after several years volunteering at a nursing home every Thursday. There,</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">part of my brief was to have conversations with the elderly residents</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">(mainly women)</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">and listen to</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">their stories of the</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">past. I was</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">hugely impressed (and saddened and moved) by their resilience in the face—often—of poverty, isolation, lack of love and opportunity. Their unfailing attitude was ‘you just had to get on with it’. Many were rural women who lived without even the company of other women. So often they longed for more – love,</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">fulfilment, adventure, education, even the opportunity to do paid work – and having none of these, they ‘just got on with it.’ </span></span><span style="font-family: "cambria" , serif;">I wanted to create a fictional composite of these women so that they might be, in some small way, acknowledged, remembered and understood. Bridie Bowden is that woman.</span><br />
<span style="font-family: "cambria" , serif;"><br />
</span></div>
<h3>
<span class="normaltextrun"><span lang="EN-AU">Is there a particular theme you are exploring in this book? </span></span><span class="eop"> </span></h3>
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<span class="normaltextrun"><span lang="EN-AU"><b>Sylvia: </b>There are a couple of themes. Like my first book, <i>Climbing the Coconut Tree</i>, the rise and spread of communism in the aftermath of the second World War</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">plays a big part. Secondly, <i>A Perfect Stone</i></span></span><span class="apple-converted-space"><span lang="EN-AU"><i> </i></span></span><span class="normaltextrun"><span lang="EN-AU">is essentially a story of child refugees which when you think about,</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">is as relevant a story today,</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">as it was then. Thirdly, I explore the issues of race segregation, like</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">the</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">Macedonians who in Northern Greece are still remain</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">isolated</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">from their culture and</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">heritage now.</span></span><span class="eop"> </span><span style="font-family: "tahoma" , sans-serif;"><o:p></o:p></span></div>
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<span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"><b>Gabrielle:</b> I wanted to explore the circumstances of isolated, disadvantaged</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">rural</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">women of the early 20</span></span><span class="normaltextrun"><sup><span lang="EN-AU" style="color: black; font-family: "cambria" , serif;">th</span></sup></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">century. I know not all women in this demographic were so disadvantaged but many were and their stories are, I believe, under-represented in Australian fiction.</span></span><span class="eop"><span style="color: black; font-family: "cambria" , serif; mso-bidi-font-family: Tahoma;"> </span></span><span style="font-family: "tahoma" , sans-serif;"><o:p></o:p></span><br />
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<h3>
<span class="normaltextrun"><span lang="EN-AU">Which period of history particularly interests you? Why? </span></span><span class="eop"> </span></h3>
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UnhideWhenUsed="true" Name="toc 2"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 3"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 4"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 5"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 6"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 7"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 8"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 9"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index heading"/> <w:LsdException Locked="false" Priority="35" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="caption"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of figures"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope return"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/> <w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/> <w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/> <w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/> <w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/> <w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/> <w:LsdException Locked="false" Priority="39" Name="Table Grid"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/> <w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/> <w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading"/> <w:LsdException Locked="false" Priority="61" Name="Light List"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/> <w:LsdException Locked="false" SemiHidden="true" Name="Revision"/> <w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/> <w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/> <w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/> <w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/> <w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/> <w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/> <w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/> <w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/> <w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/> <w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/> <w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/> <w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/> <w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/> <w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/> <w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/> <w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/> <w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/> <w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="52"
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOKiBdXRUvYXYr8aUK1dmL_Qnu5HIHiUiRqUOYoVTgzunUyGhov7yfPrqCLweIHvBzb9Ntd-rvaMFCPNCvBkfhwgiRYQbhQ-iW1u366uyELCZzpySJn8owurh2PzZwtKnyF1Wtc3WvyOY/s1600/Sylvia.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="331" data-original-width="208" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOKiBdXRUvYXYr8aUK1dmL_Qnu5HIHiUiRqUOYoVTgzunUyGhov7yfPrqCLweIHvBzb9Ntd-rvaMFCPNCvBkfhwgiRYQbhQ-iW1u366uyELCZzpySJn8owurh2PzZwtKnyF1Wtc3WvyOY/s320/Sylvia.png" width="200" /></a></div>
<span class="normaltextrun"><span lang="EN-AU"><b>Sylvia:</b> My first novel was set in the Pacific in 1948 and <i>A Perfect Stone</i> is set in the same year. Although quite unintentionally, I find myself drawn to the aftermath of World War 2 which produced huge change and unintentional consequences</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">still</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">felt today.</span></span><span class="eop"> </span><span style="font-family: "tahoma" , sans-serif;"><o:p></o:p></span></div>
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<span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"><b>Gabrielle:</b> Oh, many! But the first half of the 20</span></span><span class="normaltextrun"><sup><span lang="EN-AU" style="color: black; font-family: "cambria" , serif;">th</span></sup></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">century, especially in Australia, is incredibly rich with</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">tales</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">worth telling.</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">I dread them being forgotten.</span></span><br />
<span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"><br />
</span></span></div>
<h3>
<span class="normaltextrun"><span lang="EN-AU">What resources do you use to research your book? </span></span><span class="eop"> </span></h3>
<div class="MsoNormal">
<span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"><b>Sylvia:</b> Like everyone, the internet,</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">YouTube,</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">articles, books, but I also like to interview people who experienced that time.</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">I’ve also been to Northern Greece which helps me to visualise the landscape.</span></span><span class="eop"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span style="font-family: "tahoma" , sans-serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"><o:p></o:p></span></div>
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<span class="eop"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"><br />
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<span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;"><b>Gabrielle:</b> I suppose the usual – Trove, Google and my father’s books, including an original edition C.E.W. Bean,</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">but mainly the oral stories of the women in the nursing home.</span></span><span class="eop"><span style="font-family: "cambria" , serif;"> </span></span><span style="font-family: "tahoma" , sans-serif; font-size: 6pt;"><o:p></o:p></span><br />
<span class="eop"><span style="font-family: "cambria" , serif;"><br />
</span></span></div>
<h3>
<span class="normaltextrun"><span lang="EN-AU">What is more important to you: historical authenticity or accuracy?</span></span><span class="eop"> </span></h3>
<div class="MsoNormal">
<span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"><b>Sylvia:</b> I think both are important if they add to the story. To dump facts and figures for the sake of it while nice for some readers, may not be useful for the story.</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">Authenticity brings about a flavour for the time and place but can be open to interpretation. Although I wonder about accuracy. In my first book, I interviewed people who were very definitive in their recollections about what happened. Yet when I looked at the facts, their point of view while accurate for them and their way of life, was very different from others of a different culture, race or class.</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">History can often be a person’s interpretation of events from their point of view. Omission is just as bad as recording inaccurately. When researching for <i>Climbing the Coconut Tree,</i></span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">for example</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">I found data around the size of the population on Ocean Island that was inaccurate.</span></span><span class="eop"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span style="font-family: "tahoma" , sans-serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"><o:p></o:p></span></div>
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<span class="eop"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"><br />
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<span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;"><b>Gabrielle:</b> My mother was very cavalier about accuracy. One of her life mottos was ‘a man on</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">a galloping horse won’t notice’, and another ‘oh, just chuck it in and see if it floats’.</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">So</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">precision has never been my strongpoint. But I do value and aim for authenticity.</span></span><span class="eop"><span style="font-family: "cambria" , serif;"> </span></span><span style="font-family: "tahoma" , sans-serif; font-size: 6.0pt;"><o:p></o:p></span><br />
<span class="eop"><span style="font-family: "cambria" , serif;"><br />
</span></span></div>
<!--EndFragment--><br />
<h3>
<span class="normaltextrun"><span lang="EN-AU">Which character in your current book is your favourite? Why? </span></span><span class="eop"> </span></h3>
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<span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"><b>Sylvia:</b> I love my</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">main</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">characters,</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">Jim as an old man of 80 and his</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">10-year-old</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">self.</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">The old man is a curmudgeon given to eccentricity and reminds me a lot of my own father.</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">He’s a fun character to write as a relief to</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">his</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">serious and naïve 10-year-old</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">self,</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">Dimitri. </span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">They both move me and I’m in love with their vulnerability as much as their strengths and flaws.</span></span><span class="eop"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span style="font-family: "tahoma" , sans-serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"><o:p></o:p></span></div>
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<span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;"><b>Gabrielle:</b> Well, they’re all my treasures now but I do love Bridie’s husband, Jack. My Beta readers have all loved Jack.</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">(One says she wept for him.)</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">My ASA mentor insisted I ‘fill out’ Jack a lot more.</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">While Bridie didn’t gain much pleasure from living with Jack he too was a man of his time – hard working,</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">reliable,</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">honest to a fault, loyal to friends but at the same time—and through no fault of his own—inhibited and emotionally unavailable. He might have loved in his own way but his inner world was securely locked away from everyone else, except perhaps his mates when they got together to spin a yarn.</span></span><span class="eop"><span style="font-family: "cambria" , serif;"> </span></span><span style="font-family: "tahoma" , sans-serif; font-size: 6.0pt;"><o:p></o:p></span><br />
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<h3>
<span class="normaltextrun"><span lang="EN-AU">Are you a ‘plotter’ or a ‘pantser’? How long does it generally take you to write a book? </span></span><span class="eop"> </span></h3>
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<span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"><b>Sylvia:</b> I’ve</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">only</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">been writing for three years and started off by being a pantser with my first novel. This carried on with</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"><i>A Perfect Stone</i></span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">-</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">then</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">I got stuck.</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">So that’s when I decided to plot out the story – it helped me sort out the end.</span></span><span class="eop"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU">With my first book,</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU"><i>Climbing the Coconut Tree</i>, I</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">had no idea what I was doing. It took me two</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">years to research, write and publish which I guess is really not that long.</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">I began</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU"><i>A Perfect Stone</i></span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">12 months ago so expect to have it out sometime next year.</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">It’s taken a bit longer</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">because I’ve been writing contemporary short stories and published</span></span><span class="apple-converted-space"><span lang="EN-AU"> </span></span><span class="normaltextrun"><span lang="EN-AU">a collection in May 2017 called “Out of Nowhere.”</span></span><span class="eop"> </span></div>
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Name="Normal Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index heading"/> <w:LsdException Locked="false" Priority="35" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="caption"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of figures"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope return"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/> <w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/> <w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/> <w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/> <w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/> <w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/> <w:LsdException Locked="false" Priority="39" Name="Table Grid"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/> <w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/> <w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading"/> <w:LsdException Locked="false" Priority="61" Name="Light List"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/> <w:LsdException Locked="false" SemiHidden="true" Name="Revision"/> <w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/> <w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/> <w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/> <w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/> <w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/> <w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/> <w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/> <w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/> <w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/> <w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/> <w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/> <w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/> <w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/> <w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/> <w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/> <w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/> <w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/> <w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/> <w:LsdException Locked="false" Priority="51"
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTZZdpm8aPi0ew_VAwu8lrMAd1EWfW3qK1ZxF5WgIC0T9-lBrfSAMdmSDuaAzhjvM329YsYvsRbfpRafv5irrd6p_RflfoK94PYUhhR5qNMUnr25xIWM7q6Kao7Pmo1tdRu28jSrKKlsU/s1600/varuna.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="194" data-original-width="259" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTZZdpm8aPi0ew_VAwu8lrMAd1EWfW3qK1ZxF5WgIC0T9-lBrfSAMdmSDuaAzhjvM329YsYvsRbfpRafv5irrd6p_RflfoK94PYUhhR5qNMUnr25xIWM7q6Kao7Pmo1tdRu28jSrKKlsU/s320/varuna.jpg" width="320" /></a></div>
<span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;"><b>Gabrielle: </b>No doubt I’m a</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="spellingerror"><span lang="EN-AU" style="font-family: "cambria" , serif;">panster</span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">. I’ve tried from time to time to plan a plot but it just paralyses me.</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">Consequently</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">I have several manuscripts of</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">about</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">30,000 words going nowhere because I’ve painted myself into a corner and couldn’t get out.</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="spellingerror"><span lang="EN-AU" style="font-family: "cambria" , serif;">C’est</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">la vie!</span></span><span class="eop"><span style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">I began</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="spellingerror"><span lang="EN-AU" style="font-family: "cambria" , serif;">Sweetmans</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">Road</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">in 2012 but it’s had an enormous amount of input –</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="spellingerror"><span lang="EN-AU" style="font-family: "cambria" , serif;">Varuna</span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">, ASA mentorship, RMIT</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">Professional Writing course.</span></span><span class="eop"><span style="font-family: "cambria" , serif;"> </span></span></div>
<div class="MsoNormal">
<span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">I have 2 other completed full manuscripts that I wrote</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">fairly quickly</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">– a year or so but they need work still.</span></span><span class="eop"><span style="font-family: "cambria" , serif;"> </span></span><span style="font-family: "tahoma" , sans-serif; font-size: 6.0pt;"><o:p></o:p></span></div>
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<h3>
<span class="normaltextrun"><span lang="EN-AU">Which authors have influenced you? </span></span><span class="eop"> </span></h3>
<div class="MsoNormal">
<span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"><b>Sylvia:</b> Nicole Hayes, a YA writer, mentors my writing. As for other authors, I love Hannah Kent, Emily Bitto,</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">Sonya Hartnett, Brooke Davis, Richard Flanagan, Anthony Doerr and</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">Geraldine Brooks to name a few</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">who</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">have influenced and inspired my writing. </span></span><span class="eop"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span style="font-family: "tahoma" , sans-serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"><o:p></o:p></span></div>
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<span class="eop"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"><br />
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<span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;"><b>Gabrielle:</b> Generally -</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">Alice Munro,</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">Penelope Lively, Ann Patchett,</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">Tim Winton</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">for his ability to write about place, Sonya Hartnett – too many to list – but for this manuscript specifically I owe a lot to</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">Marion Halligan’s</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><i><span lang="EN-AU" style="font-family: "cambria" , serif;">Lovers Knots</span></i></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">and Matthew Condon’s</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><i><span lang="EN-AU" style="font-family: "cambria" , serif;">The Trout Opera</span></i></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">for</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">the way they both</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">move around in time, voice, and place while keeping the story flowing and engaging.</span></span><span class="eop"><span style="font-family: "cambria" , serif;"> </span></span><span style="font-family: "tahoma" , sans-serif; font-size: 6.0pt;"><o:p></o:p></span><br />
<span class="eop"><span style="font-family: "cambria" , serif;"><br />
</span></span></div>
<h3>
<span class="normaltextrun"><span lang="EN-AU">What advice would you give an aspiring author? </span></span><span class="eop"> </span></h3>
<div class="MsoNormal">
<span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"><b>Sylvia:</b> Setting a goal to write is great. Sitting down and writing without the baggage of your own judgment is even better. </span></span><span class="eop"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span style="font-family: "tahoma" , sans-serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"><o:p></o:p></span></div>
<div class="MsoNormal">
<span class="eop"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"><br />
</span></span></div>
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<span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;"><b>Gabrielle:</b> Not sure I’m</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">in a position to</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">give advice, given that this book is just about to start looking for a home! </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">However - write! – just do it! Redraft over and over,</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">the first draft is never as good as it can be, nor the second, nor the third. Give it to other writers to read and ask them to be honest, especially about plot. Best of all, read your work out aloud</span></span><span class="apple-converted-space"><span lang="EN-AU" style="font-family: "cambria" , serif;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="font-family: "cambria" , serif;">to yourself, hear how it sounds and adjust accordingly.</span></span><span class="eop"><span style="font-family: "cambria" , serif;"> </span></span></div>
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<h3>
<span class="normaltextrun"><span lang="EN-AU">Tell us about your next book or work in progress.</span></span><span class="eop"> </span></h3>
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Name="List Number 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/> <w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/> <w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/> <w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/> <w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/> <w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/> <w:LsdException Locked="false" Priority="39" Name="Table Grid"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/> <w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/> <w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading"/> <w:LsdException Locked="false" Priority="61" Name="Light List"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/> <w:LsdException Locked="false" SemiHidden="true" Name="Revision"/> <w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/> <w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/> <w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/> <w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/> <w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/> <w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/> <w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/> <w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/> <w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/> <w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/> <w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/> <w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/> <w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/> <w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/> <w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/> <w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/> <w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/> <w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/> <w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/> <w:LsdException Locked="false" Priority="47" Name="List Table 2"/> <w:LsdException Locked="false" Priority="48" Name="List Table 3"/> <w:LsdException Locked="false" Priority="49" Name="List Table 4"/> <w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/> <w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/> <w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/> <w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/> <w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/> <w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/> <w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/> <w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/> <w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/> <w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/> <w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/> <w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/> <w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/> <w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/> <w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/> <w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/> <w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/> <w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/> <w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/> <w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/> <w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/> <w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/> <w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/> <w:LsdException Locked="false" Priority="51"
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<span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"><b>Sylvia:</b> Unpacking a box belonging to his late wife, eighty-year-old Jim Philips discovers her diary and a small stone which triggers an avalanche of secrets and memories he’s hidden, not just from his bossy middle-aged daughter, but from himself.</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">The memory of a</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">treacherous march of survival through the mountains of Northern Greece to escape the Greek Civil War causes him to confront his heritage which he’d turned his back on after arriving</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">in Australia.</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">His daughter has no idea about</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">her father</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">past</span></span><span class="apple-converted-space"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="mso-ansi-language: EN-AU; mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;">until he has a stroke and reverts to his native tongue. </span></span><span class="eop"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: Tahoma; mso-hansi-font-family: Calibri;"> </span></span><span style="font-family: "tahoma" , sans-serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"><o:p></o:p></span></div>
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<span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"><b>Gabrielle:</b> I’m very excited about my next attempt at the G.A.N. I’ve always wanted to write a novel for adults but with a child</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">as one of the</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">protagonists. Think Sonya</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="spellingerror"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">Harnett’s</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">Thursday’s</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">Child. This one is called</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><i><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">Down the Green Road</span></i></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">, about a single father, a mother</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">mysteriously missing</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">and their nine-year old daughter.</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">I’m</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">20,000 words in,</span></span><span class="apple-converted-space"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"> </span></span><span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;">so not past the paint-yourself-into-a-corner zone yet!</span></span><br />
<span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"><br />
</span></span> <span class="normaltextrun"><span lang="EN-AU" style="color: black; font-family: "cambria" , serif; mso-ansi-language: EN-AU; mso-bidi-font-family: Tahoma;"><br />
</span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTGPYXPy_PfDeZVjHuOFEVuX6r84xxV5xbDSpSQAcXdQX2NY95_mR8R1J_DMVrFc93iYZpHERxsqIxEm8BRnugbFiGilxJH2jQPG3UtRCadO1nsA5BAr0aFToE66mmxL9p8gr5oQ16MXw/s1600/Picture2.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="331" data-original-width="207" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTGPYXPy_PfDeZVjHuOFEVuX6r84xxV5xbDSpSQAcXdQX2NY95_mR8R1J_DMVrFc93iYZpHERxsqIxEm8BRnugbFiGilxJH2jQPG3UtRCadO1nsA5BAr0aFToE66mmxL9p8gr5oQ16MXw/s320/Picture2.png" width="200" /></a></div>
<h3>
<span style="font-family: "times" , "times new roman" , serif;"><span class="normaltextrun"><b><span lang="EN-AU">Climbing the Coconut Tree</span></b></span><span style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important;" xml:lang="EN-AU"><span style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text;"><span class="apple-converted-space"><b><span lang="EN-AU"> </span></b></span><span class="normaltextrun"><b><span lang="EN-AU">by S. C Karakaltsas</span></b></span></span></span><span data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text;"><span class="eop"> </span></span></span></h3>
<div class="paragraph" paraeid="{9643f2ad-e874-4823-b7a6-be474066f664}{175}" paraid="1605732951" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline; word-wrap: break-word;">
<span style="font-family: "times" , "times new roman" , serif;"><i><span style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important;" xml:lang="EN-AU"><span style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit;"><span class="normaltextrun"><span lang="EN-AU">Inspired by true events, this is a story about eighteen-year-old Bluey Guthrie who, in 1948 leaves his family to take the job of a lifetime on a remote island in the Central Pacific. Bill and Isobel, seasoned ex-pats help Bluey fit in to a privileged world of parties, dances and sport. </span></span></span></span><span data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text;"><span class="eop"> </span></span><o:p></o:p></i></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><i><span data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text;"><span class="eop"><br />
</span></span></i></span></div>
<div class="paragraph" paraeid="{9643f2ad-e874-4823-b7a6-be474066f664}{181}" paraid="99147101" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline; word-wrap: break-word;">
<span style="font-family: "times" , "times new roman" , serif;"><i><span style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important;" xml:lang="EN-AU"><span style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit;"><span class="normaltextrun"><span lang="EN-AU">However, the underbelly of island life soon draws him in. Bluey struggles to understand the horrors left behind after the Japanese occupation, the rising fear of communism, and the appalling conditions of the Native and Chinese workers. All this is overseen by the white Colonial power brutalising the land for Phosphate: the new gold.</span></span></span></span><span data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text;"><span class="eop"> </span></span><o:p></o:p></i></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><i><span data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text;"><span class="eop"><br />
</span></span></i></span></div>
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<div class="paragraph" paraeid="{9643f2ad-e874-4823-b7a6-be474066f664}{187}" paraid="899549591" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline; word-wrap: break-word;">
<span style="font-family: "times" , "times new roman" , serif;"><span style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important;" xml:lang="EN-AU"><span style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit;"><span class="normaltextrun"><span lang="EN-AU"><i>Isobel has her own demons and watches as Bill battles to keep growing unrest at bay. Drinking and gambling are rife. As racial tensions spill over causing a trail of violence, bloodshed and murder, Bluey is forced to face the most difficult choices of his life.</i></span></span></span></span><o:p></o:p></span></div>
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</span></span></span></span></span></div>
<div class="paragraph" paraeid="{9643f2ad-e874-4823-b7a6-be474066f664}{187}" paraid="899549591" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline; word-wrap: break-word;">
S.C. and Gabrielle are appearing in our Meet the Author satellite event on 20 August at the Mail Exchange Hotel, 688 Bourke St, Melbourne from 2.30-4.30 pm discussing Historical Romance and War fiction with Alison Stuart and Elise McCune. More information and tickets are available from the HNSA website. <a href="http://hnsa.org.au/conference/satellite/">http://hnsa.org.au/conference/satellite/</a><br />
<br />
<h3>
HNSA 2017 Conference</h3>
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The HNSA 2017 Melbourne Conference is being held on 8-10
September 2017 at Swinburne University. This celebration of the historical
fiction genre will showcase over 60 speakers discussing inspiration, writing
craft, research, publishing pathways and personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>.
Among the many acclaimed historical novelists participating are Kerry
Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie
Masson, Sulari Gentill, Robert Gott and Arnold Zable. <a href="http://hnsa.org.au/conference/speakers/">The HNSA’s speakers’ list is
available on the HNSA website.</a> <o:p></o:p></div>
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In addition to the two stream weekend programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft based super
sessions and two research masterclasses</a>.You won’t want to miss our
interactive sessions on armour and historical costumes either! Purchase a
ticket and you will be entered in the draw to win a $100 Dymocks Gift Card.<o:p></o:p></div>
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<a href="http://hnsa.org.au/manuscript-assessments/">Manuscript
assessments will be conducted by industry experts, Alison Arnold and Irina Dunn</a>.
Our <a href="http://hnsa.org.au/academic-programme/">free extended academic
programme</a> is open for general admission but bookings are essential.<o:p></o:p></div>
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<a href="http://hnsa.org.au/first-pages-pitch-contest/">Our
First Pages Pitch Contest</a> offers an opportunity for submissions to be read
aloud to a panel of publishers. And we are delighted to announce the
introduction of our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA
Short Story Contest with a $500 prize!</a> <o:p></o:p></div>
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<a href="http://hnsa.org.au/conference/buy-tickets/">Visit
our website to purchase your tickets now!</a> <o:p></o:p></div>
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<a href="http://eepurl.com/bgWm49">Subscribe to our
newsletter for interviews, reviews and news.</a><o:p></o:p></div>
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<a href="http://hnsa.org.au/sponsorship-opportunities/">Learn
about our sponsorship opportunities.</a><o:p></o:p></div>
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Let’s make a noise about historical fiction!<o:p></o:p></div>
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UnhideWhenUsed="true" Name="toc 4"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 5"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 6"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 7"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 8"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 9"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index heading"/> <w:LsdException Locked="false" Priority="35" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="caption"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of figures"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope return"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/> <w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/> <w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/> <w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/> <w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/> <w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/> <w:LsdException Locked="false" Priority="39" Name="Table Grid"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/> <w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/> <w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading"/> <w:LsdException Locked="false" Priority="61" Name="Light List"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/> <w:LsdException Locked="false" SemiHidden="true" Name="Revision"/> <w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/> <w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/> <w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/> <w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/> <w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/> <w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/> <w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/> <w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/> <w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/> <w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/> <w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/> <w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/> <w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/> <w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/> <w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/> <w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/> <w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/> <w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/> <w:LsdException Locked="false" Priority="51"
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<!--EndFragment--> <!--EndFragment-->Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-24239740960917399582017-07-31T08:30:00.000+10:002017-07-31T08:30:23.819+10:00Imagining the Past Podcast series: Deborah Challinor and Ngahuia te Awekotuku<div dir="ltr" style="text-align: left;" trbidi="on">
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HNSA is proud to announce the release of the next podcast in our series 'Imagining the Past'. This week we bring you Deborah Challinor and Ngahuia te Awekotuku chatting with our host, Kelly Gardiner about their love for history, writing and historical fiction. The podcast is a taste of what you will hear at the 2017 HNSA Conference in Melbourne from 8-10 September at Swinburne University Hawthorn. <a href="http://hnsa.org.au/conference/programme/" target="_blank">More information about the programme is available at our website.</a><br />
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Deborah Challinor is the author of fifteen bestselling historical fiction
novels, two works of non-fiction about the Vietnam War, and a young adult
novel. In 2010 she moved from New Zealand to Newcastle, Australia, to write a
series of novels set in 1830s Sydney about four convict girls inspired by her
own family history, but returned to New Zealand at the end of 2014. She is
currently working on a trilogy set in New Zealand, Sydney and Vietnam in the
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Deborah was born and raised in Huntly, New Zealand, and
attended Huntly College. She has a Ph.D in history from Waikato University,
wrote an opinion column and feature articles for newspapers, has edited special
publications and books, and taught researching and writing historical fiction,
and general New Zealand history, at university level for several years. She
writes fiction full time, and her books are sold in New Zealand, Australia, the
UK, Germany, Russia and Czechoslovakia, and in eBook, audio and large print
formats. You can connect with Deborah via her <a href="http://www.deborahchallinor.com/" target="_blank">website</a> or <a href="http://www.facebook.com/DeborahChallinorBooks" target="_blank">Facebook</a>.<o:p></o:p></div>
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You can purchase Deborah's novels, including her latest book int he Smuggler's Wife Series, <i>Cloud Leopard's Daughter, </i>at <a href="https://www.booktopia.com.au/search.ep?keywords=deborah+challinor&productType=917504" target="_blank">Booktopia </a>or <a href="https://www.amazon.com.au/s/ref=dp_byline_sr_ebooks_1?ie=UTF8&text=Deborah+Challinor&search-alias=digital-text&field-author=Deborah+Challinor&sort=relevancerank" target="_blank">Amazon</a>.</div>
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Ngahuia te Awekotuku <span lang="EN-GB" style="text-align: center;">was
born and raised in Ohinemutu, Rotorua. She is a veteran cultural activist,
scholar and LGTQI advocate. As principal author of</span><span style="text-align: center;"> </span><i style="text-align: center;">Mau Moko : the World of Maori Tattoo (2007),
</i><span style="text-align: center;">she won many prestigious awards, including Nga Kupu Ora-the Inaugural Maori
Book of the Decade. Her book </span><i style="text-align: center;">E Nga Uri
Whakatupu : weaving legacies (2015)</i><span style="text-align: center;">, focuses on traditional textiles.
Awekotuku also writes poetry and fiction;</span><i style="text-align: center;">
Ruahine : Mythic Women (2003) </i><span style="text-align: center;">are crafted retellings of popular Maori
legends about heroic women</span><i style="text-align: center;">. </i><span style="text-align: center;">Her most
recent fiction is </span><i style="text-align: center;">Tahuri : a limited
edition (2017) </i><span style="text-align: center;">about growing up Maori, female, and different in the
1950’s-60’s. </span>She gained a PhD in Psychology in 1981, and retired from professing in
2014, to undertake more creative work. </div>
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Ngahuia will be appearing in our round table discussion at the HNSA Opening Reception and cocktail party on Friday 8th September discussing our conference theme of Identity: Origins and Diaspora. She will be joined by Hanifa Deen, Arnold Zable and Gary Crew, with host Nicolas Brasch, <span style="text-align: center;">as they consider the role of the historical novelist in
exploring first encounters in Australia and New Zealand’s colonial
pasts, the migrant experience underlying our nations’ multicultural
identities, and whether an author’s origins are relevant to the story
telling.</span></div>
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Ngahuia will also chair our 'Authencity or Truth: Does the History in an Historical Novel Need to be Accurate?' with Pamela Hart, GS Johnston, Tim Griffiths and Kathryn Gauci on Sunday 10 September.</div>
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Deborah Challinor will be appearing in our 'First Encounters and Our Colonial Past' on Saturday 9th September and will share her 'personal history' alongside Kate Forsyth in conversation with Josie Arnold on Sunday 10th September.</div>
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<i>When Kitty and Rian Farrell sail their schooner Katipo
III in Dunedin Harbour in 1863, they are on tenterhooks. </i></div>
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<i>The new Otago gold fields have attracted all-comers, including their friend
Wong Fu from Ballarat, who has sent a message for their help. </i></div>
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<i>To their surprise, Wong Fu reveals he is more than a mere fortune seeker; he is
in fact the Cloud Leopard tong master of the Wong family, and his daughter has
been kidnapped and taken to opium-ridden China to be forced into marriage. Rian
and Kitty agree to try to find Bao, but as they sail closer to their quarry,
the stakes jump dramatically. Kitty's adopted daughter Amber is taken during a
stopover, and Rian suspects the same party is behind both kidnappings. Little
do they know the worst threat lies closer to home. </i></div>
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<i>The Cloud’s Leopard’s Daughter takes us through dangerous and
unpredictable shoals of love, lust, greed and opium in search for two fiery but
vulnerable women – puppets in others’ calculated games.</i></div>
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<span lang="EN-AU"><i>HNSA 2017 Conference</i></span></h3>
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The HNSA 2017 Melbourne Conference is being held on 8-10
September 2017 at Swinburne University. This celebration of the historical
fiction genre will showcase over 60 speakers discussing inspiration, writing
craft, research, publishing pathways and personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>.
Among the many acclaimed historical novelists participating are Kerry
Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie
Masson, Sulari Gentill, Robert Gott and Arnold Zable. <a href="http://hnsa.org.au/conference/speakers/">The HNSA’s speakers’ list is
available on the HNSA website.</a> <o:p></o:p></div>
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In addition to the two stream weekend programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft based super
sessions and two research masterclasses</a>.You won’t want to miss our
interactive sessions on armour and historical costumes either! Purchase a
ticket and you will be entered in the draw to win a $100 Dymocks Gift Card.<o:p></o:p></div>
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<a href="http://hnsa.org.au/manuscript-assessments/">Manuscript
assessments will be conducted by industry experts, Alison Arnold and Irina Dunn</a>.
Our <a href="http://hnsa.org.au/academic-programme/">free extended academic
programme</a> is open for general admission but bookings are essential.<o:p></o:p></div>
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<a href="http://hnsa.org.au/first-pages-pitch-contest/">Our
First Pages Pitch Contest</a> offers an opportunity for submissions to be read
aloud to a panel of publishers. And we are delighted to announce the
introduction of our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA
Short Story Contest with a $500 prize!</a> <o:p></o:p></div>
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<a href="http://hnsa.org.au/conference/buy-tickets/">Visit
our website to purchase your tickets now!</a> <o:p></o:p></div>
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<a href="http://eepurl.com/bgWm49">Subscribe to our
newsletter for interviews, reviews and news.</a><o:p></o:p></div>
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<a href="http://hnsa.org.au/sponsorship-opportunities/">Learn
about our sponsorship opportunities.</a></div>
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Let’s make a noise about historical fiction!<o:p></o:p></div>
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Our Imagining the Past Host:</h3>
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Kelly Gardiner’s most recent book is <i>1917</i> (published early in 2017), a novel for young readers set during the First World War. Her previous books include <i>Goddess</i>, based on the remarkable life of the seventeenth century French swordswoman and opera singer, Julie d’Aubigny. Kelly’s historical novels for young adults include <i>The Sultan’s Eyes</i> and <i>Act of Faith</i>, set during the time of the English Civil Wars and the Inquisition. Both books were shortlisted for the Ethel Turner Prize in the NSW Premier’s Literary Awards. Her books for younger readers are the ‘Swashbuckler’ adventure trilogy – <i>Ocean Without End</i>, <i>The Pirate’s Revenge</i> and <i>The Silver Swan</i> – set in Malta during the Napoleonic invasion, and a picture book, <i>Billabong Bill’s Bushfire Christmas</i>. Kelly has worked on newspapers, magazines and websites, and her articles, poems, book reviews and travel writing have appeared in journals, magazines and newspapers as diverse as ‘The New York Times’, ‘Marie Claire’, ‘New Idea’, and ‘Going Down Swinging’. She works at the State Library of Victoria and teaches creative writing at La Trobe University. Kelly is also the co-host of Unladylike, a podcast on women and writing. Learn more about Kelly at her website. <a href="https://kellygardiner.com/">https://kellygardiner.com/</a></div>
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Elisabeth Storrshttp://www.blogger.com/profile/02808281191985275826noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-2731825731421206202017-07-27T22:10:00.000+10:002017-07-28T09:56:04.113+10:00HNSA Workshops: Hone your skills - and entry into a $100 Dymocks card giveaway!<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgerz3jE57N5VcpN3K5ppLvCURFOiRXXQi7jqtGb8vlyHSnaQ46j8jPVzySaAfuAPCNWZMrFrEcm35qXB7uWwAVg34S70Tw0P0I5mn57uxY-wnUOI2FhPZMD31ANeTyeDFvov-Hona8dVs/s1600/flick.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1534" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgerz3jE57N5VcpN3K5ppLvCURFOiRXXQi7jqtGb8vlyHSnaQ46j8jPVzySaAfuAPCNWZMrFrEcm35qXB7uWwAVg34S70Tw0P0I5mn57uxY-wnUOI2FhPZMD31ANeTyeDFvov-Hona8dVs/s200/flick.jpg" width="191" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Felicity Pulman</td></tr>
</tbody></table>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">I’ve lost count of the number of workshops
I’ve attended during my working life as an author, although I’ve always kept
the notes I made and the handouts I was given because I find them such a useful
<i style="mso-bidi-font-style: normal;">aide-memoire</i> whenever I’ve needed to
refer to something I learned during a particular session.<span style="mso-spacerun: yes;"> </span>Over the years I’ve honed my skills while
exploring various genres, partly to keep my writing fresh but also for the fun
of sometimes following a different muse. But writing is only the start; I’ve
also attended workshops on self-publishing and marketing which includes the (often
daunting) social media scene. <span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"><br /></span></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">I can honestly say that my time and money
have never been wasted as there is always something to learn and some new
aspect to consider when it comes to the writing game – which is why I’m still
attending workshops, and learning from them. So you’ll certainly find me
hanging around the ‘super-sessions’ during the conference in Melbourne! Given
by experts, and at only $20 per workshop, there’s a whole smorgasbord to choose
from. <o:p></o:p></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">On the writing side, I’m greatly tempted
by the historical romance workshop for aspiring authors titled ‘Medieval,
Regency and So Much More’ given by master (or should that be mistress?)
practitioners in the field, <b style="mso-bidi-font-weight: normal;"><a href="http://www.annegracie.com/" target="_blank">Anne Gracie</a></b>
and <b style="mso-bidi-font-weight: normal;"><a href="https://hnsaustralasia.blogspot.com.au/2017/04/interview-with-isolde-martyn.html" target="_blank">Isolde Martyn</a></b>, who will share
their tips on the importance of research in creating historical characters in
believable settings – as well as giving some ‘how-not-to’ advice!<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsT6Auy-froenPVgdWOLgV1ju1_3GDJvsyATQE2a07BjPuNVnM1RpAFsSXcZPC3XWZFvHHsFuQWKoE-Rwb38kmYYr3S6Y7NweVlI-daKH1_UEbqp6ZWgpvPhH2-wA2zpTc7UQEwEvmOUqG/s1600/anne-gracie.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="640" data-original-width="426" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsT6Auy-froenPVgdWOLgV1ju1_3GDJvsyATQE2a07BjPuNVnM1RpAFsSXcZPC3XWZFvHHsFuQWKoE-Rwb38kmYYr3S6Y7NweVlI-daKH1_UEbqp6ZWgpvPhH2-wA2zpTc7UQEwEvmOUqG/s320/anne-gracie.jpg" width="213" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Anne Gracie</td></tr>
</tbody></table>
<o:p></o:p></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">‘The Mystery in History’, internationally
published and award-winning author <b style="mso-bidi-font-weight: normal;"><a href="https://hnsaustralasia.blogspot.com.au/2017/06/imagining-past-podcast-series-sulari.html" target="_blank">Sulari Gentill’s</a> </b>crime fiction workshop for aspiring authors, also looks like a lot
of fun with her promise to take participants through the art of writing crime
fiction with an historical setting that is more than just an artistic backdrop.
<o:p></o:p></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"></span><br />
<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">As I’ve already discovered, writing for
children and teens is far more complicated than just writing stories for short
people!<span style="mso-spacerun: yes;"> </span>Historical research is hugely
important but must take second place to compelling characters and the action
that will carry the story and keep the short people interested. Author <b style="mso-bidi-font-weight: normal;"><a href="http://www.sherrylclark.com/" target="_blank">Sherryl Clark</a></b> will show participants how
to choose a viewpoint character and structure the story, while addressing
issues of voice and language to appeal to target readers.<o:p></o:p></span></div>
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuUmYR8qKqLlmhzTOxVSkNQg6Enz7Y0ZvPOuWb26eO1pAS1J609qm3i1s-NuexWoSaY7DYDuXY-DN-p10mhyFUdDbdvlv4Y0uQ6Us2TwHayr1dCVucnZfEx1EOX-cBsTwP9OtXIyMfSqc/s1600/Lisa-Chaplin.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="196" data-original-width="320" height="121" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuUmYR8qKqLlmhzTOxVSkNQg6Enz7Y0ZvPOuWb26eO1pAS1J609qm3i1s-NuexWoSaY7DYDuXY-DN-p10mhyFUdDbdvlv4Y0uQ6Us2TwHayr1dCVucnZfEx1EOX-cBsTwP9OtXIyMfSqc/s200/Lisa-Chaplin.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lisa Chaplin</td></tr>
</tbody></table>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">Do you have a family story to tell?<span style="mso-spacerun: yes;"> </span><b style="mso-bidi-font-weight: normal;"><a href="http://www.eleanorlimprecht.com/" target="_blank">Eleanor Limprecht</a></b> will show you how to transform your research into compelling
historical fiction – while maybe letting a few skeletons out of the closet at
the same time!<o:p></o:p></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"></span><br />
<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">But how to research and create the
historical landscape of your dreams?<span style="mso-spacerun: yes;">
</span>Think about joining <b style="mso-bidi-font-weight: normal;"><a href="https://hnsaustralasia.blogspot.com.au/2015/03/a-love-of-history-wendy-j-dunn.html" target="_blank">Dr Gillian Polack</a></b> for her ‘Research and Writing Master Classes 1 & 2’, and find
out how to make history come to life in fiction. In these classes Gillian will
examine different genres of historical fiction, including fantasy, along with
the needs of writers. She will also read 10,000 words of your mss (deadline 1st
September), using these samples to discuss techniques and theory. NB <a href="http://www.hnsa.org.au/super-sessions">You need to check the website for
info plus submission details</a>. Cost $150.<span style="color: red;"><span style="mso-spacerun: yes;"> </span><o:p></o:p></span></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"><span style="color: red;"><span style="mso-spacerun: yes;"></span></span></span><br />
<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"><span style="color: red;"><span style="mso-spacerun: yes;"></span></span></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">As a bit of fun, especially if you’re
writing about early and medieval time, why not join <b style="mso-bidi-font-weight: normal;">Matt Curran</b> (aka <b style="mso-bidi-font-weight: normal;">Leif the
Viking</b>) in ‘Armour and Armouring’ to find out how a blacksmith would go
about making a set of armour – and how it would feel to wear it.<span style="mso-spacerun: yes;"> </span>(NB: your hero should never take a 5-minute
toilet break from the battlefield to shuck off his armour and pop into a
latrine!)<o:p></o:p></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"></span><br />
<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">Not into battles, more into the boudoir?
Will you dress your heroine in a Tudor or a Renaissance costume? Silk, satin –
or nylon? <b style="mso-bidi-font-weight: normal;"><a href="https://hnsaustralasia.blogspot.com.au/2017/06/interview-with-rachel-nightingale.html" target="_blank">Rachel Nightingale</a></b> has
books to show you, plus a range of outfits made by historical re-enactors based
on research and portraits. <o:p></o:p></span></div>
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIdPUUfyuybn04rnuH6BIyOgGkoFfnQ_GLo9AOHF6ApaE_oLH9G19baKi9Xti_xCep5R6cD46ZMDHvzV1MWRvPNaK1pmXdrrGKGR93rjVMd65IzLGCcUFKGEmSsB3Uk78bvguXIDtmAxA/s1600/hazel-edwards.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIdPUUfyuybn04rnuH6BIyOgGkoFfnQ_GLo9AOHF6ApaE_oLH9G19baKi9Xti_xCep5R6cD46ZMDHvzV1MWRvPNaK1pmXdrrGKGR93rjVMd65IzLGCcUFKGEmSsB3Uk78bvguXIDtmAxA/s200/hazel-edwards.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hazel Edwards</td></tr>
</tbody></table>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">Need help? You might like to join <b style="mso-bidi-font-weight: normal;"><a href="https://hnsaustralasia.blogspot.com.au/2015/02/kelly-gardiner-few-on-my-favourite.html" target="_blank">Kelly Gardiner’s</a></b> introduction to
Scrivener, a low-cost software programme for writers which can help you manage
chapters and scenes, sketch out characters and settings, incorporate research
materials, plus a whole lot more.<o:p></o:p></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"></span><br />
<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"></span></div>
<div class="MsoNormal">
<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">Do you have a mss ready to go?<span style="mso-spacerun: yes;"> </span><b style="mso-bidi-font-weight: normal;"><a href="https://hnsaustralasia.blogspot.com.au/2017/06/interview-with-lisa-chaplin.html" target="_blank">Lisa Chaplin’s</a></b> interactive workshop ‘From Elevator Pitch to Finish: how to
successfully pitch your book in 30 seconds’ will give you all the tips you need
to capture the interest of agents and/or publishers.<o:p></o:p></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">But perhaps you’d rather go the
self-publishing route? Successful indie author <b style="mso-bidi-font-weight: normal;"><a href="http://gsjohnston.com/">G.S. Johnston</a> </b><span style="mso-bidi-font-weight: normal;">is</span><b style="mso-bidi-font-weight: normal;"> </b>on hand to answer your questions on everything from
production and publishing to marketing in their session: ‘Everything you wanted
to know about self-publishing but were afraid to ask.’<o:p></o:p></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">And that brings us to crunch time: your
book’s published but how do you get the word Out There?<span style="mso-spacerun: yes;"> </span>Your book will be up against millions of
others on sale so you’re going to have to get smart, get out there, and be
quick about it!<span style="mso-spacerun: yes;"> </span>Join <b style="mso-bidi-font-weight: normal;"><a href="https://hnsaustralasia.blogspot.com.au/2017/05/interview-with-elisabeth-storrs.html" target="_blank">Elisabeth Storrs</a></b> and <a href="https://elizabethlhuede.com/" target="_blank"><b style="mso-bidi-font-weight: normal;">Elizabeth Lhuede</b> </a>on ‘How to build an
author platform: social media basics for historical novelists.’ They’ll show
you how to connect with potential readers and promote your books through
Facebook, Twitter, Pinterest, blogging etc, plus – a vital component – your
website. <o:p></o:p></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"><br /></span></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIAXf-3sohmUmHOe7TTanmlGNMvn7Ff1aSVxMCYuTZoVNuvhsG1x0iXTqJXkmmrbbY0LJPYkwx3ON9ZfafumAeCOAtzFe7PMP2PeNccoMevyKVVEcm67-d6yhyuNn8Z03-3UDXlQJ6Bhg/s1600/Unknown.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIAXf-3sohmUmHOe7TTanmlGNMvn7Ff1aSVxMCYuTZoVNuvhsG1x0iXTqJXkmmrbbY0LJPYkwx3ON9ZfafumAeCOAtzFe7PMP2PeNccoMevyKVVEcm67-d6yhyuNn8Z03-3UDXlQJ6Bhg/s200/Unknown.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Elizabeth Lhuede</td></tr>
</tbody></table>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">And let <b style="mso-bidi-font-weight: normal;"><a href="https://hnsaustralasia.blogspot.com.au/2017/07/writing-non-boring-history-with-hazel.html" target="_blank">Hazel Edwards</a></b> have the last word on ‘Authorpreneurship: the
business of creativity’. As well as writing the book, she says, you need to
learn marketing, publicity, technological, legal and entrepreneurial skills to
adapt to a fast-changing digital global industry, while staying in business and
surviving financially. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;">So much to learn and so much on offer – we’re
spoilt for choice, and I’m sure I’ll see you there somewhere!<o:p></o:p></span></div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"><a href="http://www.hnsa.org.au/super-sessions">Book your tickets for the workshops </a><span style="mso-spacerun: yes;"> </span>and be entered in the draw to win a $100 Dymocks
Gift Card.<span style="mso-spacerun: yes;"> </span>Cost of tuition is only $20
per session once a full weekend or day ticket has been purchased.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"><span style="mso-tab-count: 1;"> </span><span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"><a href="https://hnsaustralasia.blogspot.com.au/2017/03/interview-with-felicity-pullman.html" target="_blank">Felicity Pulman</a><o:p></o:p></span><br />
<h3 style="text-align: left;">
<br />HNSA 2017 Conference</h3>
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<o:p></o:p></div>
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The HNSA 2017 Melbourne Conference is being held on 8-10
September 2017 at Swinburne University. This celebration of the historical
fiction genre will showcase over 60 speakers discussing inspiration, writing
craft, research, publishing pathways and personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>.
Among the many acclaimed historical novelists participating are Kerry
Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie
Masson, Sulari Gentill, Robert Gott and Arnold Zable. <a href="http://hnsa.org.au/conference/speakers/">The HNSA’s speakers’ list is
available on the HNSA website.</a> <o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
In addition to the two stream weekend programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft based super
sessions and two research masterclasses</a>.You won’t want to miss our
interactive sessions on armour and historical costumes either! Purchase a
ticket and you will be entered in the draw to win a $100 Dymocks Gift Card.<o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
<a href="http://hnsa.org.au/manuscript-assessments/">Manuscript
assessments will be conducted by industry experts, Alison Arnold and Irina Dunn</a>.
Our <a href="http://hnsa.org.au/academic-programme/">free extended academic
programme</a> is open for general admission but bookings are essential.<o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
<a href="http://hnsa.org.au/first-pages-pitch-contest/">Our
First Pages Pitch Contest</a> offers an opportunity for submissions to be read
aloud to a panel of publishers. And we are delighted to announce the
introduction of our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA
Short Story Contest with a $500 prize!</a> <o:p></o:p></div>
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<br /></div>
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<a href="http://hnsa.org.au/conference/buy-tickets/">Visit
our website to purchase your tickets now!</a> <o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
<a href="http://eepurl.com/bgWm49">Subscribe to our
newsletter for interviews, reviews and news.</a><o:p></o:p></div>
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<br /></div>
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<a href="http://hnsa.org.au/sponsorship-opportunities/">Learn
about our sponsorship opportunities.</a><o:p></o:p></div>
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<br /></div>
<br />
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Let’s make a noise about historical fiction!<o:p></o:p></div>
</div>
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<span lang="EN-AU" style="font-family: "times new roman" , serif; font-size: 14.0pt; line-height: 115%;"><span style="mso-tab-count: 1;"> </span><o:p></o:p></span></div>
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Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-77223214558903580962017-07-23T23:49:00.001+10:002017-07-24T09:53:04.393+10:00Interview with Vicky Adin<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiypNxXCZ74sCfauHdkO__q0oDMNoQOcF2wpaBTMbipOl1vdldbdYZe6VrSuewdUo2edwm-GcfONHm0S2KyBXIQK-mqvR0MGG9hzt2CG84jsRol2aJWpBqhrxFgMj7QnYU75KCQDT3LDbpU/s1600/Vicky-Adin.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1063" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiypNxXCZ74sCfauHdkO__q0oDMNoQOcF2wpaBTMbipOl1vdldbdYZe6VrSuewdUo2edwm-GcfONHm0S2KyBXIQK-mqvR0MGG9hzt2CG84jsRol2aJWpBqhrxFgMj7QnYU75KCQDT3LDbpU/s320/Vicky-Adin.jpg" width="212" /></a></div>
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Vicky Adin is a New Zealand historical fiction author. She
writes social history stories inspired by the true stories of immigrants who
undertook hazardous journeys to find a better life. As a genealogist in love
with history, these immigrants and their ancestors drive Vicky’s stories. <o:p></o:p></div>
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Vicky lives in Auckland, New Zealand. She holds a Master
degree with Honours in English and Education. Three words sum up her
passion in life: family, history and language. She has combined her skills to
write poignant novels that weave family and history together, inspired by real
people, with real experiences in a way that makes the past come alive.<o:p></o:p></div>
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When not writing you will find her reading historical
novels, family sagas and contemporary women’s stories, caravanning or cruising
with her husband and biggest fan, or spending time with her children and
grandchildren. She also likes walking and gardening.</div>
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<h3 style="text-align: left;">
What is the inspiration for your current book?</h3>
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<o:p></o:p></div>
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My novels are inspired by true genealogy stories. The story
of Gwenna is loosely based on my Welsh great-grandmother, who was a sugar
boiler and confectionery maker. Her first husband went missing in mysterious circumstances,
and she raised her only son to take over the business. I say loosely, because
she never left Wales and Gwenna’s story is set entirely in New Zealand. <o:p></o:p></div>
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<h3 style="text-align: left;">
Is there a particular theme you are exploring in this book?</h3>
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Overcoming the odds. My main characters are working class
women, who live in patriarchal times, when the law and societal expectations
worked against them. They are not the famous women of the time who fought the
establishment. They are the stalwarts who kept doing what they must and making
the best of what they had, and in the process became better than they were. Thanks
to them New Zealand became an egalitarian society and New Zealand women were
the first in the world to be granted the right to vote in 1893.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6xTOsQxzFn6PoKD4fhO2hmLQ_EAfrKFqF0Y_IAIpHk7z9gvN3OdFxjQA1G6WshPoLaLsxg2sSbkRy0H5p4QbVhLU41bhrul50Db-TJjnTQmsIwk_Y71KPdKeaBNIrjOT75CDolkYENGKS/s1600/Adin-covers.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1134" data-original-width="709" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6xTOsQxzFn6PoKD4fhO2hmLQ_EAfrKFqF0Y_IAIpHk7z9gvN3OdFxjQA1G6WshPoLaLsxg2sSbkRy0H5p4QbVhLU41bhrul50Db-TJjnTQmsIwk_Y71KPdKeaBNIrjOT75CDolkYENGKS/s320/Adin-covers.jpg" width="200" /></a></div>
<o:p></o:p><br />
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<h3 style="text-align: left;">
Which period of history particularly interests you? Why?</h3>
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<o:p></o:p></div>
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I love anything from the Georgian era through to the
Edwardian era and especially the Victorian, and I’m particularly fascinated by
the pioneering women of New Zealand. These women and their families left their
homelands in search of a better life. They came to a new country that was rough
and raw, and built a life worth living. </div>
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After the signing of The Treaty of Waitangi in 1840, a few long-term settlers
started to arrive but by the 1850s the European settlers still only numbered
28,000. After the Land Wars with the Maori in the 1860s the population spread
to the Provinces and by the 1870s people began arriving in their thousands.
Still a British colony at this time, New Zealand offered land, work, and
opportunity, which people grasped with both hands. They were prepared to work
hard to have something they could call their own.</div>
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<h3 style="text-align: left;">
What resources do you use to research your book?</h3>
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<o:p></o:p></div>
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New Zealand history is easy to access through books,
photographs, and websites. Papers Past is my favourite. It’s an online
repository of the newspapers of the time and tells of life as it happened.
Museums, NZ Archives, and libraries abound, and because immigrants told their
stories, and were handed down, many people can still remember their
grandparents and their stories. Facts need checking but the essence is all I
need to begin with.<o:p></o:p></div>
<h3 style="text-align: left;">
<br />What is more important to you: historical authenticity or
accuracy?</h3>
<div style="text-align: left;">
Authenticity first. Getting the ‘feel’ of the time is so
important. Although, when I need facts, accuracy is essential. I need to know
what happened and when, but sometimes events can be manipulated a little to fit.
I do a lot of research beforehand and then do extra research as I go along to
make sure things like the drinks they consume were available, that a particular
piece of equipment had come into use in every day life, or when electricity
replaced gas and so on.</div>
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<o:p></o:p></div>
<h3 style="text-align: left;">
<br />Which character in your current book is your favourite? Why?</h3>
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It has to be the title character, Gwenna. She is totally driven to fulfil her
father’s dreams, but doesn’t see how strong she is. She’s young and naive and worries
she will fail, and in the process can’t see what is right before her eyes.<o:p></o:p></div>
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<h3 style="text-align: left;">
Are you a ‘plotter’ or a ‘pantser’? How long does it
generally take you to write a book?</h3>
A ‘pantser’ without doubt. My husband describes my writing as joining the dots.
I have a few facts and ideas with gaping holes in between which I fill in. I
research the history of the time and build my character to live amongst the
facts. They often surprise me. It takes me around a year from start to finish.
I do a lot of research beforehand and then research as I go along. <o:p></o:p><br />
<h3 style="text-align: left;">
<br />Which authors have influenced you? </h3>
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<o:p></o:p></div>
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A long time ago, I enjoyed reading Jean Plaidy/Victoria
Holt/Phillipa Carr novels. Those stories hooked me on historical fiction. I
didn’t know it was the same author until years later. Barbara Erskine was
another. I love the time-slip aspects of her novels. </div>
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<br />
I recently received a B.R.A.G medallion – a reader’s award – for my novel ‘The
Girl from County Clare’, and one reader compared my writing to that of
Catherine Cookson. I couldn’t have been more pleased. I thoroughly enjoyed reading
Cookson many years ago too, and have gone back to reading them again. More
recently, I’ve been inspired by the works of Diana Gabaldon and Deborah
Challinor.<o:p></o:p></div>
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<h3 style="text-align: left;">
What advice would you give an aspiring author?</h3>
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<o:p></o:p></div>
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Write what you love, and what you have a passion for. And
edit until you bleed. Pay for a good editor – or a series of good editors, and
a good cover designer. <o:p></o:p></div>
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<h3 style="text-align: left;">
Tell us about your next book or work in progress.</h3>
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<o:p></o:p></div>
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So far, I’ve written five stand alone novels based upon
similar themes, but I’m told I need to write sequels about what happens next
for most of them. The question is, which one?</div>
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I’m thinking of one that links the
characters from ‘The Girl from County Clare’ with the characters from ‘Gwenna’.
There’s a mashing process going on in my head right now, but I’ll never run out
of heroines while there is history. <o:p></o:p></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVo63rLAr001xnNzrC0e_8XfLMvGm4T4BIsCvehJxCL6kfRDscz3FsHraNdrOW5ajskRSrkPeZlQlPAq_O8vNuWLMnhIJcSt_4DFSybQurvldh8FK82nhyphenhyphenJIq4mzpbq7HkvO3gEFRziWCP/s1600/Gwenna.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVo63rLAr001xnNzrC0e_8XfLMvGm4T4BIsCvehJxCL6kfRDscz3FsHraNdrOW5ajskRSrkPeZlQlPAq_O8vNuWLMnhIJcSt_4DFSybQurvldh8FK82nhyphenhyphenJIq4mzpbq7HkvO3gEFRziWCP/s320/Gwenna.jpg" width="200" /></a></div>
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<i>Amid the bustling
vibrancy of Auckland’s Karangahape Road, Gwenna Price’s passion is making
sweets. Her Pa had great plans for the family confectionery business when they
emigrated from the valleys of Wales looking for a new life, but he died all too
soon. Gwenna promised she would bring his dreams to life instead - and she would,
if it wasn’t for her domineering stepbrother, Elias. With him in charge, it
would be a matter of time before the business collapsed.<o:p></o:p></i></div>
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<i><br /></i></div>
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<i>Falling in love with
the cheeky and charming Johnno opens up other opportunities, but every step of
the way Gwenna is thwarted. If not by Elias, then by Johnno’s father and the
restraints of a society with strict Victorian values, but Gwenna is
irrepressible. Nothing will stand in her way.<o:p></o:p></i></div>
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<i><br /></i></div>
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<i>Throughout the twists
and turns of love and tragedy, Gwenna is a young woman with uncommon courage,
determination and ambition in an era when women were expected to stay at home.
There are people who love her and those who are willing to help her achieve her
goal but, blind to anything that distracts her from creating her legacy, Gwenna
risks losing the one thing that matters to her the most.<o:p></o:p></i></div>
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<i><br /></i></div>
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</div>
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<i>“Inspired by a true
story from the author’s homeland, Gwenna is a fascinating insight into life in
Auckland at the turn of the 20th century.”<o:p></o:p></i></div>
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<i><br /></i></div>
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You can buy Vicky's books on <a href="https://www.amazon.com/Vicky-Adin/e/B006JTB0VE/">Amazon</a> or directly
from her <a href="https://writersplotreadersread.wordpress.com/?s=Vicky+Adin">website</a> <o:p></o:p></div>
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</div>
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Connect with Vicky on her <a href="http://www.vickyadin.co.nz/">website</a>, <a href="http://vickyadin.co.nz/blog/">blog</a>, <a href="https://www.facebook.com/VickyAdinAuthor/">Facebook</a>,<a href="https://www.linkedin.com/in/vicky-adin-82b74513/"> Linkedin</a>, <a href="https://www.goodreads.com/author/show/6543974.Vicky_Adin">Goodreads</a>,
and <a href="https://nz.pinterest.com/nzvicky/">Pinterest</a> <o:p></o:p></div>
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<br /></div>
<h3 style="text-align: left;">
HNSA 2017 Conference</h3>
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<o:p></o:p></div>
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The HNSA 2017 Melbourne Conference is being held on 8-10
September 2017 at Swinburne University. <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Vicky Adin will be appearing in <i>Immigrant Stories and Diaspora: How Pioneers Adapt and Survive in their New Land.</i></span><o:p></o:p></div>
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<span style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"><br /></span></div>
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This celebration of the historical fiction genre will
showcase over 60 speakers discussing inspiration, writing craft, research,
publishing pathways and personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>. Among
the many acclaimed historical novelists participating are Kerry
Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie
Masson, Sulari Gentill, Robert Gott and Arnold Zable. <a href="http://hnsa.org.au/conference/speakers/">The HNSA’s speakers’ list is
available on the HNSA website.</a> <o:p></o:p></div>
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In addition to the two stream weekend programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft based super
sessions and two research masterclasses</a>.You won’t want to miss our
interactive sessions on armour and historical costumes either! Purchase a
ticket and you will be entered in the draw to win a $100 Dymocks Gift Card.<o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
<a href="http://hnsa.org.au/manuscript-assessments/">Manuscript
assessments will be conducted by industry experts, Alison Arnold and Irina Dunn</a>.
Our <a href="http://hnsa.org.au/academic-programme/">free extended academic
programme</a> is open for general admission but bookings are essential.<o:p></o:p></div>
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<br /></div>
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<a href="http://hnsa.org.au/first-pages-pitch-contest/">Our
First Pages Pitch Contest</a> offers an opportunity for submissions to be read
aloud to a panel of publishers. And we are delighted to announce the
introduction of our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA
Short Story Contest with a $500 prize!</a> <o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
<a href="http://hnsa.org.au/conference/buy-tickets/">Visit
our website to purchase your tickets now!</a> <o:p></o:p></div>
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<br /></div>
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<a href="http://eepurl.com/bgWm49">Subscribe to our
newsletter for interviews, reviews and news.</a><o:p></o:p></div>
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<br /></div>
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<a href="http://hnsa.org.au/sponsorship-opportunities/">Learn
about our sponsorship opportunities.</a><o:p></o:p></div>
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</div>
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Let’s make a noise about historical fiction!<o:p></o:p></div>
</div>
Elisabeth Storrshttp://www.blogger.com/profile/02808281191985275826noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-92003281094864108582017-07-21T09:00:00.000+10:002017-07-21T15:09:12.092+10:00Writing Non Boring History with Hazel Edwards<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyAGvL0TH-5ohm3j8RoAlqmqsrsgoklmI_RD78CgDAICT8BeLSljJcMxlCl_Q4K0V7Y1mhAB20T_VPgW_8o7y8iFPySx-PqVh_hqQ_xVHKa7HXeCHYKOQWyIUNjIcDLwtjFawVzSrqS-my/s1600/hazel-edwards.tif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyAGvL0TH-5ohm3j8RoAlqmqsrsgoklmI_RD78CgDAICT8BeLSljJcMxlCl_Q4K0V7Y1mhAB20T_VPgW_8o7y8iFPySx-PqVh_hqQ_xVHKa7HXeCHYKOQWyIUNjIcDLwtjFawVzSrqS-my/s320/hazel-edwards.tif" width="320" /></a></div>
Our guest today is Hazel Edwards. <span style="color: #1a1a1a;">An
Australian author of over 200 books, Hazel was awarded an OAM (Order of
Australia) for Literature in 2013. Best known internationally for <i>There’s
a Hippopotamus on our Roof Eating Cake</i>, recently she has been
writing historical ‘faction’ for young readers and also runs workshops for
adults on ‘Writing a Non Boring Family History or Memoir’. Each birthday,
she writes a personal story for her two grandsons. </span><span lang="EN-US" style="color: #1a1a1a;">Her
memoir <i>Not Just a Piece of Cake: Being an Author </i>(Brolga) includes chapters
on the realities of juggling historical research, writing and family life. Her‘Sir Edward ‘Weary’ Dunlop’ is
touring with the</span><span lang="EN-US" style="color: #272727;"> <a href="http://anzacstoriesbehindthepages.blogspot.com.au/p/exhibitors.html">Anzac
Stories Behind the Pages</a> travelling exhibition 2017-18,</span><span lang="EN-US" style="color: #1a1a1a;"> currently in Qld libraries. You can connect with Hazel via her </span><span style="color: #7eb900; text-decoration-line: none;"><a href="http://www.hazeledwards.com/">website</a>,</span><span style="color: #1a1a1a;"> </span><a href="https://twitter.com/muirmoir" target="_blank">Twitter </a><span style="color: #1a1a1a;">and </span><a href="https://www.facebook.com/hazel.edwards.58" target="_blank">Facebook</a><span style="color: #1a1a1a;">.</span><br />
<span style="color: #1a1a1a;"><br /></span>
<br />
<h3>
<span lang="EN-US">What attracted you to writing about real
heroes?</span></h3>
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<span lang="EN-US">History is a kind of ‘looking glass’ where
you check out personalities from the past and work out ways they are relevant
to you NOW.<o:p></o:p></span></div>
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<span lang="EN-US"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US">A children’s author’s role is to craft
those facts to entice young readers. I became interested because there were so
many children who knew little about the ‘extraordinary’ so–called ordinary
people from their own families and cultures. They only saw misbehaving ‘celebs’
like footballers in the media, not real heroes whose qualities were worth
admiring.<o:p></o:p></span></div>
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<span lang="EN-US"><br /></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg80ltigz8WzSmQQdmZ3FrHASVkUv0XdGZJ3JyCiRQAcrGScttOBmwSVfG8bRG50t47kN5woqcQ0VADZ9HYBbU4UYWp3u5tUl4TA5H0izOYOAcyfSKEGfm91c2nypuqnzyx-BR_y1ZZyqdj/s1600/PastedGraphic-2.tiff" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="169" data-original-width="624" height="86" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg80ltigz8WzSmQQdmZ3FrHASVkUv0XdGZJ3JyCiRQAcrGScttOBmwSVfG8bRG50t47kN5woqcQ0VADZ9HYBbU4UYWp3u5tUl4TA5H0izOYOAcyfSKEGfm91c2nypuqnzyx-BR_y1ZZyqdj/s320/PastedGraphic-2.tiff" width="320" /></a></div>
<h3>
<span lang="EN-US">Why are anecdotes important to ‘hook’ young
reader interest?</span></h3>
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<span lang="EN-US">I call it ‘Anecdultery’. Anecdotes
are mini stories, usually humorous, but real. When surgeon Weary Dunlop
broke his nose playing rugby, it’s said he put a toothbrush up his nose and
kept playing. (That appeals to 10 year old football fans.) Using a pair of
socks, he demonstrated to medical students, how to sew up a patient. They
remembered the surgical sewing skills learnt, and so do the ten-year-old
readers who read on to learn more about an heroic doctor.<o:p></o:p></span></div>
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<span lang="EN-US"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US">Writing about REAL people, is different
from creating fiction. But it’s also like becoming a literary detective,
sleuthing the facts, but then making a story which will appeal to that aged
reader. And often to their families who find junior history a quick overview to
a subject which provides a context. Grandparents often buy the factual book,
supposedly for their offspring but really for themselves.</span><br />
<br />
<span lang="EN-US"></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<span lang="EN-US"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqLvyqs94zt9lP30Cl2Ye8OvJ1wfoi_qhsNYmQskBFiaUP2hr4VNjzTfXg-tPyl8RqtHjV9x-KGCvznDnKD-ephsSxUW0eiA_1gB27mjTeFMBYASyw4M5x3hUGYC12qIEzBbCibKefNxgR/s1600/weary_cover.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="561" data-original-width="368" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqLvyqs94zt9lP30Cl2Ye8OvJ1wfoi_qhsNYmQskBFiaUP2hr4VNjzTfXg-tPyl8RqtHjV9x-KGCvznDnKD-ephsSxUW0eiA_1gB27mjTeFMBYASyw4M5x3hUGYC12qIEzBbCibKefNxgR/s320/weary_cover.jpg" width="209" /></a></span></div>
</div>
<h3>
<span lang="EN-US">What is faction?</span></h3>
<div class="MsoNormal">
<span lang="EN-US">I use the term FACTION which is part way
between fact and fiction and used to make the story more dramatic. But if
the brief also includes appealing to a ten year old reader, I have to decide on
viewpoint, and include zany anecdotes likely to interest.<o:p></o:p></span></div>
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<span lang="EN-US"><br /></span></div>
<h3>
<span lang="EN-US">What are the challenges of crafting history
for young readers?</span></h3>
<div class="MsoNormal">
<span lang="EN-US">Whether to tell in chronological order is a
challenge. I prefer to start with the most dramatic and then flashback. With
the commissioned Weary Dunlop book, I started with the idea of using his
Melbourne statue as the symbolic structure. I took a photo with my 10 year old
alongside the tall statue because he typified the potential readership. Since Weary
was a rugby player, I was going to use his ‘feet’ as one chapter, his surgeon
‘hands’’ as another, the Buddhist peace sign for an ‘ideas’ chapter and because
he cast a long shadow, that would shape another chapter’s content. </span>But the publisher wanted it rewritten in
chronological order with emphasis upon childhood So I rewrote but included the
research photo.I decided to make the major theme his
resourcefulness as an ex farm boy in ‘making do’ and creating surgical
equipment in the camps. </div>
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<br /></div>
<h3>
<span lang="EN-US">What are the challenges you faced writing
about non-fictional heroes?</span></h3>
<div class="MsoNormal">
<span lang="EN-US">You need to do lots of reading to find an
‘angle’ or a theme from which to present the person. Another challenge is how
much of the ‘real’ detail do you include. I think the flaws of heroes
should also be indicated, and the real difficulties they faced. But it’s
debatable how much emphasis should be placed on tragic events, like Edith
Cowan’s father being hanged for the murder of her step mother. Or the children
and pets who died in the Titanic sinking. Weary was tortured in the prisoner of
war camps in WW11 but it was his leadership and doctoring skills which saved
him and others. <o:p></o:p></span></div>
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<span lang="EN-US"><br /></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLw4L5z6RbFglbcoMGpxaBRUAcz-KlKFTeQ5XmdXff-6ZjwGvQVkJUF7VML1s3q2S3GFeUYhSNwseGy3364BeT97PcxWtGVwEtJyeydnGOPnPIdatNfgpG91LTC7TUl4Qxenuk3IFEjr9Z/s1600/fred_front_cover-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1169" data-original-width="768" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLw4L5z6RbFglbcoMGpxaBRUAcz-KlKFTeQ5XmdXff-6ZjwGvQVkJUF7VML1s3q2S3GFeUYhSNwseGy3364BeT97PcxWtGVwEtJyeydnGOPnPIdatNfgpG91LTC7TUl4Qxenuk3IFEjr9Z/s320/fred_front_cover-1.jpg" width="210" /></a></div>
<span lang="EN-US">Always a dilemma to decide is what should
be included and how it should be written about. Over-dramatising is not appropriate.
It’s a fine line between making something dramatic and retaining interest and
yet stressing the qualities those tragic events might have brought out in your
character. For example, when Edith Cowan’s mother died, the seven-year-old
girl was sent to a boarding school in faraway Perth (WA), her father remarried,
shot his second wife and was hanged when Edith was 17. But Edith was also the
first female member of parliament, and is a notable woman on a $50 banknote.
Her educational reforms affected the subsequent lives of many families.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US">Then there are the remaining relatives of
your characters who will read your book. Often people will come up to me and
say they worked with ‘Weary’ in hospitals, and tell me extra stories. Usually
they agree the book is a genuine portrait of the man and are very grateful to
him for his persistence which saved lives. Even if he did annoy authorities at
times. Similarly for Fred Hollows. The single-mindedness necessary to achieve
significant things, often upsets small minded people who can’t see beyond the
bureaucratic rules and regulations. Edith Cowan used charm but
persistence too. Stoicism is a common trait as well as risk-taking.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US">I wanted to write about female heroes next,
so I asked for a woman as the next Aussie Heroes subject, and was given Edith
Cowan, the first woman elected into parliament and who has a Western Australian
university named after her. She is on our Australian $50 note, so I
started with the idea of a ’notable’ woman because most kids are interested in
money. Then there was the legal problem of whether we could copy a bank note as
a possible cover. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US">Another challenge was choosing the visuals
for Edith. In the photo fashion of the times, Edith always looked sternly
formal, which was off putting for young readers. Was it better to use the
newspaper political cartoons satirizing her as a ‘housewife’ in the parliament
or the ‘hard nut to crack’ brooch she gave to her supporters on getting elected
as the first woman into an Australian parliament? Visuals matter for young
readers.</span></div>
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</div>
<o:p></o:p><br />
<h3>
<span lang="EN-US">To what extent do book covers matter?</span></h3>
<div class="MsoNormal">
<span lang="EN-US">A lot. But this is often a publisher or
marketing department decision. Illustrations inside also matter and I’d prefer
these to be photos, but often there are copyright or fee issues.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><br /></span></div>
<h3>
<span lang="EN-US">Do you think that heroes such as Professor
Fred Hollows and Sir Edward ‘Weary’ Dunlop are as exciting and inspiring as
superheroes such as Superman and Batman?</span></h3>
<div class="MsoNormal">
<span lang="EN-US">They can be, it’s just that often students
haven’t been told about them in the same way as the multi million dollar PR
budgets of film companies can ‘market’ a fictional hero. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US">Once kids are introduced to ‘real’ people,
they are more ‘inspired’ to try themselves. </span>And often I’m asked ‘ was this real?’</div>
<div class="MsoNormal">
<span lang="EN-US"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US">I’d like to see more easily available
stories about inspirational people who are NOT footballers behaving badly on
the front pages on newspapers. Young people see ‘celebs’ as aspirational for
‘being in the media’ rather than doing something.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US">A hero is one who benefits the community in
which he or she lives, solves a problem, discovers an answer or is a good
example by their actions. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US">From a writer’s perspective it’s easier to
portray ‘action’, so the sports heroes rather than the scientists or thinkers,
tend to be written about.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US">I’d like to see more books and TV series
portraying ‘real’ local heroes who may include fire-fighters, cancer cell
researchers or even those who on a daily basis look after others, at their own
cost. I’d also like to see more historical heroines portrayed and realistic
writing about how they juggled families, jobs and community problems.</span><br />
<div class="separator" style="clear: both; text-align: center;">
<span lang="EN-US"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNNT_u8RdmT9Qf5xnTcGDzLvrnLkJaZps8BICBwgBCHhmnwpCUkuNlYNQtU2d84xe3pePdwgWS5q96S5PUplE3nm1AY8Kc_3zBfQbOrZORaaNVI-pHz20ohczta76__O0esSs3x24mKUha/s1600/Edith-Cowan-Cover-568x353.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="563" data-original-width="368" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNNT_u8RdmT9Qf5xnTcGDzLvrnLkJaZps8BICBwgBCHhmnwpCUkuNlYNQtU2d84xe3pePdwgWS5q96S5PUplE3nm1AY8Kc_3zBfQbOrZORaaNVI-pHz20ohczta76__O0esSs3x24mKUha/s320/Edith-Cowan-Cover-568x353.jpg" width="209" /></a></span></div>
<span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><br /></span></div>
<h3>
<span lang="EN-US">Why do you provide discussion notes for
your books?</span></h3>
<div class="MsoNormal">
<span lang="EN-US">Because teachers will be more inclined to
use the book in the classroom, but also an important readership is grandparents
and parents who often share with the child. And the fact that the subject of
the book was a contemporary whom they knew personally, makes history real for
the child. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><br /></span></div>
<h3>
<span lang="EN-US">Do you always write books or have you
experimented in writing history in other formats?</span></h3>
<div class="MsoNormal">
<span lang="EN-US">Titanic Dog is an <a href="https://www.youtube.com/watch?v=7jS4TNo7Nkw">animation</a> from the dog’s
viewpoint of the Titanic sinking and the issue of courage. <o:p></o:p></span></div>
<div class="MsoNormal">
<i><span lang="EN-US"><a href="http://www.hazeledwards.com/enact_history.html">Enact</a></span></i><span lang="EN-US"> is a collection of classroom playscripts, based on REAL Australian
women, which can be performed, humorously, in the classroom and elsewhere.
Each has an ‘elastic’ chorus, enabling everybody to be involved. The value
of a play is that the actors think about the content as they rehearse and
perform, parents are often involved as audience or with costumes, and all
find out about ‘Real’ people from the past, in an entertaining way. Recently
I was invited to speak to the Victorian Medical Women and their first president
was Dr Constance Stone about whom I wrote in the play QVH as she founded the
first hospital for women in Melbourne:the Queen Victoria Hospital. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US"><a href="http://www.hazeledwards.com/page/antarctic_close_up.html"><i>Antarctic Close Up</i> </a>is part of an
Australian National Museum series, where each story is based around
a piece of memorabilia from their collection. Mine was the telescope from
the Mawson 1912 Antarctic expedition which belonged the John Close (hence
the title). But it is ‘faction’ because a contemporary 10 year old boy had
to be included but there were none. So I made it a time jump story via a
web-cam, today’s equivalent of the telescope. Since I’d been an Antarctic
expeditioner in 2001, I was also able to include my on-the-ice experience
as participant-observation research.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><br /></span></div>
<br />
<div class="MsoNormal">
<i><span lang="EN-US"><a href="http://www.hazeledwards.com/shop/item/fake-id">Fake ID</a></span></i><span lang="EN-US">, now an e-book, is a YA novel with a family history mystery theme
and a teen sleuth. On the day of her Gran’s funeral, Zoe discovers Gran
had fake ID for years. Historical refugee links to 1956 Hungarian
revolution and Melbourne Olympics and much research help from a
genealogist. Fiction but factual settings and refugee dilemmas. It
would be timely to have an international TV series on Heroes, with each culture contributing
several episodes, but aimed at a general children’s audience. Often adults
enjoy an easy introduction to a period or a persona via kids’ history books
or programs.<o:p></o:p></span></div>
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<span lang="EN-US"><i>On the day of Gran’s funeral, teenager Zoe
finds Gran’s ‘not to be opened until after my death’ package. So she opens it.<o:p></o:p></i></span></div>
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<span lang="EN-US"><i><br /></i></span></div>
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<span lang="EN-US"><i>Turns out, Gran was not just Madga, she had
other names too. And other lives. <o:p></o:p></i></span></div>
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<span lang="EN-US"><i>Together with her hockey-nerd mate Luke,
Zoe goes on a digital journey of discovery to find out who her Gran really
was. </i><o:p></o:p></span></div>
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Hazel's books are available as follows:</div>
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<a href="http://www.hazeledwards.com/page/sir_edward_weary_dunlop.html" target="_blank">Sir Edward Weary Dunlop</a></div>
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<a href="http://www.hazeledwards.com/page/professor_fred_hollows.html" target="_blank">Professor Fred Hollows</a><br />
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<a href="http://www.hazeledwards.com/edith_cowan_a_quiet_woman_of_note.html" target="_blank">Dame Enid Cowan</a></div>
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<a href="http://www.hazeledwards.com/page/writing_a_non_boring_family_history.html" target="_blank">Writing a Non Boring Family History</a></div>
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<a href="http://www.hazeledwards.com/not-just-a-piece-of-cake-being-an-author.html" target="_blank">Not Just A Piece of Cake Being an Author</a></div>
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Hazel Edwards is conducting her workshop Authorpreneurship: The Business of Creativity on Sunday 10 September at HNSA 2017 in Melbourne. Attendees will receive a copy of Hazel's <a href="http://www.hazeledwards.com/authorpreneurship_the_business_of_creativity.html" target="_blank">Authorpreneurship: The Business of Creativity</a>. The cost of the super session workshop is only $20 for conference attendees. Purchase of a ticket entitles the participant to enter into a giveaway draw for a $100 Dymocks Gift Gift. <a href="http://hnsa.org.au/super-sessions/" target="_blank">You can purchase your ticket here</a>.</div>
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<span lang="EN-US">The business of creativity is changing, not
just in the formats in which ideas are presented internationally, but in how
authors perceive themselves. ‘Author’ is the brand which can be
overwhelming if there’s just you.<o:p></o:p></span></div>
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<span lang="EN-US">Today a creator needs to be an
‘Authorpreneur’: an originator and an entrepreneur. Apart from creating words
or images for specific audiences, this means learning the marketing,
publicity, technological, legal and entrepreneurial skills to establish and
maintain self-employment in the business of ideas.<o:p></o:p></span></div>
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<span lang="EN-US">Even if a VERY small business. Just you.<o:p></o:p></span></div>
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<span lang="EN-US">Hazel offers strategies for
beginners, mid-list and highly experienced creators needing to adapt to a
fast-changing, digital, global industry. It’s about sharing ideas so you can
work effectively at what you most enjoy creating and providing ways to help
sell your work for longer, in varied new formats and to larger audiences. Great
ideas won’t reach audiences unless the creators can stay in business and
survive financially.</span></div>
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HNSA 2017 Conference</h3>
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The HNSA 2017 Melbourne Conference is being held on 8-10
September 2017 at Swinburne University. This celebration of the historical fiction genre will showcase
over 60 speakers discussing inspiration, writing craft, research, publishing
pathways and personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>.
Among the many acclaimed historical novelists participating are Kerry
Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie
Masson, Sulari Gentill, Robert Gott and Arnold Zable. <a href="http://hnsa.org.au/conference/speakers/">The HNSA’s speakers’ list is
available on the HNSA website.</a></div>
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In addition to the two stream weekend programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft based super
sessions and two research masterclasses</a>.You won’t want to miss our interactive
sessions on armour and historical costumes either! Purchase a ticket and you
will be entered in the draw to win a $100 Dymocks Gift Card.<o:p></o:p></div>
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<a href="http://hnsa.org.au/manuscript-assessments/">Manuscript
assessments will be conducted by industry experts, Alison Arnold and Irina Dunn</a>.
Our <a href="http://hnsa.org.au/academic-programme/">free extended academic
programme</a> is open for general admission but bookings are essential.<o:p></o:p></div>
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<a href="http://hnsa.org.au/first-pages-pitch-contest/">Our
First Pages Pitch Contest</a> offers an opportunity for submissions to be read
aloud to a panel of publishers. And we are delighted to announce the
introduction of our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA
Short Story Contest with a $500 prize!</a> <o:p></o:p></div>
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<a href="http://hnsa.org.au/conference/buy-tickets/">Visit
our website to purchase your tickets now!</a> <o:p></o:p></div>
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<a href="http://eepurl.com/bgWm49">Subscribe to our
newsletter for interviews, reviews and news.</a><span class="MsoHyperlink"><o:p></o:p></span></div>
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<a href="http://hnsa.org.au/sponsorship-opportunities/">Learn
about our sponsorship opportunities.</a><o:p></o:p></div>
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Let’s make a noise
about historical fiction!<o:p></o:p></div>
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<span lang="EN-US">This interview is based on answers originally published in
<a href="http://www.tlgmagazine.org/hazel-edwards.html" target="_blank">The Looking Glass</a> </span>and Hazel was questioned by Dominique Twomey </div>
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Elisabeth Storrshttp://www.blogger.com/profile/02808281191985275826noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-77673739256523155732017-07-17T09:00:00.000+10:002017-07-17T09:00:23.487+10:00Interview with Kim Kelly<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "times" , "times new roman" , serif;">Kim Kelly has penned six works of Australian historical fiction, including the acclaimed<span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> </span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-style: italic; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Wild Chicory</span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-style: italic; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> </span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">and</span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> </span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-style: italic; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Jewel Sea</span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">. Noted for a style that is ‘colourful, evocative and energetic’ (</span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-style: italic; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Sydney Morning Herald</span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">) and for her ‘impressive research’ (</span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-style: italic; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Daily Telegraph</span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">), Kim’s writing shines a light on forgotten corners of the past, exploring Australian cultural iconography with humour and heart. ‘Why can’t more people write like this?’ said the Melbourne</span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> </span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-style: italic; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Age.</span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> </span><span class="LineBreakBlob BlobObject DragDrop SCXW203262631" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"><span class="SCXW203262631" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; margin: 0px; padding: 0px: pre !important;"> </span></span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Born and raised in Sydney, today Kim lives on a small rural property in central New South Wales just outside the tiny gold-rush village of Millthorpe, where the ghosts are mostly friendly and the </span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"><span class="SpellingError SCXW203262631" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-image: url(data:image/gif; background-position: left bottom; background-repeat: repeat no-repeat; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">verandah</span></span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> posts nicely preserved. Kim is </span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">also a respected book editor with twenty years’ experience in the Australian publishing industry, and is a literary consultant for </span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"><span class="SpellingError SCXW203262631" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-image: url(data:image/gif; background-position: left bottom; background-repeat: repeat no-repeat; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Varuna</span></span><span class="TextRun SCXW203262631" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">, The National Writers House.</span><span class="EOP SCXW203262631" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"> </span></span><br />
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<b style="font-family: times, 'times new roman', serif;"><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">What is the inspiration for your current book?</span><span class="EOP SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"> </span></b></h3>
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<span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">The inspiration for </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; font-style: italic; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Jewel Sea </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">found its spark on</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">e rainy </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">afternoon a couple of years ago. I was</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> idly trawling Goodreads, </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">looking for some new Australian history to entertain me, and up popped a book called </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; font-style: italic; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"><span class="SpellingError SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-image: url(data:image/gif; background-position: left bottom; background-repeat: repeat no-repeat; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Koombana</span></span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; font-style: italic; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> Days</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> by Annie Boyd. I don’t know if it was the photo of handsome sailor lads on the cover or the whisper of magic in the name of their ship, </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; font-style: italic; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"><span class="SpellingError SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-image: url(data:image/gif; background-position: left bottom; background-repeat: repeat no-repeat; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Koombana</span></span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">, but I knew almost straightaway I would write a fict</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">ion inspired by this true tale</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; font-style: italic; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">.</span><span class="EOP SCXW147485632" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;"> </span></div>
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<span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Here was Australia’s own </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; font-style: italic; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Titanic </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">tragedy, a luxury steamship lost to the forces of nature, and yet, history nerd that I am, I’d never heard of it. Here was a story that unfolded off the coast of Western Australia – a place I knew very little about but would soon discover was filled with amazing history, of the pearl and cattle industries and the frontier conflicts of the </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"><span class="SpellingError SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-image: url(data:image/gif; background-position: left bottom; background-repeat: repeat no-repeat; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Kimberleys</span></span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">. Very early on in my research I also discovered there was a cursed pearl said to have been aboard the ship when she went down. I mean, it doesn’t get much more tantalising than that for me. </span><span class="EOP SCXW147485632" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;"> </span></div>
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<span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"><br /></span></div>
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<span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">I love the surprise of discovering new places in history or seeing something familiar afresh there, so </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; font-style: italic; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Jewel Sea</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> was a wonderful </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">research</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> odyssey for me</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">, a journey I couldn’t wait to e</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">mbark upon once that first flash of story had captured my imagination</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">.</span><span class="EOP SCXW147485632" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;"> </span><br />
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<b style="font-family: Times, 'Times New Roman', serif;"><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Is t</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">here a particular theme you are exploring</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> in this book?</span><span class="EOP SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"> </span></b></h3>
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<div class="Paragraph SCXW147485632" paraeid="{b977f639-62b7-49ef-a6cb-06f084b336f1}{43}" paraid="913777013" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; padding: 0px; vertical-align: baseline; word-wrap: break-word;">
<span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">All my historical fictions look at some element of Australia</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">’s past</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> through du</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">al lenses of love and politics, and in </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; font-style: italic; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Jewel Sea</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> the</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">se focus </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">in on the themes </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">of theft, greed and dispossession</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">,</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> in many</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> and varied guises</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">. I’m particularly interested in how ordinary people experience the big, iconic events of </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">history, too. There are no kings and queens in my stories – just </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">people</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> trying to live and love and, hopefully</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">,</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> learn something along the way.</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> </span><span class="EOP SCXW147485632" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;"> </span><br />
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<span style="font-family: "times" , "times new roman" , serif;"><b><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Which</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> period of history particularly interests you? Why?</span><span class="EOP SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"> </span></b></span></h3>
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<span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Most of my stories are set in ea</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">rly twentieth century Australia, and I’m drawn to these decades for a number of reasons. Australia</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> was </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">moving from colony to nation; our political divide – and its red-team-blue-team idiocies – was not only forming but quickly ossifying; war and depression inflicted terrible wounds on the national psyche, but </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">arguably also shaped the tenacity in</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> our character. </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">I</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">nteresting waves of immigration </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">also</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> occurred over this time, as well as </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">the burgeoning of Aboriginal </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">political identity – so many rich veins of both cultural expansiveness and hideous bigotry to mine. But possibly of greatest significance, this wa</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">s the Australia</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> of my grandparents – the people whose lives inspired me first, as a child, to</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">want to know where I come from.</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> </span><span class="EOP SCXW147485632" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;"> </span><br />
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<div class="Paragraph SCXW147485632" paraeid="{b977f639-62b7-49ef-a6cb-06f084b336f1}{147}" paraid="249175079" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; padding: 0px; vertical-align: baseline; word-wrap: break-word;">
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<span style="font-family: "times" , "times new roman" , serif;"><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"><b>What resources do you use to research your book?</b></span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> </span><span class="EOP SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"> </span></span></h3>
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<span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Because </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">I try to take the view of the</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> ordinary person </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">in the street</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">, I use a lot of primary sources that show me the lived, social history of the period. </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">I’m a mad Trover</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> – I’m sure I write novels just as an </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">excuse to read masses and masses</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> of old newspapers. Photographs, a</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">udio and film archives and oral histori</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">es</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> are often hugely useful to me too in trying to not so much reconstruct a facsimile of the past but to get a feel for the heart of my characters: their concerns, the rhythms of their days</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">. </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">But probably the richest little treasure stash I have is one I carry around all the time in my own heart: family stories, the myths and legends that make me – and </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">so often inspire</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> my curiosity</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">, calling me</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> to explore a period or event more broadly.</span><span class="EOP SCXW147485632" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;"> </span><br />
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<span style="font-family: "times" , "times new roman" , serif;"><b><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">What is more important to you: historical authenticity or accuracy?</span><span class="EOP SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"> </span></b></span></h3>
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<span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">I always say I write hist</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">orical</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> fic</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">tion</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> in order to </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">attempt to </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">do something constructive with all my research. I’m an </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">absolute </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Aus</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">tralian</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> history and politics junkie – just can’t get enough. </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">As I said above, </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">I’m a Trove-</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"><span class="SpellingError SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-image: url(data:image/gif; background-position: left bottom; background-repeat: repeat no-repeat; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">aholic</span></span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> too, so research is just a part of my every day. I love to build my research as I’m writing, and to have that research inform and sometimes steer the direction of the narrative, to keep the thrill of discovery al</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">i</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">ve – and hopefully </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">make it all </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">compelling for the reader too</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">.</span><span class="EOP SCXW147485632" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;"> </span><br />
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<span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">As for the facts, I reckon they must be stuck to, especially in terms of dates and well-documented events and characters. But it’s the question marks and blank spaces between the facts we historical </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"><span class="SpellingError SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-image: url(data:image/gif; background-position: left bottom; background-repeat: repeat no-repeat; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">fictioneers</span></span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> are mostly so attracted to – the what-ifs – and I reckon, so long as we stick with plausibility</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">, and keep a measure of respect for our subjects as fellow human beings</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">, we can do whatever we like inside those questions.</span><span class="EOP SCXW147485632" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;"> </span><br />
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<span style="font-family: "times" , "times new roman" , serif;"><b><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Which character</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> in your current book</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> is your favourite? Why?</span><span class="EOP SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"> </span></b></span></h3>
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<span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">I never have favourites as such – al</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">l</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> my characters are signi</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">ficant to me, pieces of me, really</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">. </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; font-style: italic; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Jewel S</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; font-style: italic; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">ea</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> was the fir</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">s</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">t time I tackled a real character from history</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> in any depth, though – a pearl dealer called Abraham Davis</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">. </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">He’s n</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">ot a well-know</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">n character, history doesn’t have too much to say about him, and it was a </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">tricky</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> line to tread attempting to fill in the gaps of his character in order to bring him to life. A </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">challenge</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> I enjoyed, although it was a little nerve-wracking – so much so that I tracked down one of his descendants to warn him I’d done the deed</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">, and </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">had </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">included some not-so-flattering conjecture on his dealings</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">.</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> Thankf</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">ully that relative took it well – phew.</span><span class="EOP SCXW147485632" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;"> </span><br />
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<span style="font-family: "times" , "times new roman" , serif;"><b><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Are you a </span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">‘</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">plotter</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">’</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> or a </span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">‘</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"><span class="SpellingError SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-image: url(data:image/gif; background-position: left bottom; background-repeat: repeat no-repeat; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">pantser</span></span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">’</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">? How long does it generally take you to write a book?</span><span class="EOP SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"> </span></b></span></h3>
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<span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">All of my stories begin with the voices of the characters. I write mostly first-person stream-of-consciousness, so the characters have to drive the whole show. Without them there is no impetus, no launch pad. I don’t plan my plots – again because I love the surprise </span><span class="EOP SCXW147485632" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;"> </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">of discovery – but I do sketch out my rough history timeline so that I don’t wobble off from the necessary facts as I go. I sort of also know where I’m going to end up, too, when my characters set out. I just don’t know how they’re going to get there.</span><span class="EOP SCXW147485632" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;"> </span><br />
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<b style="font-family: times, 'times new roman', serif;"><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Which authors have influenced you?</span><span class="EOP SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"> </span></b></h3>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJQsFsL34IJJpFZ0E_zjcU9Ee_qhLmglIpQaUlKFeJLONBvK3i3GOKpQ_0pW-n8VFAg8PzhumitH_EHXAbw_A8_5lgRzCTQM2vMRtX0D4NCgKi9gzgZH-SnMr5Bv4CluUnzyquxMZISKwW/s1600/Wild+Chicory+cover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="475" data-original-width="307" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJQsFsL34IJJpFZ0E_zjcU9Ee_qhLmglIpQaUlKFeJLONBvK3i3GOKpQ_0pW-n8VFAg8PzhumitH_EHXAbw_A8_5lgRzCTQM2vMRtX0D4NCgKi9gzgZH-SnMr5Bv4CluUnzyquxMZISKwW/s320/Wild+Chicory+cover.jpg" width="206" /></a></div>
<span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Reading as a teen was where my novel-writing dreams really took flight. </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; font-style: italic; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Picnic At Hanging Rock</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> and </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; font-style: italic; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Power Without Glory</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">, two iconic Australian tales, switched me on not only to the idea of wanting to write big narratives one day myself, but to the idea that Australia and Australian history are fascinating places to explore.</span><span class="EOP SCXW147485632" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;"> </span></div>
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<span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></div>
<div class="Paragraph SCXW147485632" paraeid="{6fbb9227-9d55-44a1-b2a0-67b9e00d5610}{116}" paraid="92587053" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; padding: 0px; vertical-align: baseline; word-wrap: break-word;">
<span style="font-family: "times" , "times new roman" , serif;"><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">I’ve got to say I do love a story with a sense of humour. Playfulness in voice and narrative approach are big draws for me.</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> One of my perennial favourites there is Liz Jensen’s War Crimes for the Home.</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> I also love stories that place love at the centre of the universe – not necessarily in a romantic sense, but in an uplifting sense. The older I get, the less in</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">terested I am in reading any grim exploration </span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">of the darkness of humanity</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> for its own sake</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">. We’re living in dark times – </span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">maybe </span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">we should be throwing each other ropes out of the mire, or at least valuing those who attempt to.</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> One of my recent love-favourites is Anita </span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"><span class="SpellingError SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-image: url(data:image/gif; background-position: left bottom; background-repeat: repeat no-repeat; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Heiss’s</span></span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> </span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-style: italic; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Barbed Wire and Cherry Blossoms</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> for its ability to range into tricky political terrain with compassion and joyfulness.</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> </span><span class="EOP SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"> </span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span class="EOP SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"><br /></span></span></div>
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<div class="Paragraph SCXW147485632" paraeid="{6fbb9227-9d55-44a1-b2a0-67b9e00d5610}{180}" paraid="268356660" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; padding: 0px; vertical-align: baseline; word-wrap: break-word;">
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<span style="font-family: "times" , "times new roman" , serif;"><b><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">What </span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">advice would you give an aspiring author?</span><span class="EOP SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"> </span></b></span></h3>
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<div class="Paragraph SCXW147485632" paraeid="{6fbb9227-9d55-44a1-b2a0-67b9e00d5610}{180}" paraid="268356660" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; padding: 0px; vertical-align: baseline; word-wrap: break-word;">
<span class="TextRun SCXW147485632" lang="EN-US" style="font-family: "times" , "times new roman" , serif; line-height: 22px; margin: 0px; padding: 0px;" xml:lang="EN-US">Respect your work enough to invest in it – time, money and tears. Build your skills all the time through reading and thinking about your work. Study the work of others you admire, steal their magic and </span><span class="TextRun SCXW147485632" lang="EN-US" style="font-family: "times" , "times new roman" , serif; line-height: 22px; margin: 0px; padding: 0px;" xml:lang="EN-US">make it your own. Know that there is no end to this learning and thieving and reinventing, and that success is not seeing your name on the cover of a book. Success lives brightest in the completion of each piece of work and in your perseverance against the knowledge that nothing you do will ever be truly finished. Success is your white-knuckled and tender-hearted courage to do this thing despite all your reasons not to. Don’t count your worth by the measures of others – ever. Let love and curiosity drive your ambition, let them take you to places you haven’t dreamed of yet. Value those who tell you that your work means something to them – value their criticisms and their every compliment too – because they are your gold. </span><span class="EOP SCXW147485632" style="font-family: "times" , "times new roman" , serif; line-height: 22px; margin: 0px; padding: 0px;"> </span><br />
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<div class="Paragraph SCXW147485632" paraeid="{6fbb9227-9d55-44a1-b2a0-67b9e00d5610}{200}" paraid="2073422006" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; padding: 0px; vertical-align: baseline; word-wrap: break-word;">
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<span style="font-family: "times" , "times new roman" , serif;"><b><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Tell us about your next book or</span><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> work in progress</span></b></span></h3>
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<span style="font-family: "times" , "times new roman" , serif;"><span class="EOP SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"> </span></span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">I have three</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> manuscripts </span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">on the go right now: a Cold War story, a gold rush tale, and one about orthopaedic surgery across the first half of the twentieth century</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">. There’s a mixed batch! I’m about to begin another on travelling performers during the years of the First World War – just for something different again. Heh. I have far too many stories to write; not enough years left on earth to see them written.</span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"> </span><span class="EOP SCXW147485632" style="font-family: "times" , "times new roman" , serif; line-height: 25px; margin: 0px; padding: 0px;"> </span></div>
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<span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: medium;">Jewel Sea</span></b></span></h3>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAdWmnTRoDtSLvdmmWS2Wy03qqnChqNDaPtNeOc-vci-blrrPMvRWCePr2qaMvAN5Gfs5PjUOth7Ar6ErFqzBZiITjeAHIaMe3nVsHe5Izhz6wmTZ0iNjh9Pjc0Hlbv3cmDnZ4AK-FHIM/s1600/Jewel+Sea+cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="475" data-original-width="315" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAdWmnTRoDtSLvdmmWS2Wy03qqnChqNDaPtNeOc-vci-blrrPMvRWCePr2qaMvAN5Gfs5PjUOth7Ar6ErFqzBZiITjeAHIaMe3nVsHe5Izhz6wmTZ0iNjh9Pjc0Hlbv3cmDnZ4AK-FHIM/s320/Jewel+Sea+cover.jpg" width="212" /></a></div>
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<span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: medium;"><br /></span></b></span></div>
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<div class="Paragraph SCXW147485632" paraeid="{abe8c61b-74af-4027-8d2a-bb3864d59704}{65}" paraid="329653187" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; padding: 0px; vertical-align: baseline; word-wrap: break-word;">
<span style="font-family: "times" , "times new roman" , serif;"><i><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="NormalTextRun SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">March, 1912, a sultry Indian summer hangs over the west coast of Australia and aboard the luxury steamship SS </span></span><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="SpellingError SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url(data:image/gif; background-position: left bottom; background-repeat: repeat no-repeat; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Koombana</span></span><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="NormalTextRun SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">, three tales entwine.</span></span><span class="LineBreakBlob BlobObject DragDrop SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"><span class="SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; margin: 0px; padding: 0px;"> </span></span><span class="TextRun EmptyTextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 20px; margin: 0px; padding: 0px;" xml:lang="EN-AU"></span><span class="LineBreakBlob BlobObject DragDrop SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 20px; margin: 0px; padding: 0px;"><span class="SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; margin: 0px; padding: 0px;"> </span></span><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="NormalTextRun SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">Irene </span></span><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="SpellingError SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url(data:image/gif; background-position: left bottom; background-repeat: repeat no-repeat; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Everley</span></span><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="NormalTextRun SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;"> longs to leave her first-class fishbowl existence, secretly penning a gossip column as her life spirals out of control into soulless liaisons and alcohol, the long shadow of a tragedy clouding her view.</span></span><span class="LineBreakBlob BlobObject DragDrop SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"><span class="SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; margin: 0px; padding: 0px;"> </span></span><span class="TextRun EmptyTextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 20px; margin: 0px; padding: 0px;" xml:lang="EN-AU"></span><span class="LineBreakBlob BlobObject DragDrop SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 20px; margin: 0px; padding: 0px;"><span class="SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; margin: 0px; padding: 0px;"> </span></span><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="NormalTextRun SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">James Sinclair, an investor on his way to Broome is not the man he says he is but can he be trusted?</span></span><span class="LineBreakBlob BlobObject DragDrop SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"><span class="SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; margin: 0px; padding: 0px;"> </span></span><span class="TextRun EmptyTextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 20px; margin: 0px; padding: 0px;" xml:lang="EN-AU"></span><span class="LineBreakBlob BlobObject DragDrop SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 20px; margin: 0px; padding: 0px;"><span class="SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; margin: 0px; padding: 0px;"> </span></span><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="NormalTextRun SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">Abraham Davis, a wealthy dealer whose scandalous divorce is being dragged through the press, prepares to take the gamble of his life: to purchase an infamous, stolen pearl along the journey north.</span></span><span class="LineBreakBlob BlobObject DragDrop SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"><span class="SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; margin: 0px; padding: 0px;"> </span></span><span class="TextRun EmptyTextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 20px; margin: 0px; padding: 0px;" xml:lang="EN-AU"></span><span class="LineBreakBlob BlobObject DragDrop SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 20px; margin: 0px; padding: 0px;"><span class="SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; margin: 0px; padding: 0px;"> </span></span><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="NormalTextRun SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">Perfectly round, perfectly pink, this pearl comes with a curse and with a warning – destroying all who keep it from returning to the sea. </span></span><span class="EOP SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"> </span></i></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><i><span class="EOP SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"><br /></span></i></span></div>
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<div class="Paragraph SCXW147485632" paraeid="{abe8c61b-74af-4027-8d2a-bb3864d59704}{85}" paraid="1491646579" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; padding: 0px; vertical-align: baseline; word-wrap: break-word;">
<span style="font-family: "times" , "times new roman" , serif;"><i><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="NormalTextRun SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">Based on the true story of the loss of the luxury steamship </span></span><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="SpellingError SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url(data:image/gif; background-position: left bottom; background-repeat: repeat no-repeat; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Koombana</span></span><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="NormalTextRun SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;"> to</span></span><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="NormalTextRun SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;"> a storm off the coast of North-Western Australia, </span></span><span class="TextRun SCXW147485632" lang="EN-AU" style="font-weight: bold; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU">Jewel Sea</span><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="NormalTextRun SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;"> </span></span><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="NormalTextRun SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">is a tale of</span></span><span class="TextRun Highlight SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; outline: transparent solid 1px; padding: 0px;" xml:lang="EN-AU"><span class="NormalTextRun SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;"> fatal desire, theft and greed – a story of kindred spirits searching for courage and redemption.</span></span><span class="EOP SCXW147485632" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; line-height: 25px; margin: 0px; padding: 0px;"> </span></i></span></div>
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Buy Kim's books <a href="http://www.theauthorpeople.com/kim-kelly/" target="_blank">here</a>:<br />
<br />
<span style="font-family: "times" , "times new roman" , serif;">Connect with Kim: </span><br />
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<span style="font-family: "times" , "times new roman" , serif;"><span class="TextRun SCXW147485632" lang="EN-AU" style="-webkit-nbsp-mode: normal !important; -webkit-user-drag: none; -webkit-user-select: text; font-variant-ligatures: none !important; line-height: 25px; margin: 0px; padding: 0px;" xml:lang="EN-AU"><a href="https://kimkellyauthor.com/" target="_blank">Website</a>, </span></span><a href="https://www.facebook.com/KimKellyAuthor/?ref=aymt_homepage_panel" style="font-family: times, 'times new roman', serif;" target="_blank">Facebook</a><span style="font-family: "times" , "times new roman" , serif;">, </span><a href="http://www.twitter.com/@KimKellyAuthor" style="font-family: times, 'times new roman', serif;" target="_blank">Twitter</a>, <span style="font-family: "times" , "times new roman" , serif;"> </span><a href="http://www.instagram.com/@kimkellyauthor" style="font-family: times, 'times new roman', serif;" target="_blank">Instagram</a><span style="font-family: "times" , "times new roman" , serif;"> </span></div>
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Kim Kelly will be appearing at the HNSA 2017 conference in
the following panel: <o:p></o:p></div>
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<b>Immigrant Stories and Disapora: how pioneers adapt and
survive in their new land</b><o:p></o:p></div>
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Immigrants have helped build our multicultural nations over
many generations. Hanifa Deen explores how Maxine Alterio,
Arnold Zable, Vicky Adin and Kim Kelly breathe life into
tales of prejudice, hardship, homesickness and adaptation.<o:p></o:p></div>
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Kim will also be appearing at our Sydney satellite event at Gordon Branch of
the Ku-ring-gai Library on 26 July 2017 at 6-8 pm with Justin Sheedy, Michelle
Morgan and Winton Higgins. <a href="http://hnsa.org.au/conference/satellite/">More details via our website.</a><o:p></o:p></div>
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HNSA 2017 Conference </h3>
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The HNSA 2017 Melbourne Conference is
being held on 8-10 September 2017 at Swinburne University. This
celebration of the historical fiction genre will showcase over 60 speakers
discussing inspiration, writing craft, research, publishing pathways and
personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>.
Among the many acclaimed historical novelists participating are Kerry
Greenwood, Kate Forsyth,
Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie
Masson, Sulari Gentill, Robert Gott and
Arnold Zable. <a href="http://hnsa.org.au/conference/speakers/">The
HNSA’s speakers’ list is available on the HNSA website.</a> <o:p></o:p></div>
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In addition to the two stream weekend programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft based super
sessions and two research masterclasses</a>.You won’t want to miss
our interactive sessions on armour and historical
costumes either! Purchase a ticket and you will be entered in the
draw to win a $100 Dymocks Gift Card. <o:p></o:p></div>
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<a href="http://hnsa.org.au/manuscript-assessments/">Manuscript
assessments will be conducted by industry experts, Alison Arnold and
Irina Dunn</a>. Our <a href="http://hnsa.org.au/academic-programme/">free
extended academic programme</a> is open for general admission but bookings
are essential. <o:p></o:p></div>
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<a href="http://hnsa.org.au/first-pages-pitch-contest/">Our
First Pages Pitch Contest</a> offers an opportunity
for submissions to be read aloud to a panel
of publishers. And we are delighted to announce the introduction of
our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA Short Story
Contest with a $500 prize!</a> <o:p></o:p></div>
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<a href="http://hnsa.org.au/conference/buy-tickets/">Visit
our website to purchase your tickets now!</a> <o:p></o:p></div>
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<a href="http://eepurl.com/bgWm49">Subscribe to our
newsletter for interviews, reviews and news.</a> <o:p></o:p></div>
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<a href="http://hnsa.org.au/sponsorship-opportunities/">Learn
about our sponsorship opportunities.</a> <o:p></o:p></div>
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Let’s make a noise about historical fiction! </div>
<o:p></o:p></div>
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Historical Novel Society Australasiahttp://www.blogger.com/profile/11454929461653580554noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-64091849098529388112017-07-13T21:34:00.000+10:002017-07-14T10:58:40.786+10:00Interview with Winton Higgins and Michelle Morgan<div dir="ltr" style="text-align: left;" trbidi="on">
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<br />
Our guests today are Winton Higgins and Michelle Morgan. Winton is the author of <i>Rule of Law. </i>He is a Sydney writer and senior academic. He
grew up partly in the outback, and partly in Sydney. He is a graduate of the
universities of Sydney, Stockholm and London. After a brief first career in
law, he pursued a much longer one as a social-science academic at Macquarie
University and UTS, publishing rather than perishing as he went. As a creative
writer he won the 2002 NSW Writers’ Centre’s short story competition, and in
2003 published his travel diary, <i>Journey into Darkness</i>. <i>Rule of Law</i> is his
first novel. You can connect with Winton via his <a href="http://www.wintonhiggins.org/" target="_blank">website</a>.<br />
<br />
Michelle Morgan was a former librarian and is now a full-time writer who lives in the Southern Highlands of NSW. Her first YA novel, <i>Racing the Moon</i>, was published in Australia by Allen & Unwin in 2014, and released in the UK and US in 2015. Her latest release, <i>Flying Through the Clouds</i>, was published in April 2017. Four of Michelle's plays have been performed in short play festivals in Sydney, Newcastle and Armidale. You can connect with Michelle via her <a href="http://www.michellejmorgan.com.au/" target="_blank">website</a>, <a href="https://twitter.com/mjmorganwriter" target="_blank">Twitter</a>, <a href="http://www.facebook.com/mjmorganwriter/" target="_blank">Facebook </a>and <a href="http://www.linkedin.com/in/mjmorganwriter/" target="_blank">LinkedIn</a>.<br />
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<h3>
What is the inspiration for your current book?</h3>
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<b>Winton</b>: In my academic ‘day job’ I research about genocide, and
became inspired by reading more deeply into the first Nuremberg trial 1945-6.
Here was an epic drama in which many
aspects of modern life first saw the light of day, right down to simultaneous
interpreting at transnational events. Yet it’s so badly short-changed in the
history books. I felt a great need to bring it back to life using a novelistic
approach.<o:p></o:p></div>
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<b>Michelle: </b>I’d been toying with the idea of having my main character
learn to fly, so I began researching aviators and flying in the 1930s. When I
visited the Gerringong Historical Society’s Museum to see their exhibition on
Sir Charles Kingsford Smith’s landing and take-off in Southern Cross from Seven
Mile Beach in 1933, I had tingles up and down my spine and could barely talk.
That’s when I decided to develop the story around Joe’s dream of becoming an
aviator. But I also wanted to create sub-plots and flesh out other characters
so readers could relate to the story on many levels.<br />
<br />
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<o:p></o:p></div>
</div>
<h3>
Is there a particular theme you are exploring in this book?</h3>
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<o:p></o:p></div>
<div class="MsoNormal">
<b>Winton: </b>The promoters of the trial pursued the ambition to outlaw
aggressive war and human-rights abuses, and to strip even the most
high-and-mighty perpetrators of their impunity. They wanted an international rule
of law, as the title of my novel makes clear. This is its major theme. A
secondary theme concerns what one might call German redemption: the trial set
postwar Germany on a long and ultimately successful process of coming to terms
with its dark past and emerging as today’s ‘good European’.</div>
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<br />
<b>Michelle: </b>The title - <i>Flying through Clouds </i>- is a metaphor for
adolescence, which is the main theme of the novel. The book also deals sensitively with many themes
and issues, such as: family, friendship, the Depression, resilience, courage,
determination, truth, responsibility, survival, fear, loss, grief, bullying,
violence, gambling, education and work. Many of the issues that teenagers faced
in the 1930s are still relevant today.<br />
<br />
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<o:p></o:p></div>
</div>
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</div>
<h3>
Which period of history particularly interests you? Why?</h3>
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<o:p></o:p></div>
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<b>Winton: </b>The 1930s and 1940s, when humanity sank to its lowest
depths, but also rose to its greatest heights. This period set the parameters
of human evil and human decency.<o:p></o:p><br />
<br />
<b>Michelle: </b>The 1930s are a fascinating period in Australia. Not only
did we feel the full impact of the economic hardship of the Depression but we
managed to build the Sydney Harbour Bridge and develop an Aviation industry.
Our aviators, like CKS, Bert Hinkler and Nancy Bird became famous around the
world. Australian cinema, literature and the Arts were thriving. The Australian
Broadcasting Corporation was established and the new wireless technology spread
throughout the country. Don Bradman was a national hero and Bodyline was a
dirty word. After the Depression, serious conflicts developed around the world.
Hitler rose to power and World War II was imminent.<br />
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQDIVgyXt6f_kTmkOzQ1tRnz5MnJuxpc3GXVyAKXQPMZ1YV_qIpVEiDaAnG_AJ3Rmt9X9F3LLaI0g7ZA_daw3z24hlBozw7V3KyjOIek1HNwdBwB4CpPpkaonfa4uMDEoXFiE_PfynIa_t/s1600/Racing+the+Moon+Cover.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1035" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQDIVgyXt6f_kTmkOzQ1tRnz5MnJuxpc3GXVyAKXQPMZ1YV_qIpVEiDaAnG_AJ3Rmt9X9F3LLaI0g7ZA_daw3z24hlBozw7V3KyjOIek1HNwdBwB4CpPpkaonfa4uMDEoXFiE_PfynIa_t/s320/Racing+the+Moon+Cover.jpg" width="206" /></a></div>
</div>
<h3>
What resources do you use to research your book? </h3>
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<o:p></o:p></div>
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<b>Winton:</b> I build on my professional background knowledge and
understanding. Beyond that, I’ve used official transcripts, and read many
memoirs and contemporary journalistic analyses to get a sense of the
participants’ lived experience of the drama, and to glean many fine-grained
details about daily life and survival in a devastated, isolated city. And of
course Mother Google is always there for me.<o:p></o:p></div>
<div class="MsoNormal">
<br />
<b>Michelle: </b>I spent months reading books about Australia and aviators in
the 1930s, and I watched technical videos on how to fly old Gypsy Moths, over
and over again. I interrogated everyone I knew who had flown before, and was
lucky enough to come across Prue Mason, a children’s author and pilot with
extensive experience flying old planes. The Gerringong and District Historical
Society’s display on Sir Charles Kingsford Smith was a real inspiration, and I
also visited the National Museum in Canberra, Qantas Heritage Collection at
Sydney Airport, the Bradman Museum in Bowral, Fleet Air Arm Museum at Nowra,
the Temora Aviation Museum and the Queensland Museum as well as small museums
in country towns.<br />
<br />
<div class="MsoNormal">
<o:p></o:p></div>
<div class="MsoNormal">
While writing <i>Flying through Clouds</i>, I regularly accessed
online collections of the National Library of Australia, the State Library of
New South Wales, Sydney Living Museums, the Powerhouse Museum, the Dictionary
of Sydney and the Glebe Society, as well as the online collections of many other
Australian museums and libraries.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
</div>
<h3>
What is more important to you: historical authenticity or
accuracy?</h3>
<div class="MsoNormal">
<o:p></o:p></div>
<div class="MsoNormal">
<b>Winton:</b> I can’t really rank these two, or indeed separate them. My
role models all respect (and don’t mess with) the historical record, as I try
to do myself. On the other hand I follow them in ‘filling in the gaps’ in that
record, so historical characters grow from the stick figures walking across the
pages of the history books, into living, breathing human beings with their own
quirks, contingencies, fears, loves and conflicts. This transformation renders
historical processes truly authentic and arresting. <o:p></o:p><br />
<br />
<b>Michelle: </b>Historical authenticity and accuracy go hand-in-hand. I try
to weave historical detail authentically through the narrative and enrich it through
the characters and dialogue. It’s only after I have immersed myself in the
period and culture that I can start to write and develop the characters. During
the editing process, I check for the accuracy of specific historical details
that I’ve incorporated to ensure I haven’t used creative license.<br />
<br /></div>
<h3>
Which character in your current book is your favourite? Why?</h3>
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<o:p></o:p></div>
<div class="MsoNormal">
<b>Winton: </b>Katerina, one of my four point-of-view characters, and a
pioneering simultaneous interpreter at the trial. She’s a German war widow and
nationalist, one of the conspirators who tried to assassinate Hitler in the
last year of the war. She arrives in Nuremberg with her small daughter, and is
newly remarried to an Australian airforce officer who works for the British
prosecution. She senses the trial’s potential to clear the way for an
honourable German revival; she pursues this mission with a will, as she serves
the tribunal while grappling with the trauma and loss she herself has suffered
in the war.<o:p></o:p><br />
<br />
<b>Michelle: </b>I love all my characters but my favourite is the main
character, Joe Riley. Joe is a flawed character, an anti-hero, but occasionally
we see some redeeming qualities. Like many teenagers, Joe is strong-willed,
independent and thinks he’s invincible. So that readers don’t just perceive him
as a petulant teenager, I’ve made him more complex. Joe loves his family, even
though he is constantly arguing with them. He is loyal to his friends, is
gentle and kind to young children, and has a keen sense of humour. Sometimes
though, Joe just can’t seem to put a foot right.<br />
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<o:p></o:p></div>
</div>
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<div class="separator" style="clear: both; text-align: center;">
</div>
<h3>
Are you a ‘plotter’ or a ‘pantser’? How long does it
generally take you to write a book?</h3>
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<o:p></o:p></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg799wiTGzKOIJurDEywwgyUExkJERJXqLSHzrUM9d2f6HeFXd4kOTA5s6k4wvRgsB8YUUdljLS5QNDgup76zSnPUwCvBfc0pGmdE8oCygx8pUOCladQVhJ2z7M9N9GwRXTn-ccJlC0SkiW/s1600/Magnitude.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="617" data-original-width="409" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg799wiTGzKOIJurDEywwgyUExkJERJXqLSHzrUM9d2f6HeFXd4kOTA5s6k4wvRgsB8YUUdljLS5QNDgup76zSnPUwCvBfc0pGmdE8oCygx8pUOCladQVhJ2z7M9N9GwRXTn-ccJlC0SkiW/s320/Magnitude.png" width="212" /></a></div>
<b>Winton:</b> A plotter for the most part. The time it takes me to write a
book varies enormously. Academic ones proceed quite quickly (12 months is my
personal best!), but creative writing requires more care, reflection and
feedback, and takes much longer. <o:p></o:p><br />
<br />
<b>Michelle: </b>When I start writing a book, I have a general idea of where
I’m going, but I’m a pantser. My first draft is all about developing character
and voice. When I have a good understanding of my characters and the world in
which they live, I become more of a plotter and plot the main turning points of
the story. And there’s no story without conflict. But the conflict has to come
from the interaction of the characters. During the editing process, I evaluate
every scene – What impact will it have? How credible is it? Will it drive the
story forward and develop the characters? It took me nearly four years to write
and edit <i>Flying through Clouds</i>.<br />
<div class="MsoNormal">
<o:p></o:p></div>
</div>
<div class="MsoNormal">
<br /></div>
<h3>
Which authors have influenced you?</h3>
<div class="MsoNormal">
<o:p></o:p></div>
<div class="MsoNormal">
<b>Winton:</b> Kate Grenville, Frank Moorhouse, and Hilary Mantel are the
stand-outs. Each of them writes powerfully and imaginatively, and exemplifies
the approach to writing about historical events and institutions that I
consciously follow.<o:p></o:p><br />
<br />
<b>Michelle: </b>These authors have probably influenced me the most: Jackie
French, John Marsden, Sofie Laguna, Morris Gleiztman, Marlena Marchetta, Tim
Winton, Sonya Hartnett, Ruth Park, Miles Franklin, Harper Lee, J. K. Rowling,
F. Scott Fitzgerald, Charles Dickens, Jane Austen and Shakespeare.<br />
<br /></div>
<h3>
What advice would you give an aspiring author?</h3>
<div class="MsoNormal">
<o:p></o:p></div>
<div class="MsoNormal">
<b>Winton: </b>First, develop ‘the craft’ of creative writing very
carefully, and never feel shy about enrolling in your umpteenth how-to-write
programme. (As the old Zen saying goes: if you think you’re getting somewhere,
go back to the beginning!) Secondly, join or form a writers’ group whose
members read each other’s pre-circulated drafts meticulously, and discuss them
in detail at its meetings. It needs to be a group committed to constructive
criticism with the aim of seeing its members’ work accepted for publication –
not a mutual admiration society. <o:p></o:p><br />
<br />
<b>Michelle: </b>Keep reading, writing and editing, and get advice from
professional editors when you’re ready. I think there’s some truth to the 40%
rule – when you think you’ve finished, you’ve only done around 40% of what you
need to do to make your manuscript the best it can be.<br />
<br /></div>
<h3>
Tell us about your next book or work in progress.</h3>
<div class="MsoNormal">
<b>Winton: </b>While I’m waiting for the Next Big Idea, I’m engaging in
some memoir writing that I want to eventually collect into a book (but definitely
not an autobiography!)<o:p></o:p><br />
<br />
<b>Michelle: </b>I’m currently working on my first full-length play, which,
like the short plays I’ve written, is contemporary and for an adult audience.
My next novel will have historical and contemporary settings, but may be for
adults rather than young adults.<br />
<div class="MsoNormal">
<o:p></o:p></div>
</div>
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<br /></div>
<div class="separator" style="clear: both; text-align: center;">
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<br /></div>
<div class="MsoNormal">
<i>At the end of World War II, the Allies have to decide what
to do with the top Nazi war criminals they’ve captured. Rather than simply
shooting them, they take the riskier option of setting up a four-power
international tribunal to try them, with maximum publicity and all the
requirements of due process met. This bold move triggers a tense and gritty
drama involving thousands of war-damaged individuals shipped into Nuremberg, a
small bombed-out city in occupied Germany. Once there, the prosecutors and judges,
led by prominent British and American lawyers, find themselves isolated from
the outside world, starved of basic resources, and flying blind into a trial of
unprecedented complexity, length and size, while under the gaze of the
international media at every turn. <o:p></o:p></i></div>
<div class="MsoNormal">
<i><br /></i></div>
<div class="MsoNormal">
<i>The novel follows four participants through the preparation
and ten-month conduct of the trial: a young GI with a German-Jewish background
who gets snapped up by the American prosecutors for his interpreting skills;
the former head of German Radio, on trial for his life; a German war widow and
pioneer of simultaneous interpreting, now remarried to a British prosecution
investigator; and one of the two British judges sitting on the tribunal.
Through their eyes and ears, we experience the horrors of Nazi war crimes being
revealed to a world public for the first time, the perilous makeshift of the
trial process, and the moments of high drama when it seems that the whole
edifice is about to collapse. They are participants in this very public
enterprise while struggling to lead meaningful private lives and pursue their
own ambitions amid the devastation of postwar Germany. <o:p></o:p></i></div>
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<i><br /></i></div>
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</div>
<div class="MsoNormal">
<i>In the epilogue, set in the present day, a startling
encounter in the old Nuremberg courtroom gives us a glimpse of the trial’s legacy—for
the international rule of law, and for a new culture of German acknowledgment
of past criminality that reunification has fostered.</i></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
You can purchase <i>Rule of Law</i> via <a href="http://www.abbeys.com.au/book/rule-of-law-book-9780994429506.do" target="_blank">Abbeys </a>and <a href="https://www.newsouthbooks.com.au/books/rule-law/" target="_blank">New South Books.</a><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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<i>It’s not easy being a teenage boy growing up in the tough
neighbourhood of Glebe in the 1930s. It’s even harder when your dream is to
become an aviator, your parents are dead against it, and your girlfriend’s
father is the School Principal. But Joe has even bigger challenges he must face
and obstacles to overcome if he wants to achieve his dream. He has a plan and
won’t let anyone stand in his way.</i><o:p></o:p><br />
<i><br /></i></div>
<div class="MsoNormal">
<div class="MsoNormal">
<i>Flying through Clouds</i>
can be ordered from your local bookshop, online suppliers such as <a href="https://www.booktopia.com.au/flying-through-clouds-michelle-morgan/prod9780995386501.html">Booktopia</a>
or on <a href="http://www.michellejmorgan.com.au/books">Michelle’s
website</a>.<o:p></o:p></div>
</div>
</div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<i>Racing the Moon</i> is available via <a href="https://www.amazon.com/Racing-Moon-Michelle-Morgan/dp/1743316356/" target="_blank">Amazon </a>and <a href="https://www.bookdepository.com/Racing-the-Moon-Michelle-Morgan/9781743316351" target="_blank">Book Depository</a>.<br />
<br /></div>
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<br />
Winton Higgins and Michelle Morgan areappearing in our Sydney Meet the Author
satellite event on 26 July 2017 at the Gordon Library 799 Pacific Highway, Gordon from 6.00-8.00 pm discussing 'Wings into History: How the Past Inspires Historical Fiction' with Justin Sheedy and Kim Kelly. <a href="http://hnsa.org.au/conference/satellite/" target="_blank">More information and ticketsare available from the HNSA website.</a> </div>
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<b> <o:p></o:p></b></div>
<h3>
HNSA 2017 Conference</h3>
<div class="MsoNormal">
<o:p></o:p></div>
<div class="MsoNormal">
The HNSA 2017 Melbourne Conference is being held on 8-10
September 2017 at Swinburne University. This celebration of the historical fiction genre will showcase
over 60 speakers discussing inspiration, writing craft, research, publishing
pathways and personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>.
Among the many acclaimed historical novelists participating are Kerry
Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie
Masson, Sulari Gentill, Robert Gott and Arnold Zable. <a href="http://hnsa.org.au/conference/speakers/">The HNSA’s speakers’ list is
available on the HNSA website.</a></div>
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<br /></div>
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In addition to the two stream weekend programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft based super
sessions and two research masterclasses</a>.You won’t want to miss our interactive
sessions on armour and historical costumes either! Purchase a ticket and you
will be entered in the draw to win a $100 Dymocks Gift Card.<o:p></o:p></div>
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<a href="http://hnsa.org.au/manuscript-assessments/">Manuscript
assessments will be conducted by industry experts, Alison Arnold and Irina Dunn</a>.
Our <a href="http://hnsa.org.au/academic-programme/">free extended academic
programme</a> is open for general admission but bookings are essential.<o:p></o:p></div>
<div class="MsoNormal">
<a href="http://hnsa.org.au/first-pages-pitch-contest/">Our
First Pages Pitch Contest</a> offers an opportunity for submissions to be read
aloud to a panel of publishers. And we are delighted to announce the
introduction of our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA
Short Story Contest with a $500 prize!</a> <o:p></o:p></div>
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<br /></div>
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<a href="http://hnsa.org.au/conference/buy-tickets/">Visit
our website to purchase your tickets now!</a> <o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
<a href="http://eepurl.com/bgWm49">Subscribe to our
newsletter for interviews, reviews and news.</a><span class="MsoHyperlink"><o:p></o:p></span></div>
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<br /></div>
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<a href="http://hnsa.org.au/sponsorship-opportunities/">Learn
about our sponsorship opportunities.</a><o:p></o:p></div>
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</div>
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Let’s make a noise
about historical fiction!<o:p></o:p></div>
</div>
Elisabeth Storrshttp://www.blogger.com/profile/02808281191985275826noreply@blogger.com0tag:blogger.com,1999:blog-2190370394721818149.post-8956935842181988532017-07-10T23:09:00.000+10:002017-07-10T23:09:55.009+10:00Imagining the Past Podcast Series: Lucy Treloar<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoYp7VZi1p_2qhfUcSvb2iZKt4HJ8thxRMkTD1-XUDaIH7hl-phHMOE-f2cCcwQfQ9J2zCTgGyZNlANE1bqmD64OsBPQiguXKTGHwMaY4Jk42t-g6C4iB1yMa8F6B2l4PQ4pH1igE2u1o/s1600/00+Imagining+the+Past.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoYp7VZi1p_2qhfUcSvb2iZKt4HJ8thxRMkTD1-XUDaIH7hl-phHMOE-f2cCcwQfQ9J2zCTgGyZNlANE1bqmD64OsBPQiguXKTGHwMaY4Jk42t-g6C4iB1yMa8F6B2l4PQ4pH1igE2u1o/s320/00+Imagining+the+Past.jpg" width="320" /></a></div>
<br />
HNSA is proud to announce the release of the next podcast in our series 'Imagining the Past'. This week we bring you Lucy Treloar chatting with our host, Kelly Gardiner about specific issues encountered writing Australian colonial fiction. The podcast is a taste of what you will hear at the 2017 HNSA Conference in Melbourne from 8-10 September at Swinburne University Hawthorn. <a href="http://hnsa.org.au/conference/programme/" target="_blank">More information about the programme is available at our website.</a><br />
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Lucy will be appearing in 'First Encounters and Our Colonial Pasts' with Deborah Challinor, Nicole Alexander, Andrew Peters and Josie Arnold on Saturday 9 September at 11.15-12.15 pm.<br />
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Lucy Treloar was born in Malaysia and educated in Melbourne,
England and Sweden. A graduate of the University of Melbourne and RMIT, Lucy is
a writer, editor, mentor and creative writing teacher, and has worked in
Cambodia, where she lived for a number of years, as well as Australia. <br />
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Lucy’s debut novel <em>Salt Creek</em> (Pan Macmillan) was
published in 2015 to critical acclaim, and has since won an Indie Book Award
(Best Debut) 2016 and the ABIA Matt Richell Prize (2016), and been shortlisted
for the Miles Franklin Award among others. In 2014 Lucy won the Commonwealth
Short Story Prize (Pacific Region). <br />
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Lucy’s short fiction has appeared in <em>Sleepers</em>, <em>Overland</em>,
<em>Seizure</em>, and <em>Best Australian Stories</em>,
and her non-fiction in a range of publications. She is currently working on her
second novel – a contemporary fiction set in the US.<a href="http://lucytreloar.com/" target="_blank"> lucytreloar.com</a> Twitter:
@LucyTreloar Facebook: <a href="https://www.facebook.com/LucyTreloarAuthor/" target="_blank">Lucy Treloar Author</a><o:p></o:p></div>
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<i><b>Some things collapse slow, and cannot always be rebuilt, and
even if a thing can be remade it will never be as it was.</b><br />
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Salt Creek, 1855, lies at the far reaches of the remote, beautiful and
inhospitable coastal region, the Coorong, in the new province of South
Australia. The area, just opened to graziers willing to chance their luck,
becomes home to Stanton Finch and his large family, including fifteen-year-old
Hester Finch.<br />
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Once wealthy political activists, the Finch family has fallen on hard times.
Cut adrift from the polite society they were raised to be part of, Hester and
her siblings make connections where they can: with the few travellers that pass
along the nearby stock route - among them a young artist, Charles - and the
Ngarrindjeri people they have dispossessed. Over the years that pass, an
Aboriginal boy, Tully, at first a friend, becomes part of the family.<br />
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Stanton's attempts to tame the harsh landscape bring ruin to the Ngarrindjeri
people's homes and livelihoods, and unleash a chain of events that will tear
the family asunder. As Hester witnesses the destruction of the Ngarrindjeri's
subtle culture and the ideals that her family once held so close, she begins to
wonder what civilization is. Was it for this life and this world that she was
educated?</i><o:p></o:p></div>
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You can purchase <i>Salt Creek</i> via <a href="http://www.booktopia.com.au/salt-creek-lucy-treloar/prod9781760550950.html" target="_blank">Booktopia</a></div>
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HNSA 2017 Conference</h3>
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The HNSA 2017 Melbourne Conference is being held on 8-10
September 2017 at Swinburne University.This celebration of the historical fiction genre will showcase
over 60 speakers discussing inspiration, writing craft, research, publishing
pathways and personal histories in <a href="http://hnsa.org.au/conference/programme/">our weekend programme</a>.
Among the many acclaimed historical novelists participating are Kerry
Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie
Masson, Sulari Gentill, Robert Gott and Arnold Zable. <a href="http://hnsa.org.au/conference/speakers/">The HNSA’s speakers’ list is
available on the HNSA website.</a></div>
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In addition to the two stream weekend programme, <a href="http://hnsa.org.au/super-sessions/">there will be ten craft based super
sessions and two research masterclasses</a>.You won’t want to miss our interactive
sessions on armour and historical costumes either! Purchase a ticket and you
will be entered in the draw to win a $100 Dymocks Gift Card.<o:p></o:p></div>
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<a href="http://hnsa.org.au/manuscript-assessments/">Manuscript
assessments will be conducted by industry experts, Alison Arnold and Irina Dunn</a>.
Our <a href="http://hnsa.org.au/academic-programme/">free extended academic
programme</a> is open for general admission but bookings are essential.<o:p></o:p></div>
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<a href="http://hnsa.org.au/first-pages-pitch-contest/">Our
First Pages Pitch Contest</a> offers an opportunity for submissions to be read
aloud to a panel of publishers. And we are delighted to announce the
introduction of our <a href="http://hnsa.org.au/story-contest/">inaugural HNSA
Short Story Contest with a $500 prize!</a> <o:p></o:p></div>
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<a href="http://hnsa.org.au/conference/buy-tickets/">Visit
our website to purchase your tickets now!</a> <o:p></o:p></div>
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<a href="http://eepurl.com/bgWm49">Subscribe to our
newsletter for interviews, reviews and news.</a><span class="MsoHyperlink"><o:p></o:p></span></div>
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<a href="http://hnsa.org.au/sponsorship-opportunities/">Learn
about our sponsorship opportunities.</a><o:p></o:p></div>
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Our host:</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN2vFbOHyrel94iEIAVhsUHM0PAqKXtJIJ6A4gfebA1HP2KBAdL3N-DDoKBfIs_LU9HnSkCIdXNylm3xSg8BIhF6byv6d4s3rgOTCO4p5R-MwangyPxFM25FUQ9rnR7vKhENf_uf0Kp3k/s1600/Kelly-Gardiner.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN2vFbOHyrel94iEIAVhsUHM0PAqKXtJIJ6A4gfebA1HP2KBAdL3N-DDoKBfIs_LU9HnSkCIdXNylm3xSg8BIhF6byv6d4s3rgOTCO4p5R-MwangyPxFM25FUQ9rnR7vKhENf_uf0Kp3k/s320/Kelly-Gardiner.jpg" width="213" /></a></div>
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<span lang="EN-GB">Kelly Gardiner’s most
recent book is ‘1917’ (published early in 2017), a novel for young readers set
during the First World War. Her previous books include <i>Goddess</i>, based on
the remarkable life of the seventeenth century French swordswoman and opera
singer, Julie d’Aubigny. Kelly’s historical novels for young adults include <i>The
Sultan’s Eyes</i> and <i>Act of Faith</i>, set during the time of the English
Civil Wars and the Inquisition. Both books were shortlisted for the Ethel
Turner Prize in the NSW Premier’s Literary Awards. Her books for younger
readers are the ‘Swashbuckler’ adventure trilogy – <i>Ocean Without End</i>, <i>The
Pirate’s Revenge</i> and <i>The Silver Swan</i> – set in Malta during the
Napoleonic invasion, and a picture book, <i>Billabong Bill’s Bushfire Christmas</i>.
Kelly has worked on newspapers, magazines and websites, and her articles,
poems, book reviews and travel writing have appeared in journals, magazines and
newspapers as diverse as ‘The New York Times’, ‘Marie Claire’, ‘New Idea’, and
‘Going Down Swinging’. She works at the State Library of Victoria and teaches
creative writing at La Trobe University. </span>Kelly is also the co-host of
Unladylike, a podcast on women and writing. Learn more about Kelly at her
website. <a href="https://kellygardiner.com/">https://kellygardiner.com/</a><span lang="EN-GB"><o:p></o:p></span></div>
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