The world of the Etruscans has always fascinated me. So much so I spent ten years researching their culture for my novel, The Wedding Shroud. Theirs was a sophisticated society situated in the Italian regions we now know of as Tuscany, Umbria and Lazio. While the nascent Republican Rome was still scrapping for ascendancy in Italy against the other Latin tribes, the Etruscans had established a sea empire that spread from north Africa and Egypt up to France and the Black Sea.
Etruscans loved shiny things. The more glittering and ornate the better. The most stunning examples of jewellery and art came from the era known as the ‘Orientalizing’ period from ca. 720-575BCE. This was a time when Phoenician and Greeks were attracted to Etruria due to its rich metal deposits. The Phoenicians were a sea faring people with extensive trading interests across the ancient world. Originally from the area we now know of as Lebanon, they also set up a colony in Carthage (modern Tunisia). Through their trading links, goods from Egypt and Assyria were imported into Etruria and graced the houses of the wealthy.
Enormous bronze and
silver mixing bowls were decorated with mortal and mythical animals:
scarabs, panthers, winged lions, chimeras and sphinxes. Ivory inlaid
boxes were popular as well as faience vases (tin glaze on earthenware)
and even decorated ostrich eggs (a symbol of fertility). Strange glass
‘porcupine’ vases in the shape of tiny coloured glass jugs with spiny
bodies have been found and glass beads were used to decorate fibulae
(brooches) and necklaces. Amber was popular and of course – gold.
Sophisticated techniques that involved filigree, engraving, repousse
(hammered relief decoration) and granulation (where tiny grains of gold
were soldered to cover the surface of an object) were all employed by
gold smiths to stunning effect.
Etruscans covered
themselves with jewellery such as golden wreaths, necklaces with heavy
ball shaped pendants, rings and bullae (lockets). Some pendant earrings
were four inches long or were shaped in heavy grape clusters. Tiers of
tiny gold beads were strung together as bracelets or diadems. And all
this finery was kept in cylindrical containers known as cistae which
were divided into compartments where mirrors, combs and perfume bottles
were stored.
So when you think of designer jewellery –or stylish home wares– the Etruscans paved the way.
The
images are of an intricately fashioned gold ear-stud decorated with a rosette surrounded
by concentric bands and with vitreous glass paste insets (530–480 BC. British Museum) and a
5th to 4th century BCE Etruscan necklace now displayed at the University of Pennsylvania Museum of Archaeology and Anthropology. (Wikipedia Commons.)
5th to 4th century BCE Etruscan necklace now displayed at the University of Pennsylvania Museum of Archaeology and Anthropology. (Wikipedia Commons.)
Elisabeth Storrs is the author of The Wedding Shroud - A Tale of Early Rome. Read more of her posts at Triclinium blog.
That's amazing. It would also be fascinating to discover the origin of the materials that the Etruscans used to create these pieces e.g. where was the gold mined? etc. I believe that there's literature out there that explains the origin of these materials around the Mediterranean and Europe - also interesting to see how far the ancients travelled in the name of trade
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