Showing posts with label Barbara Gaskell Denvil. Show all posts
Showing posts with label Barbara Gaskell Denvil. Show all posts

Thursday, June 8, 2017

Interview with Barbara Gaskell Denvil



Our guest today is Barbara Gaskell Denvil, author of The Flame Eater, Sumerford’s Autumn, Fair Weather and many more. Her full list is available on her website. You can connect with Barbara via Facebook and Twitter.

Tell us a little about yourself.

I was born in Gloucestershire, England and later moved to London where I grew up surrounded by books, paintings and antiques. My father was an artist and playwright, my mother a teacher, and my elder sister a successful author first published at age 16. The classic Victorian author Mrs Elizabeth Gaskell was a great, great, great aunt. We were a bookish family. I have worked in many literary capacities, as a publishers’ reader, a television researcher and script writer, an editor, literary critic and published numerous short stories and articles. Then motherhood took precedence. Having three young daughters, two of whom were identical twins, writing had to take a back seat.

Years later I moved to Australia where I now live in a semi-rural area of exceptional beauty, watching the amazing birds and wildlife, and at last writing full length novels. My passion is for late English medieval history and this forms the background for my historical fiction. I also have a love of fantasy and the wild freedom of the imagination, with its haunting threads of sadness and evil. Although all my books have romantic undertones, I would not class them purely as romances. Although we all wish to enjoy some romance in our lives, there is also a yearning for adventure, mystery, suspense and experience. My books include all of this and more, but my greatest loves are the beauty of the written word, and the utter fascination of good characterisation. Bringing my characters to life and taking the reader with me, is my principal aim. I am now self publishing my books, as I found that traditional publishing is not what it used to be. I now have total control over content, covers and titles. With advice from my lovely agent Sheila Drummond, we have hopefully everything covered.

What is the inspiration for The Flame Eater?

I discovered a little known fact occurring during the time period in which my book is set, and this inspired me to look further and develop the situation.

Is there a particular theme you are exploring in this book?

I believe the theme for me is twofold both the detailed extent to which characterisation can be developed and yet remain believable, and also the complex possibilities of the crime mystery, while retaining the surprise ending.

Which period of history particularly interests you? Why?

The late medieval period interests me most. I believe that the modern standards and ideals began during Edward IV’s reign, and continued to develop from there. I also became interested in the character of Richard III, and enjoyed the research to discover whether this was the villain or the hero of the late 15th century.

What resources do you use to research your book?

I have been researching this period for many years. I used to read constantly and studied both original and secondary sources. I am no longer able to read so much since I am losing my eyesight, but I still study when I can.


What is more important to you: historical authenticity or accuracy?

Both. I see them as essential in every way. Accuracy is my particular priority, but authenticity is much the same thing as far as I am concerned.

Which character in your current book is your favourite? Why?

Both Nicholas and Avice, simply because I find them both intensely alive, and I thoroughly enjoyed giving them both reality.

Are you a ‘plotter’ or a ‘pantser’? How long does it generally take you to write a book?

Most of my books have taken approximately 7 to 8 months. And yes, like you I am definitely a ‘Plantser’. 

Which authors have influenced you?

Oh, gracious, every single book I have ever read in one way or another. I suppose Dorothy Dunnett was a principal influence amongst historical authors.

What advice would you give an aspiring author?

To write and then rewrite over and over again. Believe in yourself and don’t listen to advice!

Tell us about your next book or work in progress.

I am now starting a children’s series which is partially historical and partially fantasy. This first book (Bannister’s Muster – Book 1 – SNAP) will be published in early June.  I am so enjoying bringing my favourite medieval era alive for children (8 – 15 year olds).


Intrigue, Romance and Adventure, the ideal escape when curled up with a good book. Nicholas, now heir to the earldom, has no desire to marry his dead brother’s cast-off. Emeline has no desire to marry the brutal monster who murdered his brother, the man she loved and hoped to marry. This arranged marriage is a disaster, Fire rages through the castle and takes over the wedding night, and any hopes of reconciliation. Murder and arson are destroying more than one alliance, the culprit unknown.

It is 1484 and Richard III is England’s monarch. The king entrusts many of his lords in the service of their country, so Nicholas is charged with the undercover investigation into desperately important situations.

Emeline joins with her younger sister and others of the household, determined to discover who is responsible for the disasters which have entirely disrupted their lives. But the suspects are so many. It is therefore a group of eager but desperate women of various ages, characters and capabilities who attempt to solve the mystery. Meanwhile, Nicholas learns that he has a wife to admire and to adore.

But is he a murderer? Is her mother? Her nurse? And will England’s political turmoil threaten their peace and cause even greater uncertainty? Life will never be the same. But perhaps that is just as well.

Many thanks Barbara! 

The Flame Eater is available via Amazon US, Amazon UK and Amazon AU

HNSA 2017 Conference

The HNSA 2017 Melbourne Conference is being held on 8-10 September 2017 at Swinburne University. Barbara Gaskell Denvil will be appearing in in Session Three on Saturday 9 September at 11.15am-12.15pm.

How to Transmute Research into Compelling Historical Fiction
A passion for research doesn’t always translate into creating compelling fiction. Gillian Polack discusses the challenges of converting historical facts into page turning novels with Wendy J Dunn, Barbara Gaskell Denvil, Stephanie Smee and Rachel Nightingale.

Barbara is also appearing in our Meet the Author satellite event on 18 June at the Mail Exchange Hotel, 688 Bourke St, Melbourne from 2.30-4.30pm discussing Ancient and Medieval Fiction with Lindy Cameron, Rachel Nightgale, Linda Weste and Paul Hansen. More information and tickets are available from the HNSA website. 

The conference is a celebration of the historical fiction genre which will showcase over 60 speakers discussing inspiration, writing craft, research, publishing pathways and personal histories in our weekend programme. Among the many acclaimed historical novelists participating are Kerry Greenwood, Kate Forsyth, Deborah Challinor, Libby Hathorn, Lucy Treloar, Sophie Masson, Sulari Gentill, Robert Gott and Arnold Zable. The HNSA’s speakers’ list is available on the HNSA website.

In addition to the two stream weekend programme, there will be ten craft based super sessions and two research masterclasses. You won’t want to miss our interactive sessions on armour and historical costumes either! Manuscript assessments will be conducted by industry experts, Alison Arnold and Irina Dunn. Our free extended academic programme is open for general admission but bookings are essential.

Our First Pages Pitch Contest offers an opportunity for submissions to be read aloud to a panel of publishers. And we are delighted to announce the introduction of our inaugural HNSA Short Story Contest with a $500 prize!




Let’s make a noise about historical fiction!

Tuesday, December 2, 2014

Barbara Gaskell Denvil: A few of my favourite things....



The next author in the ‘Few of my favourite things…’ 2015 HNSA Conference interview series is Barbara Gaskell Denvil who is participating our panel discussing What is it about the Tudors? An exploration of the phenomenon of ‘Tudorphilia’ on Sunday 22nd March 2015.


Barbara Gaskell Denvil

Barbara has been a writer all her life. Born in Gloucestershire, England, she soon moved to London and quickly built up a career publishing numerous short stories and articles while also working as a literary reviewer and critic for ‘Books and Bookmen’, a literary editor, publishers’ reader, and television script writer.   She then spent many hot and colourful years sailing the Mediterranean and living in various different countries throughout Europe. When her partner died, she moved to rural Australia where she still lives amongst the parrots and wallabies, while writing full time. With a passionate interest in the late medieval and Tudor periods of English history, she has now published three novels set in this era.  Satin Cinnabar is self-published on Kindle, while Sumerford’s Autumn and The King’s Shadow are published in Australia by Simon and Schuster, and are available both online and in all Australian bookshops.   All three are novels of adventure, mystery and romance with a strict adherence to historical accuracy.

You can find more about Barbara’s books here

You might also like to follow her blog where she writes fascinating posts about her research. And connect with her on Facebook.

Barbara, please share with us what is or was your favourite…

Book as a child and as a teenager?
My earliest memory of loving any particular book was with The Lion, the Witch and the Wardrobe, and that youthful discovery was sheer delight. I still consider it a remarkable book, and most of the rest of C.S. Lewis’s Narnia series is equally brilliant (though some more than others!) My love of mystical fantasy was born – and continued, for as a teenager I was immediately split between the pleasures of the Regency romance – especially Devil’s Cub by Georgette Heyer which was an absolute joy for those bursting hormones – and the more thoughtful genius of Tolkien’s Lord of the Rings. I still believe that the magic of Middle Earth is unsurpassed, whereas Georgette Heyer also remains an occasional pleasure when I’m feeling despondent. Reading Tolkien when despondent would certainly not lighten the spirits – whereas the Marques of Vidal surely does. Soon afterwards I read Dorothy Dunnett’s Lymond series and that set me off with a passionate love of historical fiction. I’ve moved on to a thousand other books and some of them have become huge favourites, but those early experiences remain in my heart. I was unaware of being influenced at the time, but I now realise that I most certainly was.

Author/authors?
The list would be too long. I admire anyone who has written a book from the heart in whatever genre, but my two particular passions are historical fiction and fantasy. Dorothy Dunnett is the pinnacle for any lover of history along with Mary Renault – whereas there is also the absolute wealth of non-fiction to explore; a beautiful as well as necessary bottomless pit for writers of historical fiction. For non-fiction I greatly admire Annette Carson and Ian Mortimer, but there are many others. One of my greatest loves is Shakespeare, and most of the classics are amazing, but I also love a hundred of the new authors, especially those who are branching out in the worlds of fantasy.

www.amazon.com/Satin-Cinnabar-Barbara-Gaskell-Denvil-ebook/dp/B008MV819Q/

 Satin Cinnabar

Period of history?
My time-machine would be kept very busy. I have loved so many eras – the Regency – the Tudor – the Vikings – the Restoration – and of course, not only am I fascinated by all these eras and their amazing characters, but I would also be determined to discover the truth of all those historical mysteries we are now left with. The huge characters of the past grip me most. What was Henry VIII really like? How about the incredible Earl of Rochester? The Duke of Wellington? Shakespeare himself? Oh I could go on and on. I hope Amazon delivers my time-machine as soon as possible, I’m waiting impatiently! But my very first turn of the dial would take me back to 1483. That would be my absolute dream and I would love to meet Richard III and discover as much as possible about him. He is a minor character in my new book The King’s Shadow – while his presence is a major part of the background. The late medieval is such an intriguing period in history and definitely my favourite.

Character in one of your own books?
Without a doubt, my favourite character in my own books is Jasper, better known as Vespasian, who called himself after Emperor Vespasian for various reasons, the hero/villain in my novel Fair Weather. He was enormous fun to write and I came to know him very well. In the end I felt he was writing himself. He is by no means a normal romantic hero, and that makes him more interesting to me. However, I love all my characters, even the villains. Ludovic is the young handsome hero of Sumerford’s Autumn, and I loved to write about this arrogant young man who experienced such difficulties and suffering that throughout the book he grows and matures. Then there is Andrew, my hero in The King’s Shadow. He is very different to Ludovic, for Andrew is not a handsome man but he is highly skilled, very confident, mysterious and definitely unusual. Meet him, and you know you are safe, whatever challenges you face.

http://books.simonandschuster.com.au/Sumerfords-Autumn/Denvil-Barbara-Gaskell/9781922052599

Sumerford's Autumn

Scene you enjoyed writing?
Now that’s really hard, simply because I enjoy them all. Sometimes, which sounds really awful, I most enjoy writing the sad scenes or the horrible scenes – simply because I get extremely engrossed and try very hard to express the emotions I feel myself. For instance, the bitter suffering so many people experienced – from battle, disease, the abuse of their families and monarchs and the harsh conditions of everyday life. The terrible pain of the past is really not appreciated by so many comfortable folk today. So I almost feel a duty of care to those who suffered long ago, as if I need to explain properly what they went through so that we can truly sympathise with them, and appreciate the improved conditions we have now. I think it sad when I read a book which describes the awful truth of the Plague with just a couple of lines – usually getting the symptoms wrong – and diminishing the appalling pain. So I try to write the truth about these things. I feel I owe it to those long gone. In both Sumerford’s Autumn  and The King’s Shadow there are scenes of suffering or torture, violence and pain, and I don’t relish writing about these things, I simply feel I must. But both books also have scenes of considerable romance and loving, and those are much more fun to write.

Place to write?
My eyes are very bad, so I cannot use a tablet. I have a large screen desktop – and behind my desk is a large window looking out on the swathes of trees, bushes and flowers in my garden – resplendent with parrots, cockatoos and other wildlife. I encourage birds and wildlife into my garden and I can write about England 500 years ago while gazing out at Australian beauty at the same time. All this distracts me from the real world. Escapism! I confess to being an escapism addict.

Step in the process of writing? E.g. researching, drafting, editing etc
Very slow steps, I’m afraid. The research is a permanent affair and has been for years, but while I am writing it is common for some small question to arise, so I need to look up and confirm the facts. So off I go to the bookshelves, I find the right one – or switch to Google and the net – and I’m lost for an hour or more. I do tend to write for 7 or 8 hours most days when I can, but I also re-write over and over and over. Every word matters to me. Then once the book is finished, I try and leave it a month or so in order to gain a somewhat more detached and objective point of view, and then I start again. I re-write from the beginning to the end. Then off the manuscript goes to my beta-readers, members of my family and others who are kind enough to read and give me criticism and feedback, and also to some who are historical experts on the relevant era. When those reports come back then it’s ‘here we go again’ – the last re-write. I edit as I go along, but luckily the publisher also has a wonderful editor as well. So from beginning to end (and I write long books) it usually takes an absorbing 7 to 9 months.

Method of writing i.e. longhand or typing?
Oh, definitely computer. I can enlarge the print and increase the back lighting which really helps because of my poor eyesight. As for those old days of the typewriter – gosh – I used to tear up pages over and over – or ruin them with huge splodges of liquid white. I love my computer, even though I’m no technological expert. Sometimes it drives me mad but I couldn’t write without it.

TV program /movie?
I’m a Game of Thrones fan – yes, it has many faults, but I’m in love with the characterisation and the absorbing unpredictability. I have a million favourite films, but perhaps The Lord of the Rings trilogy stands out in recent years. Escapism again, and so full of atmospheric magic. I am most interested in the transposition of word to film.

Comfort food?
Must I confess? Sadly I run to all the bad things. Mashed potato, cream cakes, fresh crusty bread with lots of butter, and puddings with custard. And – of course – that greatest bliss of all – chocolate. But I like the real thing; dark and rich and intense. I must also admit to being overweight – whereas for practically all my life I was skinny with a very high metabolism. I still ate everything and it didn’t affect me. Now it does! But my greatest comfort isn’t food at all – it is escapism into the amazing atmosphere and intrigue of the past and the joy of making that past come alive on the page.


http://books.simonandschuster.com.au/Kings-Shadow/Denvil-Barbara-Gaskell/9781925030068

The King’s Shadow

Andrew Cobham is a man of unconventional behaviour, his home is unusually grand, and he answers no questions. But as he keeps his own secrets safe, so he works to uncover those of others.

It is 1483 and King Edward IV sits England’s throne, but no king rules unchallenged. Often it is those closest to him who are the unexpected danger. When the king dies suddenly without clear cause, then rumour replaces fact – and Andrew Cobham is already working behind the scenes.
Tyballis, when orphaned young, was forced into marriage with her neighbour, a bully and simpleton. When she escapes his abuse, she meets Andrew Cobham, and gradually an uneasy alliance forms. This is a friendship which will take them in unusual directions as Tyballis becomes embroiled in Andrew’s work and the danger which surrounds him.
Eventually it is a motley gathering of thieves, informers, prostitutes and children that joins the game, determined to help Andrew uncover treason. Abduction, murder, intrigue and political subterfuge come to a climax as the country is thrown onto the brink of war.
But meanwhile within the privacy of their domestic life, Andrew and Tyballis discover something neither had planned.

Barbara will be appearing at the 2015 HNSA Conference in the following panel:



9.45-10.45 am  Session Two
What is it about the Tudors?
The world’s appetite for historical fiction set in Tudor times continues to grow. What is it about this particular royal house that is so compelling? Are publishers ‘playing it safe’ by not encouraging novels set in other eras? What impact has Tudor fiction had on the popularity of historical fiction as a genre? Natalie Grueninger, Wendy J Dunn, Barbara Gaskell Denvil and Lauren Mackay will explore the phenomenon of Tudorphilia.

For more information on all our panels, please visit our site for programme details. And you can buy your tickets here.

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And please take a look at our FREE BOOK OFFERS!

The first 30 ticketholders to purchase a ‘Standard’ Whole Conference Ticket will receive a free copy of either The Lace Balcony by Johanna Nicholls, The King’s Shadow by Barbara Gaskell Denvil or The Island House by Posie Graeme-Evans.

All ticket holders will receive a Momentum ebook bundle in celebration of Felicity Pulman’s launch of Unholy Alliance.

The first 50 fully paid ticket holders will receive a copy of Sherryl Clark’s new book Do You Dare – Jimmy’s War in celebration of her launch.